TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES K - L
Stressing contemporary art

Home Page | General Bibliography | Artists

A - F | G - J | M - S | T - X| Y - Z

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


KAN TAI-KEUNG (= Jin Daiqiang; b. 1942, Guangdong; HK)

Chattopadhyay, Collette. "Out of Hong Kong." Asian Art News, vol. 6, no. 5 (Sept-Oct, 1996), pp. 76-78.

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

KAN XUAN __ (Hangzhou)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

KANG MU __ (Concept 21)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

KING CHIA LUN (b. 1950s, Shanghai; Taiwan, U.S.; HK)

Bennett, Alison. "Hong Kong Report." ART AsiaPacific, issue 19 (1998), pp. 35-36.

KONG BAIJI ___ (b. 1939/2?, to U.S. 1986)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. "Drawing a Harder Line." Art News, vol. 80, Sum. (1981), pp. 188-190.

__________. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

__________. "Two Steps Forward, One Step Back." Art News, vol. 87, May (1988), pp. 123-125.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

KONG BU __ (Inner Mongolia; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

KONG XIANG __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

KONG YONGQIAN

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

KOO MEI __ [F] (b. 1934, Guangzhou; HK; Canada)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

Kember, Pamela. "Koo Mei at the Museum Annex." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 88-89.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

KU SHIH-YUNG (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

KUM CHI-KEUNG ___ (Desmond Kum; b. 1965, HK; HK)

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

KUO CHUAN-CHIU/ J.C. ___ [F] (b. 1958, Keelung, Taiwan)

Chang, Tsong-zung, curator. Man and Earth: Contemporary Paintings from Taiwan. Denver: Asian Art Coordinating Council, 1994.

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

Lutchmansingh, Larry D. "Man and Earth" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 32-33.

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

KUO (JAMES KUO CHUN) (HK/Taiwan?)

Findlay, Ian. "The Apt Surprise." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 76-78.

Pai, Maggie. "Guo Chen at the Charming Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 93-94.

KUO PO-CHUAN (1901-1974; Taiwan)

Pai, Maggie. "Umehara Ryusaburo and Kuo Po-chuan at the Taipei Fine Arts Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 91-91.

KARY KWOK (HK)

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

LAI CHUNCHUN ___ [F] (/Lai Jun/Jun T. Lai; b. 1953, Taipei)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LAI, T.C. (HK)

Millichap, John. "T.C. Lai at Alisan Fine Arts." AAN, vol. 7, no. 5 (9-10/97), pp. 99-100. (Review.)

LAI, VICTOR (HK)

"The Artist's Voice" (interview). Asian Art News, May-Jun 1993, Hong Kong Supplement, pp. 20-22.

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

LAM KONG [F] (HK/Macao?)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

LAM, SAM (b. 1963, Guangzhou; Vancouver)

Here Not There. Vancouver: Vancouver Art Gallery, 1995.

Hou, Hanru. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

LAN PING __

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LANG XIAOBO

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

LEE, BING (b. Guangdong; HK, USA)

Goodman, Jonathan. "Bing Lee at Sigma Gallery." AAN, vol. 7, no. 5 (9-10/97), p. 107. (Review.)

Yang, Alice. "Bing Lee" (review) in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 47-48.

__________. "A Group Show: We Are the Universe" (review), in Yang, Why Asia?, pp. 60-62.

LEE CHING CHOU (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LEE CHING-MAN (b. 1941, Guangzhou; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

LEE CHUN-SHAN (1911-1984, Guangdong; Taiwan?)

Lee Chun-shan Memorial Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

LEE, HOLLY (HK)

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

LEE KWOK-HON ___ (b. 1950, HK; 1971 to Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

LEE LIAN JAN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LEE MAN-HIN (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

LEE MING-TSE (Taiwan)

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Websites:

Venice Biennale xlvii: http://www.labiennale.it/visual_a/xlvii/pavillon2/taiwan/taiwan.htm

LEE MING-WEI (Taiwan)

Myles, Eileen. "Ming-Wei Lee at Lombard-Freid." Art in America, vol. 85, no. 11 (11/97), p. 121.

