TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES G - J
Stressing contemporary art

Home Page | General Bibliography | Artists

A - F | K - L | M - S | T - X| Y - Z

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


GAO BO __ (b. 1964, Sichuan; Beijing)

Smith, Karen. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

GAO HONG __ (b. 1924)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

GAO QIANG __

Contemporary Art Series, No 12: Critical–A Series of Great Cross and Other Works; Dialog, Criticize and Study on Gao Zhen, Gao Qiang's Work. Changsha: Hunan Fine Arts Publishing House, 1996.

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

GAO RENJI ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

GAO SHIMING

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

GAO SHIQIANG

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

GAO XIAOHUA ___ (act. Sichuan 1980s, 1990s)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

GAO XIN __

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

GAO XINGJIAN (b. 1940; 1987 to Paris)

Millichap, John. "Gao Xingjian at Alisan Fine Arts" (review). Asian Art News, vol. 8, no. 5 (9-10/98), p. 83.

"News Brief: A Traditionalist." Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), p. 15.

GAO YANG __ (Inner Mongolia; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

GAO ZHEN __

Contemporary Art Series, No 12: Critical–A Series of Great Cross and Other Works; Dialog, Criticize and Study on Gao Zhen, Gao Qiang's Work. Changsha: Hunan Fine Arts Publishing House, 1996.

GE PENGREN ___ (b. 1941; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

GENG JIANYI ___ (b. 1962, Zhengzhou; NZAFA; Hangzhou; Pond Soc.)

The 1994 URARC Report. Beijing: NAAC, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Fei, Dawei. "China/Avant-Garde" (interview by Meng Mei), Art Press 141 (November 1989), p. 30.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Li, Xianting. "The Imprisoned Heart: Ideology in an Age of Consumption." AAP, vol. 1, no. 2 (April, 1994), pp. 25-30.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

MS, 9/85, pp. 35, 44.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

OA, Summer 1991, p. 120.

Recent Works (catalog), Beijing, 1992.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________ and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twenty-First Century, no. 4, 1991.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo meishu bao, no. 2, 1988.

"Zhou Tiehai and Geng Jianyi." (Information sheet and exhibition announcement from Presentation House Gallery, Vancouver, 3/98.)

GO, SIMON (HK)

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

GONG LILONG ___ (b. )

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

MSWX, no. 5 (1995), various articles, repros.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

GOSSELIN, CHUNG-HING (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

GU DEXIN ___ (b. 1962, Beijing; self-taught; Beijing) See New Measurement/ Analysis Group

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 86-87.)

Gu Dexin, Huang Yongping, Zhang Peili (catalog). Paris: Gallery Arnaud Lefebvre, 1992.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou, Hanru. "Le Plaisir du Texte: Zen and the Art of Contemporary China." Flash Art (int'l ed.), no. 173 (11/12 ‘93), p. 64.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Magiciens de la Terre. Paris: Centre Georges Pompidou, 1989.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thiek, Catherine. Four Points of Reference (4 Points de Recontre. Chine, 1996) (catalog). Paris: Galerie de France, 1996.

Twenty-First Century, no. 4, 1991.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

Zhongguo meishu bao, no. 11, 1989, p. 2.

GU GAN

Gu Gan. Gu Gan. Hualing (?) Press, 1996.

GU LIMING ___ (b. 1963, Shandong)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

GU WENDA ___ (b. 1955, Shanghai; studied: Shanghai, NZAFA, SF; 1987 to NY)

Art Gallery International, 10/89.

"The Artist's Voice" (interview). Asian Art News, May-Jun 1993, Hong Kong Supplement, pp. 20-22.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Bad Hair Day." ARTNews, April 1996, p. 70.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chan, Lauk'ung. "Gu Wenda: Gariboldi, Milan" (review). Flash Art (int'l ed.), vol. 25, no. 167 (11-12/92), p. 135.

__________. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114.

Chang, Danielle. American Division 'Post-Cmoellotniinaglpiostm': The United Nations Project, 1993-2000, An Ongoing Worldwide Art Project for the Twenty-First Century : March 18-April 22, 1995. New York, NY : Space Untitled, 1995.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "The Other Face." Asian Art News, vol. 5, no. 4 (Jul/Aug 1995), pp. 41-43.

__________. The Other Face: Three Chinese Artists at the Centenary Exhibition, ‘Identità e Alterità. Venice, 1995.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990.

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

Cohen, Joan Lebold."Two Steps Forward, One Step Back." Art News, vol. 87, May (1988), pp. 123-125.

Croizier, Ralph. "‘Going to the World': Art and Culture on the Cosmopolitan Tide." In Anthony J. Kane, ed. China Briefing, 1989. Boulder, San Francisco, and London: Westview Press, 1989.

Dangerous Chessboard Leaves the Ground (catalog), Toronto: Art Gallery of York University, 1987.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Desire for Words. Hong Kong: Hong Kong Arts Centre, 1992.

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

"Exhibition Commentary" (photo only). ART Asia Pacific, no. 17 (1998), pp. 80-81.

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Fragmented Memory: The Chinese Avant-Garde in Exile. Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 77-81, 111-122.)

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gu, Wenda. "The Cultural War, a Spectre in Europe: Part II." Flash Art (Int'l. ed.), no. 189 (Sum. ‘96), pp. 102-103.