LEE, PATRICK (HK)

Cheng, Scarlet. "Barometer of Change." World Art, no. 12 (Jan., 1997), pp. 72-75.

LEE SHI CHI (b. 1938) (Taiwan)

Lee Shi Chi (cat.). New York: Z Gallery, 1994?

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

LEE TSAI CHIEN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LEI BO

Hong Yi, Lei Bo and Qin Xiujie. Urban Mind and Material Life: Hong Yi/Lei Bo/Qin Xiujie (catalog for exhibition at China Art Gallery). Guangxi: Guangxi Fine Arts Publishing House, 1997.

LEI SHI ART GROUP _______ (est. 1982, Changsha)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LEI SHUANG __ [F] (b. 1950)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LENG JUN __ (b. 1963, Sichuan)

MSWX, no. 2 (1994), repros.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LEUNG CHI WO (HK)

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

LEUNG KIT LING/Cathering ___ [F] (b. 1961; HK)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

LEONG, LAMPO (b. 1961, Guangzhou; USA)

Lampo Leong: Contemplation . Forces. Hong Kong, 1997.

Liu, Manni, and Jung E. Park. "Bridging the Old and New Worlds." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 81-83.

LEUNG MEE-PING

Lenz, Iris. Balanceakte (catalog). Stuttgart: Institut für Auslandsbeziehungen, 1995.

LEUNG PING-YIN (b. 1940, Guangzhou; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

LEUNG SIU-HAY (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

LEUNG, WARREN (HK)

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

LI AN-CHENG (b. 1959, Taiwan)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

LI BANGYAO ___ (b. 1954; Hubei FAFA; S. Ch. Normal

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LI BAOYING ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI BIN __ (b. 1949)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI CHAO __ (b. 1962, Shanghai; Shanghai)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LI CHEN __ [F] (b. 1963; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

LI CHUNG-SHENG (1911-1984; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

LI DI __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI GANG

Dewar, Susan. "Sui Jianguo/Li Gang." Art/Text, no. 60 (2-4/98), pp. 88-89. (Review.)

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

LI GUIJUN ___ (b. 1964, Beijing; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Yang Feiyun and Zhu Di. Opening the Door to the World of Gui Jun (catalog). Hong Kong: Schoeni Art Gallery, 1996.

LI HAN __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI HANMEI

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

LI HONG __ [F] (b. 1965, Beijing; 1996 England; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Rebellion and Conspiracy _____. Hong Kong: World Chinese Arts, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

LI HONGJUN ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Websites: Haus der Kulturen der Welt: www.asianartnow.de/

LI HUAJI ___ (b. 1931)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI HUASHENG

"News Brief: Li Huasheng" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), p. 18.

LI I-HONG (Taiwan)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

LI JIWEI (Berlin)

Websites: Haus der Kulturen der Welt: www.asianartnow.de/

LI JIANGUO ___ (b. 1949)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LI JIANLI ___ [F] (b. 1952, Beijing; CAFA; Beijing)

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

LI JIN __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI JUCHUAN ___ (b. 1964)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

LI KERAN ___ (1907-1989; native of Xuzhou, Jiangsu; 18 Art Society; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LI LIANG (Shanghai; lived in Australia several years)

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

LI LUMING ___ (b. 1956, Hunan)

Contemporary Art Series, No 3: Transformism–Genesis and Displacement. Changsha: Hunan Fine Arts Publishing House, 1992.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LI MANWEN

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

LI MINGSHENG (b. 1957; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

LI MO

Klein, Norman M. "Underneath the Wave: New Art by Chinese Artists." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 27-30.

LI SHAN __ (b. 1944, Heilongjiang; Harbin & Shanghai Drama Acad.; Shanghai)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

AAP, vol. 1, no. 4 (1994), inside front cover. (Repro.)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Chang, Johnson. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Cohen, Joan Lebold. "Drawing a Harder Line." Art News, vol. 80, Sum. (1981), pp. 188-190.

__________. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

__________. Painting the Chinese Dream: Chinese Art Thirty Years After the Revolution. Northampton, Massachusetts: Smith College Museum of Art, 1982.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Moonflight in Beijing" (review of Zhao Bandi's "Moonflight"). AAP, vol. 2, no. 1 (1995), pp. 34-35. (Incl. photo pf Li Shan, Rouge Empire No. 12, 1990.)