__________. "Art Notes" ____. JSHK, no. 50 (2/85), pp. 29-31, 24-25.

__________. "Confucius Diary: A World-Wide Touring Art Performance." (Artist's statement; rec'd 4/98.)

__________. Dio e I Suoi Figli = God and Children. Milan, Italy: s.n., 1994.

__________. "La divina commedia dei nostri tempi." DARS, no. 144 (1995), pp. 32-35. (Trans. by Monique Sartor.)

__________. The Divine Comedy of Our Times: a Thesis on United Nations Art Project and Its Time and Environment. New York: Wenda Gu, 1995.

__________. Enigma Beyond Joy and Sin: An Installation (other title: Oedipus Refound No. 3). Columbus, Ohio: Wexner Center for the Arts, 1993.

__________. Enigma Beyond Joy and Sin: Wenda Gu: An Ongoing Art Project, Main Gallery of University of Rhode Island, 1994. Kingston, RI: The University, 1994.

__________. The Forest of Steles : An Ongoing Pseudo-Ideograph Painting Installation. New York City: W. Gu, [1994?].

__________. Gu Wenda, 2000 Natural Deaths: March 8-April 21, 1990 curated by Peter Selz and Katherine Cook. San Francisco, Cailf.: Hatley Martin Gallery, c 1990.

__________. Oedipus Refound #2 : The Enigma of Birth: Installation. Oxford, England: Museum of Modern Art, 1993.

__________. The Orient : The Chinese Division of an Ongoing World-Wide Art Project, United Nations for the Twenty-First Century: 1993-2000: An Installation Proposal. New York City : W. Gu, 1995.

__________. Sdaimvsianrea : An Ongoing Life Project. New York City: W. Gu, 1994.

__________. Wenda Gu/ Red Black White Desert. Long Beach, CA: University Art Museum, California State University Long Beach, 1990.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

Hanson, Jo. "Gu Wenda ‘Two Thousand' Natural Deaths." Women Artists News, v. 15 (Fall ‘90), pp. 12-14.

__________. "‘Two Thousand' Natural Deaths." Women Artists News, v. 15 (Spring/ Sum. ‘90), p. 33.

Hay, Jonathan. "Ambivalent Icons: Works by Five Chinese Artists Based in the United States." Orientations, vol. 23, no. 7 (July 1992), pp. 37-43.

Heart of Darkness. Otterlo: Kröller-Müller Museum, 1994.

Heartney, Eleanor. "Report from Johannesburg: Mapping the Postcolonial" (review). Art in America, vol. 86, no. 6 (June 1998), pp. 51-53, 55.

Hou, Hanru. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Jaivin, Linda. "Tao and the Art of Aesthetic Line Maintenance: Gu Wenda Goes West." AAP, vol. 1, no. 2 (April, 1994), pp. 42-47.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Kember, Pamela. "Hairlooms." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 66-69.

__________. "Transcending Stereotypes" (review of the Jiangnan Project). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 61-63.

Levin, Kim. "Construction in Process IV at Lodz." Asian Art News, Jan/Feb 1994, pp. 70-71. (Review.)

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Lucie-Smith, Edward. Art Today. London: Phaidon, 1995.

__________. Visual Arts in the Twentieth Century. New York: Abrams, 1996.

Lufty, Carol. "Asian Artists in America." Atelier, Nov. 1996, pp. 49-58.

__________. "Emigré Artists: Rocky Landings." ARTnews, v. 92 (11/93), pp. 49-50.

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Morgan, Robert C. "Doing Art in Poland: Trying Not to Make Sense." Cover, January 1994, p. 14.

__________. "New York Diary." Arts Magazine, vol. 66, no. 2 (10/91), p. 83. (Review.)

Myers, Terry R. "Construction in Progress." Flash Art, Jan/Feb 1994, p. 58. (Review.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Oedipus Refound (catalog). Milan: Enrico Gariboldi Arte Contemporanea, 1992.

Park, Young M. Asian American Artists; Cross-Cultural Voices (catalog). Stony Brook, New York: Staller Center for the Arts, 1998.

Parsons, Bruce. Gu Wenda: The Dangerous Chessboard Leaves the Ground. Toronto, 1987.

"The Peripatetic Artist: Fourteen Statements." Art in America, July 1989, pp. 130-136.

Price, Sandra. Wang Dong Ling, Wenda Gu: Contemporary Chinese Artists on Workshop/Lecture Tour of U.S." Art Gallery International, 9-10/89, pp. 17-18.

Refound Oedipus Complex (catalog). Milan: Enrico Garibaldi Arte Contemporanea, 1992.

Rubinstein, Raphael. "Rampage in Stockholm." Art in America, April 1996, p. 31.

Schrier, Amy. Flash Asia: International Asian Art Exhibitions in Brief." Flash Art, March 1995, p. 77.

Selz, Peter. "Mice, Temples, Audience: An Interview with Gu Wenda." Arts Magazine, vol. 64, no. 1 (9/89), pp. 36-40.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Smith, Roberta. "Wenda Gu." (Review: sculpture exhibit at In Kahn Gallery, NY.) New York Times, vol. 145 (Fri, Jan 19, 1996): C18(L), col 5, 4 col in.

Soe, Valerie. "Bloodless Symbology." Artweek, v. 21 (3/29/90), p. 11.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Twentieth Century Chinese Painting: Tradition and Innovation. Hong Kong: Urban Council, 1995.

United Nations Project, Italian Division: God and Children. Milan: Enrico Gariboldi Arte Contemporanea, 1994.

van der Plas, Els. "Heart of Darkness" (review). AAP, vol. 2, no. 3 (1995), pp. 118-119.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wenda Gu: The Mythos of Lost Dynasties, 1984-1997 (catalog). Hong Kong: Hanart TZ Gallery, 1997.

Wilson, Kate. "Report from UK." OA, vol. 39, no. 4 (Win. 1993/94), pp. 53-57. (Review of Oxford MOMA.)

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

Xu, Gan. Shape of Ideas: Minimalization as the Structural Device in Selected Works of Samuel Beckett and Gu Wenda. Doctoral dissertation, Ohio University, 1994.

Yishujie ___ (Art Life), January-February, 1997.

Zahm, Oliver, et al. "An Open Letter to the Art World." Siksi, the Nordic Art Review, vol. 51, no. 1 (Spring, 1996), p. 66.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhou, Yan, "Gu Wenda's Oedipus," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993).

Websites:

"Inside Out": Commissions: http://www.asiasociety.org/arts/insideout/commissions.html

NSK: Letter of Support for Alexander Brener (http://heck.com/nsk/nsksupport.html)

V2_East: Syndicate: comment on letter of support (http://www.v2.nl/mail/v2east/0012.html)

GU XIONG __ (b. 1953, Chongqing; SAFA; 1990 to Vancouver) (much of this bio. from Diane Farris Gallery, Vancouver website)

Alibhai, Amir Ali. "The Artist as Archaeologist." 1994.

Balkind, Alvin. "Gu Xiong, 1991: The Crusher." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), p. 40.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Dafoe, Chris. "China's Art Here and There." The Globe and Mail, April 18, 1995.

Gidney, Norman. "Multi-Media Art Tells of Massacre." Victoria Times Colonist, 3-31-91.

Gu Xiong. Red Lands. Toronto: A Space, 1997.

__________. The Yellow Pear. Vancouver/Burnaby: Arsenal Pulp Press/Burnaby Art Gallery, 1997.

__________. You and I (Artspeak Gallery pamphlet with poem). Vancouver: Artspeak Gallery, 1998.

__________ and Gu Yu. A Girl from China (multi-media performance program). Vancouver: Western Front.

"Gu Xiong: Red Lands" (review). MIX (Toronto magazine of artist-run culture), vol. 33.3 (Winter 1997/98).

Gu Xiong and Gu Yu. A Girl from China. Video, 1997.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Here Not There. Vancouver: Vancouver Art Gallery, 1995.

Laurence, Robin. "Memories of the Past, Faces from the Present." Vancouver Sun, Sept. 11, 1993.

__________. "The Spirituality of Everyday Life." The Georgia Straight, March 19-26, 1998, p. 61.

Li Xiaoping. "Identity and Thoughts on Cultural Survival." Essay in pamphlet from Tracing Cultures IV: Cultural Migrations and Difference. Burnaby: Burnaby Art Gallery, 1997.

__________. "Lifeblood." Handout from You and I. Vancouver: Artspeak Gallery, 1998.

Owens, Yvonne. "Beautiful Monsters." Border Crossings, 1996.

Parsons, Bruce. "Insiders and Outsiders: Contemporary Chinese Art." P. 7.

Rosenberg, Ann. "Of Power, Folly and Fantasy."

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wang Ningjun. "Show Is Going with a Bang." China Daily, Feb. 15, 1989. P. 5.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

GU ZHENHUA (b. 1962, Shanghai)

Websites:

ShanghART Website. http://www.shanghart.com/sh-gzh.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

GUAN CE __ (b. 1957, Nanjing; Nanjing Normal; Nanjing)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Contemporary Art Series, No 6: Retrospect and Afterthought–The First Guangzhou Biennial Art Fair in the 90s. Changsha: Hunan Fine Arts Publishing House, 1993.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhang Qing. Here and Now: ‘97 Contemporary Invitational Art Exhibition. 1997.

GUAN WEI __ (b. 1957, Beijing; Beijing Normal Art Dept.; member of Wandering Artists, Beijing; 1993 to Australia)

Art Asia Pacific, vol. 2, no. 4 (1995), p. 1. (Repro.)

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Guan Wei (catalog/brochure). Tokyo: Tokyo Gallery, 1997.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

McAuliffe, Chris. "Australian Perspecta 95" (rev.). World Art, no. 6 (3/95), pp. 94-95.

Pai, Maggie. "Complex Cycles." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 40-43.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Smith, Karen. "Guan Wei at Red Gate Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 80.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites:

Red Gate Gallery. http://www.redgategallery.com

Sherman Galleries. http://www.shermangalleries.com.au/

GUANG JUN __ (b. 1939; CAFA; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

GUANG TINGBO ___ (b. 1938)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

GUANG YAO WU (China; Germany)

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: http://www.eapgroup.ndirect.co.uk/China3.htm)

GUO BEIPING ___ (b. 1949, Xian)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

GUO JIN __ (b. 1964, Chengdu; SAFA; SAFA)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/guo_jin.html

GUO JINGHAN

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

GUO RUNWEN ___ (b. 1955, Jiangmen)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

MSWX, no. 2 (1994), repros.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

GUO WEI __ (b. 1960; SAFA)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

East Meets East in the West. San Francisco: Limn Gallery, 1998.

"The Faces of China's Future" (interview). Limn Magazine, issue 2 (August 1998), pp. 12-23.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Hualang __ (Art Gallery), no. 54 (1996, no. 1).

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Jana, Reena. "East Meets East in the West at Limn Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 95.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Smith, Karen. "Guo Wei." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_guowei.htm

__________. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Websites:

Chinese Contemporary. (Illus. only.) http://www.chinesecontemporary.com./home/artists/guo_wei2.html

GUO YOU __ (b. 1957, Yunnan; Yunnan)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

GUO ZHENCHANG (Taiwan)

Gao Minglu. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

GUO ZHENGSHAN ___ (b. 1954)

MSWX, no. 2 (1994), repros.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

HA BIK-CHUEN ___ (b. 1925, Guangdong; HK)

Binks, Hilary. "Ha Bik-chuen at China Oil Painting Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 100-101. (Review.)

Chattopadhyay, Collette. "Out of Hong Kong." Asian Art News, vol. 6, no. 5 (Sept-Oct, 1996), pp. 76-78.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HA KU (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HAI BO __ (b. 1962, Jilin)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

HAI RIHAN ___ (b. 1958, Inner Mongolia)

MSWX, no. 3 (1995), various articles, repros.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

HAN KAN (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HAN LEI __

Han Lei. Alienation (catalog). Beijing, 1995.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

HAN MEILUN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

HAN XIN

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Chang, Johnson. Hong Kong 1997–It Must Be Shangri-la: Han Xin (catalog). Hong Kong: Hanart TZ Gallery, 1997.

Klein, Norman M. "Underneath the Wave: New Art by Chinese Artists." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 27-30.

HAO JING __ (Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

HAO PING __ (b. 1952, Yunnan; Yunnan)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991. (Same as Hu Bing?: see Noth, p. 320.)

HE BING __

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

HE DAQIAO ___ (b. 1961, Harbin)

Album of Oil Paintings by He Daqiao. Hong Kong: International Exhibition Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

HE DATIAN ___ (b. 1950, Changsha, Hunan; Hunan)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HE DUOLING ___ (b. 1948, Chengdu; SAFA; Chengdu)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

__________. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

__________. "Art and Reality in Twentieth-Century Chinese Painting," in Kao Mayching, ed., Twentieth-Century Chinese Painting (Hong Kong: Oxford University Press, 1988).

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

HE GONG __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

HE JIANGUO ___ (b. 1955, Datong; Beijing)

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

HE JUN __ (b. 1970, Sichuan)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

HE KONGDE ___ (b. 1925, native of Sichuan)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HE SAN __

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

HE SEN __ (b. 1968, Yunnan; studied SAFA)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HE YUNCHANG ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

HE YUNLAN ___ [F] (b. 1962; CAFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

HO, EVA (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

HO HUAI-SHUO (Taiwan)

Findlay, Ian. "The Heart of Landscape." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 50-53.

HO KAN (Taiwan)

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

HO, OSCAR HING-KAY (= He Qingji; b. 1956, HK)

Bennett, Alison. "Hong Kong Report." ART AsiaPacific, issue 19 (1998), pp. 35-36.

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

__________. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Websites: hong kong etc. (2nd Johannesburg Biennale, 1997)

HO SIU-KEE [M] ___ (b. 1964, HK)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. Ho Siu-Kee: Official Hong Kong Exhibition (catalog; 23rd Int'l Biennial of Sao Paolo). Hong Kong: Hanart TZ Gallery, 1996.

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Wear, Eric Otto. "Uncertainties at the Sao Paulo Bienal." Asian Art News, vol. 7, no. 2 (Mar/Apr 1997), pp. 92-93.

Websites:

XXIII International Biennial of São Paulo, Brazil. http://www.uol.com.br/23bienal/paises/iphk.htm

HONG HAO __ (b. 1965, Beijing; CAFA)

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Du and Hong Hao, eds. Space and Vision: The Impression of Transmuting Daily Lives in Beijing 1998 (catalog). Beijing: Contemporary Art Center, Ltd., 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Anecdotes of Social Talk (catalog). Beijing: Beijing: International Art Palace, 1995.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

HONG LEI __ (b. 1960, Jiangsu)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin. "Photographic Works of Hong Lei and Wu Xiaojun." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/artist

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

HONG LING __ (b. 1955, Yunnan; CAFA; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Zhang Jianjun, Liu Xilin, and Yin Shuangxi. Symphony of Landscapes (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

HONG RUILIN ___ (/Hung Jui-lin; b. 1912, Taipei; 1930-36 Tokyo; USA)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HONG SHIQING ___ (NZAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HONG TAO

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

HONG YI

Hong Yi, Lei Bo and Qin Xiujie. Urban Mind and Material Life: Hong Yi/Lei Bo/Qin Xiujie (catalog for exhibition at China Art Gallery). Guangxi: Guangxi Fine Arts Publishing House, 1997.

HOU CHUN-MING ___ (b. 1963, Jiayi, Taiwan)

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Lago, Francesca Dal. "Tracing Taiwan: United States" (review of Tracing Taiwan) ART Asia Pacific, no. 18 (1998), p. 91.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

McIntyre, Sophie. "Taiwan Storytellers: Huang Chih-Yang and Hou Chun-ming." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 62-67.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

Yang, Alice. "High and Low: The Cultural Space of Contemporary Taiwanese Ar," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 119-128.

__________. "Interview with Hou Chun-ming," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 30-40. (Almost the same as Hou Chun-ming portion of Tracing Taiwan.))

Yang, Alice and Jonathan Hay. Tracing Taiwan (cat.). New York: The Drawing Center, 1997.

HOU HANRU, with YANG JIECHANG (Jie Cang)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

HOU, LULU SHUR-TZY [F] (Taiwan/HK?)

Pai, Maggie. "Making Visible the Invisible." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 60-66.

__________. "A Picture Lasts Longer: Photographer Lulu Shur-tzy Hou Fights Prejudice through Her Daring Images." AAN, vol. 8, no. 1 (1-2/98), pp. 49-51.

HOU WENYI ___ [F] (Shanghai/USA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gustafson, Paula. "Paper Traditions." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 75-76.

Hay, Jonathan. "Ambivalent Icons: Works by Five Chinese Artists Based in the United States." Orientations, vol. 23, no. 7 (July 1992), pp. 37-43.

Lago, Francesca Dal. "Against the Tide: The United States." ART Asia Pacific, no. 17 (1998), p. 100. (Review of "Against the Tide.")

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Yee, Lydia. Against the Tide (exhibition brochure). New York: Bronx Museum of the Arts, 1997.

Websites:

Art Beãtus. http://www.artbeatus.com/

HOU YIMIN ___ (b. 1930; CAFA; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HOU YI-REN [F] (Taiwan)

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

HSIA YAN (Taiwan)

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

HSIAO CH'ANG-CHENG (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HSIAO CHIN (Taiwan)

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

HSIAO CHIUNG-RUI (Taiwan)

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

HSIAO JEN-CHENG (b. 1928; Taiwan)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

HSIAO YI (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HSIN JU (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

HSU LI-HSIEN (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HSU, MAGGIE WEI [F] (Taiwan, USA)

Pai, Maggie. "Making Visible the Invisible." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 60-66.

HSU YU-JEN ___ (b. 1951, Tainan, Taiwan)

Chang, Tsong-zung, curator. Man and Earth: Contemporary Paintings from Taiwan. Denver: Asian Art Coordinating Council, 1994.

Lago, Francesca Dal. "Tracing Taiwan: United States" (review of Tracing Taiwan) ART Asia Pacific, no. 18 (1998), p. 91.

Lutchmansingh, Larry D. "Man and Earth" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 32-33.

Yang, Alice and Jonathan Hay. Tracing Taiwan (cat.). New York: The Drawing Center, 1997.

HSUEH, AVA ___ [F] (b. 1956, Taiwan; 1995 NY; Donghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

HU BING __ [F] (b. 1958, Shanghai; studied Shanghai, NY; 1986 to NY)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Lago, Francesca Dal. "Against the Tide: The United States." ART Asia Pacific, no. 17 (1998), p. 100. (Review of "Against the Tide.")

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Park, Young M. Asian American Artists; Cross-Cultural Voices (catalog). Stony Brook, New York: Staller Center for the Arts, 1998.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yee, Lydia. Against the Tide (exhibition brochure). New York: Bronx Museum of the Arts, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

HU CHAOYANG ___ (b. 1959, Hubei)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

HU CHENGSI

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

HU GUOHUI (N-E China)

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

HU JIANCHENG ___ (b. 1959, Heilongjiang)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

HU JIANPING

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

HU JIEMING ___

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

"Subjunctive Mood: Hu Jie Ming." Front, vol. 9, no. 4 (3-4/98), pp. 15-19.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

HU JIEMIN ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

HU JINLI ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

HU KUNRONG (b. 1955; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

HUNAN O ART GROUP _______ (Shi Qiang, Jiang Shangwen, Luo Mingjun, Liu Yun, Xia Lixia)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

HU XIANGCHENG ___ (b. 1950, Shanghai; Japan)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

HU XIANGDONG ___

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Puy, Inma G. "Spring in Beijing" (review). (April 14th, 1996): http://www.connect-arte.com/archive/china/echinab.htm

HU YANLIN

Puy, Inma G. "Spring in Beijing" (review). (April 14th, 1996): http://www.connect-arte.com/archive/china/echinab.htm

HU YONGKAI

"Hu Yongkai: Palace and Paradise," Plum Blossoms Gallery, 1996. http://www.plumblossoms.com/Palace.html

HU ZHIYING

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

HUA JIMING ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

HUANG BIXIA (F)

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

HUANG CHIH-YANG ___ (b. 1965, Taipei; Taipei)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lago, Francesca Dal. "Tracing Taiwan: United States" (review of Tracing Taiwan) ART Asia Pacific, no. 18 (1998), p. 91.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang, Alice. "High and Low: The Cultural Space of COntemporary Taiwanese Art," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 119-128.

Yang, Alice and Jonathan Hay. Tracing Taiwan (cat.). New York: The Drawing Center, 1997.

HUANG CHIN-HO (Taiwan)

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Yang, Alice. "High and Low: The Cultural Space of COntemporary Taiwanese Art," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 119-128.

HUANG FABANG ___ (b. 1938, Jiangling, Hubei; NZAFA; Hangzhou)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HUANG HANCHENG (b. 1965, WUHAN)

Smith, Karen. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. "Huang Hancheng." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_huang.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

HUANG HUI __ [F] (b. 1956, Hubei; Huangshi)

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

HUANG HUNG-TEH ___ (b. 1956, Tainan, Taiwan)

Huang Hung-teh (catalog). Taipei: Cherng Piin Gallery, 1993.

HUANG JUN __ (b. 1962, Shanghai)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

HUANG, MICHELL (b. 1948, Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

HUANG PU-CHING (Taiwan) See: Hwang Buh-Ching

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

HUANG QIHOU ___ (b. 1950, Shanghai)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

HUANG QIUYUAN ___ (1913-1979; b. Nanchang, Jiangxi)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

HUANG RUI __ (b. 1952, Beijing; 1984 to Tokyo)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Huang Rui (catalog/brochure). Tokyo: Tokyo Gallery, 1997.

Ma, Yingli. "Zehn Wochen in China: Ein Gespräch mit Zhu Jinshi." Neue Bildende Kunst, vol. 5, no. 1 (Feb-Mar, 1995), pp. 56-57.

Origins of Myth and Fire: New Art from Japan, China and Korea (catalog). Saitama: The Museum of Modern Art, 1996.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

__________. "Art and Reality in Twentieth-Century Chinese Painting," in Kao Mayching, ed., Twentieth-Century Chinese Painting (Hong Kong: Oxford University Press, 1988).

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

HUANG SHAN __ (b. 1959, Leshan, Sichuan; SAFA)

Images and Scenes: Ink Paintings by Huang Shan (catalog). Hong Kong: Schoeni Art Gallery, 1998.

HUANG SUNING (b. 1950; 1988 to USA)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

HUANG XINGGUO

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

HUANG YALI ___ [F] (b. 1954, Hubei; Burnaby, B.C.)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Here Not There. Vancouver: Vancouver Art Gallery, 1995.

HUANG YAN __ (b. 1966)

MSWX, no. 1 (1994), repros.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

HUANG YIHAN ___

Hualang __ (Art Gallery), nos. 60-61 (1997, nos. 1-2).

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

HUANG YONG PING ___ (b. 1934, Quanzhou/Xiamen?, Fujian; NZAFA; 1989 to Paris)

Andrews, Julia F., "Art in Its Environment: Huang Yongping's Installations," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 24-27.

__________. "Fragmented Memory: An Introduction," in Fragmented Memory, pp. 6-13.

Ardenne, Paul. "Huang Yong Ping: Galerie Froment-Putman." (Review: 2/19-3/28/92.) Art Press, no. 170 (June 1992), p. 101.

Art chinois 1990–Chine demain pour hier (catalog). Pourrière, France: : Les Domaines del'Art.

Aubé, Dominique. "Huang-Yong-Ping: Galerie de l'école des beaux-arts." (Review: Rouen, 3/19-4/19/90.) Art Press, no. 149 (7-8/90) , p. 98.

Baton, Veronique. Fondation Cartier: A Collection (catalog). Korea: National Museum of Contemporary Art, 1994.

Boussand, J. "Le theatre du monde de Huang Yong Ping . . . Hors limites?" Art Presence, no. 13, 1995, pp. 30-34.

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Camhi, Leslie. "Soho Shaman: Huang Yong Ping" (review). Village Voice, 12/2/97, p. 93.

Carnegie International 91 (catalog; Pittsburgh) New York: Rizzoli, 1991.

Carte blanche a Andre Magnin (catalog). Paris: Galerie Froment & Putman, 1991.

"(Cartier Foundation, Paris)." Flash Art (int'l ed.), no. 193 (3-4/97), p. 55.

Ceruti, Mary. "Capp Street Project to Present: ‘Kearny Street,' an Installation by Huang Yongping." Capp Street Project Press Release, 1/10/95.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (Pp. 70-73.)

Cohen, J. L. "Huang Yong Ping and Chen Zhen at the New Museum." Asian Art News, vol. 4, no. 8 (11-12/94), p. 114.

Cotter, Holland. "Huang Yong Ping and Chen Zhen: Installations Addressing Ethnic Identity," New York Times, 1994.

__________. "Huang Yong Ping Chinese Laundry and Chen Zhen Field of Waste." The New Museum News, 1994.

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Dal Lago, Francesca. "Cities on the Move" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 36-38.

Deitcher, David. "Art on the Installation Plan." Artforum, January 1992, pp. 78-84.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

Durand, Regis. "L'homme est dans le monde..." Parachute, no. 81, (Jan-Mar, 1996), pp. 20-23.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

"Exhibition Commentary" (illus. only). ART AsiaPacific, issue 19 (1998), pp. 80-81.

Face à l'Histoire 1933-1996 (catalog). Paris: Centre Georges Pompidou, 1996-1997.

Fei, Dawei. Asian (catalog). Italy: Contemporary Art from the Far East, Fundazione Mudima, 1995.

__________. "China/Avant-Garde" (interview by Meng Mei), Art Press 141 (November 1989), pp. 8, 28-34.

__________. (Catalog essay.) In Between Limite. Sonje Museum of Contemporary Art, 1997.

Gach, Gary. "Huang Yongping Reinvents His Own ‘Yellow Peril' at Capp Street." Asianweek. (Date?), p. 15.

Galerie des Cinq Continents: Huang Yong Ping (catalog). Paris: Musée National des Arts d'Afrique et d'Océanie, 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 72-76.)

Gu Dexin, Huang Yongping, Zhang Peili (catalog). Paris: Gallery Arnaud Lefebvre, 1992.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Heart of Darkness. Otterlo: Kröller-Müller Museum, 1994.

Hervé, L. "La longue marche des artistes chinois." Beaux Arts, no. 87 (Feb. 1991), p. 99.

Holmes, Brian. "The Gallery of Five Continents." World Art, vol. 2, 1996, pp. 88-89.

Honour, Hugh and John Fleming. A World History of Art, 4th ed. London: Laurence King, 1995, p. 825.

Hou, Hanru. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

__________. "Huang Yong Ping." Flash Art (int'l ed.), no. 178 (10/94), p. 85.

__________. "Huang Yong Ping" (Froment & Putnam Gallery, Paris; exhibit). Flash Art (int'l ed.), no. 164 (5/6 ‘92), p. 120.

__________. "Huang Yong Ping." Kunst-Bulletin Art, 1995.

__________. "Huang Yong Ping." Technikart, no. 18, 1995.

__________, curator. Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

__________. "Parcours prives." Flash Art, 1992.

__________. "Le Plaisir du Texte: Zen and the Art of Contemporary China." Flash Art (int'l ed.), no. 173 (11/12 ‘93), p. 64.

__________. "Small, Medium, Large: Lifesize." Kanal Europe, 1993, pp. 20-21. (Review.)

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Cai Guoqiang and Huang Yongping." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/other

Huang, Yongping. "1 & 108." Jarhbuch 2, 1994, p. 81.

__________. 156 Objecten: Voor Jimmie Durham, Ilya Kabakov, Henk Visch & Huang Yong Ping. Gent : Museum van Hedendaagse Kunst, 1993.

__________. "Cinq questions à des artistes non occidentaux." Art Press, May 1989, p. 48.

__________, Huang Yong Ping : Galerie des 5 Continents : Musee National des Arts d'Afrique et d'Oceanie, 21 Septembre 1995-15 Janvier, 1996. Paris : Editions de la Reunion des musees nationaux, 1995.

__________, "Painting with Industrial Technology: Looking for New Substitutions." Leonardo, vol. 18, no. 2 (‘85), pp. 91-92.

__________, own text, Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 123-137.)

Huang Yong Ping (catalog). Amsterdam: De Appel, 1998.

Huang Yongping "Chinese Hand Laundry"; "Field of Waste," Chen Zhen. New York: New Museum of Contemporary Art, 1994. (Video.)

Hunt, Lan. "Huang Yong Ping." Art Monthly, no. 204 (March 1997), p. 27.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Inclusion: Exclusion. Graz, Austria: Steirischer herbst, 1996.

Jana, Reena. "The Space Game." Asian Art News, May/June 1995, pp. 48-49.

Jinkner-Lloyd, Amy. "Musing on Museology." Art in America (6/92), pp. 44-51 (review of Carnegie Int'l.).

Jouannais, J. Y. "Huang Yong Ping." Art Press, no. 175, 1992.

Koplos, Janet. "Huang Yong Ping and Chen Zhen at the New Museum." Art in America, vol. 83 (1/95), pp. 104-105.

Levin, K. "Huang Yong Ping, Chen Zhen." Village Voice, 1994.

Linien und Zeichen (catalog). Berlin: Künstlerhaus Bethanien, 1996.

Loisy, Jean de. "Huang Yong Ping," L'Hopital Ephémère, 1991.

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

Magiciens de la Terre. Paris: Centre Georges Pompidou, 1989.

La Maison d'augures 1989-1992 (catalog). Paris: Galerie Froment & Putman, 1992.

Manifesta: Manifesta Foundation European Art Manifestation 1. Rotterdam: Manifesta Foundation, 1996. (Catalog)

Meng Mei, trans. "Cinq questions à des artistes non-occidentaux." (Re.: Les magiciens de la terre). Art Press, no. 136 (5/89), p. 48.

Mitchell, Charles Dee. "Report from Santa Fe: New Narratives." Art in America, vol. 85, no. 11 (11/97), pp. 42-47.

Morin, France. Huang Yongping "Chinese Hand Laundry"; "Field of Waste," Chen Zhen. New York: New Museum of Contemporary Art, 1994. (Exhibition brochure.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

Parisien(ne)s. London: Inst. of International Visual Arts and Camden Arts Center, 1997.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Princenthal, Nancy. "Huang Yong Ping at Jack Tilton" (review). Art in America, vol. 86, no. 3 (3/88), pp 101-102.

Promenade in Asia II (catalog). Tokyo: Shiseido Gallery, 1997.

Resistances (catalog). Tokyo: Watari Museum of Contemporary Art, 1992.

Rimmer, Cate. "Huang Yong Ping & Xu Bing" (review). C Magazine, no. 59 (September-November, 1998), p. 38.

Ripple across the Water (catalog). Tokyo: Watari Museum of Contemporary Art, 1995.

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/China3.htm)

Sans, Jerome. "Huang Yong Ping." Artforum, v. 34, no. 9 (5/96), pp. 110-111.

Schmid, A. China Avant-garde (catalog). Berlin: Palais de la Culture Mondiale, 1993.

__________. Paper Art (catalog). Duren: Leopold Hoesch Museum, 1994.

Sculpture. Projects in Münster 1997 (catalog). Westfälisches Landesmuseum, June 22-September 28, 1997.

Die Sechsten Triennale Kleinplastik (catalog). Stuttgart: Sudwest L. B. Forum, 1995.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Small Medium Large Life Size. Prato: Centro per l'Arte Contemporanea Luigi Pecci, 1992. (Catalog)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Trois pas–Neuf Traces (catalog). Marsielle: Ateliers d'Artistes de la Ville de Marsielle, 1996.

Truce: Echoes of Art in an Age of Endless Confusion (catalog). Santa Fe: Site Santa Fe, 1997.

The Twentieth Century Art Book. London: Phaidon Press, 1996, p. 214.

Twenty-First Century, no. 4, 1991.

Unser Jahrhundert Menschbilder-Bilderwelten (catalog). Köln: Museum Ludwig Köln, 1995.

van der Plas, Els. "Heart of Darkness" (review). AAP, vol. 2, no. 3 (1995), pp. 118-119.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43 and vol. VI, no. 4 (Spring 1992), pp. 1-18.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wilson, Kate. "Report from UK." OA, vol. 39, no. 4 (Win. 1993/94), pp. 53-57. (Review of Oxford MOMA.)

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

YSJ, no. 268 (9/97), p. 186 (illus.).

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Websites:

Art Beãtus. http://www.artbeatus.com/

hong kong etc. (2nd Johannesburg Biennale, 1997) http://www.dialnsa.edu/iat97/johannesburg/hongkongetc/ping.html

Skulptur Projekte in Münster. http://westfried01.uni-muenster.de/skulptur/97/huang/index.htm

HUNG HSIEN __ [F] (Margaret Chang; b. 1933, Yangzhou, Jiangsu; Taiwan, US, HK, US)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

HUNG TUNG __ (1920-87; b. Tainan, Taiwan)

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

Yang, Alice. "High and Low: The Cultural Space of COntemporary Taiwanese Art," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 119-128.

HWANG BUH-CHING (Taiwan)

Pai, Maggie. "Reflections and Reconsiderations at the Taipei Fine Arts Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 92-93.

JI DACHUN ___ (b. 1968, Jiangsu; CAFA)

Bernell, Robert. "Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

JI JINGNING ___ [F] (b. 1957)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

JI WENYU ___ (b. 1959, Shanghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Helbling, Lorenz. "Talk with Ji Wenyu, April, 1997." 1997. http://www.shanghart.com/sh-jwy-text.htm#interview

Ji Wen Yu (catalog). Shanghai: ShanghART, 1997.

Pai, Maggie. "Ji Wenyu at ShanghART" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 80-81.

Schmitt, Bernd. "Symbols and Icons in Business and Art." 1997?. http://www.shanghart.com/sh-jwy-text.htm#text

Websites:

Haus der Kulturen der Welt: http://www.asianartnow.de/

ShanghART Website. http://www.shanghart.com/sh-jwy.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

JIA BO __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

JIA DIFEI ___ (b. Jilin)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

MSWX, no. 5 (1995), various articles, repros.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

JIA JUANLI ___ [F] (b. 1960, Hangzhou; CAFA)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

JIAN JUN __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JIANG CAIPING [F]

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

JIANG CONGYI ___ [F] (b. 1963; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

JIANG DAHAI (Beijing; mid-1980s to Paris)

Smith, Karen. "Jiang Dahai at China Art Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), p. 80.

JIANG GUOFANG ___ (b. 1951, Jiangxi; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

JIANG HAI __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

JIANG JIANJUN

Hay, Jonathan. "Ambivalent Icons: Works by Five Chinese Artists Based in the United States." Orientations, vol. 23, no. 7 (July 1992), pp. 37-43.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

JIANG JIE __ [F] (b. 1963, Beijing; CAFA; Beijing)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Jiang Jie (catalog). Tokyo: Base Gallery, 1998.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

JIANG LI __ [F] (b. 1959; CAAA; Japan; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

JIANG SHANGWEN ___ [F]

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JIANG TIEFENG ___ (b. 1938, Yin xian/Ningbo, Zhejiang)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

MSWX, no. 9 (1997), various articles, repros.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

JIANG WENZHAN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JIANG YI __ (b. 1958, Wuhan)

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

JIANG ZHI __

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

JIAO YAO MING ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JIAO YINGQI ___ (b. 1958, Shandong; CAFA)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

Websites:

XXIII International Biennial of São Paulo, Brazil. http://www.uol.com.br/23bienal/paises/ipcn.htm

JIN FENG __ (b. 1962, Shanghai)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Zhang Qing. Here and Now: ‘97 Contemporary Invitational Art Exhibition. 1997.

JIN GUANGUAN

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

JIN MIN __ [F] (b. 1955; 1978 to HK)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

JIN SHANGYI ___ (b. 1934, Henan; CAFA; Germany; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Liu He __. "Jin Shangyi, Sun Jingbo, Chao Ge, and Liu Xiaodong: Discussing the Art of Portraiture with Breadth and Depth" _______________________. MS, no. 297 (9/92), pp. 8-9, 16.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

JIN WEIHONG [F] (b.1967, Jiangsu)

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Zhong, Anna. "Woman Painter Likes Taboo Subject." Shanghai Star, 8/2/96.

Websites:

ShanghART Website. http://www.shanghart.com/sh-jwh.htm

JING KEWEN ___ (b. 1965, Qinghai)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

JU MING __ (b. 1938, Miaoli, Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-zung. "Ju Ming." Orientations, vol. 15, no. 5 (May 1984), pp. 30-40.

Chang Tsong-zung and Harold Wong. "Ju Ming: International Chinese Sculptor." Arts of Asia, vol. 16, no. 6 (November-December 1986), pp. 122-129.

Findlay, Ian. "The Sage of Natural Energy." Asia-Pacific Sculpture News, vol. 1, no. 4 (Autumn 1995), pp. 34-37.

Huang Yu-shan ___. " Ts'ung ‘Jen-chien' tao ‘T'ai-chi chen'–t'an chu ming te yen-pien" __________________. Hsiung-shih mei-shu, no. 129 (1981, no. 11), pp. 80-84.

Ju Ming. Hong Kong: Hongkong Land Property Co., 1986.

Ju Ming: Ceramics. Kaohsiung: Chinling Applied Arts Journal (Chin-ling kung-i tsa-chih ______), c. 1983.

Ju Ming tiao ko = Ju Ming Sculptures. Hong Kong?: Hanart Gallery, 1986?.

Ju Ming tiao-k'o hsi-lie chuan-chi ________. Kaohsiung: Chinling Applied Arts Journal (Chin-ling kung-i tsa-chih ______), n.d.

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Lee, Leo Ou-fan. "Across Trans-Chinese Landscapes: Reflections on Contemporary Chinese Cultures." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/taiwan.html

JUAN I-JONG (HK/Taiwan?)

Cheng, Scarlet. "The Painted Photograph: An Exhibition of Contemporary Photography from China, Hong Kong, and Taiwan" (review). Asian Art News, vol. 4, no. 3 (May/Jun 1994), pp. 54-58.

JUELANSHE

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.


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