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Jaivin, Linda. "Sexual Realpolitik" (review). AAP, vol. 2, no. 4 (1995), pp. 32-33.

JSHK 7/85: 35; 10/88: 8; 6/90: 49 (repros.)

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Newsweek, 5-19-97, p. 43

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/li_shan.html

"Connect-Arte in China: Li Shan" (illus. only). http://www.connect-arte.com/archive/china/artistas/lishan.htm

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

ShanghART Website. (Illus. only) http://www.shanghart.com/sh-other.htm

LI SHAOWEN ___ (b. 1942, Beijing; CAFA; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI SHINAN ___ (b. 1940; Xian)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI SHUANG __ (b. 1957, Beijing; self-trained; 1983 to France; NY)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LI TIANYUAN ___ (b. 1965, Harbin, Heilongjiang; CAFA; Beijing)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

JSHK, picture center.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Li Tianyuan Paintings Exhibition (catalog for China Art Gallery exhibition). Beijing: the artist, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LI WEN __

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

LI XIANGYANG

Borysevicz, Mattieu and Cao Weijun. Second Wave (pamphlet, CIFA Gallery exhib.). Beijing: the authors, 1997.

LI XIAOMING ___

Cohen, Joan Lebold. "Drawing a Harder Line." Art News, vol. 80, Sum. (1981), pp. 188-190.

__________. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

LI XIAOXUAN ___ (b. 1959, Tianjin)

MSWX, no. 1 (1994), various articles, repros.

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

LI XIUJIN [F] (same as Li Xiuqin?)

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

LI XIUQIN ___ [F] (b. 1953, Shandong; NZAFA; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

MSWX, no. 8 (1997), repros.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

LI XIUSHI ___ (b. 1936)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI YAFEI ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI YAN __ (b. )

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

LI YAN __ [F] (b. 1956, Longkou, Shandong)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LI YANBO

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

LI YANPING ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI YANXIU ___ (b. )

Huang Du and Hong Hao, eds. Space and Vision: The Impression of Transmuting Daily Lives in Beijing 1998 (catalog). Beijing: Contemporary Art Center, Ltd., 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

LI YANZHOU ___ (b. 1954, Harbin)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LI YILIN (AKA Lin Weimin)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

LI YONGBIN (b. 1963, Beijing; Beijing)

The 1994 URARC Report. Beijing: NAAC, 1994.

Dewar, Susan. "Dream On" (review of "Now, Dream of East," Beijing). AAP, vol. 2, no. 2 (April, 1995), pp. 119-120.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

LI YUENIAN ___ (b. 1958)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LI ZIJIAN ___ (b. 1954; Guangzhou AFA; Changsha)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIANG CHANGSHENG ___ (b. 1967, Beijing; CAFA; Beijing) (See Three Travel Weary Loafers)

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Segraves, Julie M. The Adventures of the Three Travel Weary Loafers: New Art from the People's Republic of China, set of 3 volumes. (Vol. I: Courtyard, Courtyard by Wei Dong; Vol. II: Legends of New Immortals, by Lu Peng; Vol. III: Sleepy Talk and Leisurely Mood by Liang Chang Sheng.) Colorado: Asian Art Coordinating Council, 1996. (ISBN: 0-9640498-2-1)

LIANG HAO __ [F] (b. 1960, Beijing; studied CAFA, Michigan; 1988 to Michigan)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

LIANG JIELING ___ [F] (Liang Jiling)

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

LIANG JUHUI ___ (=Liang Shaohui?; b. 1959, Guangzhou; self-taught; Guangzhou) See Big Tail Elephants, S. Art Salon

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hualang __ (Art Gallery), no. 54 (1996, no. 1).

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Taylor, Roger and Helga Lasschuyt. "Fire Works." World Art, no. 5 (Feb., 1995), pp. 30-32.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

LIANG MING CHENG (Guangzhou)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

LIANG QUAN __ (b. 1948, Shanghai; SF Art Inst.; ZAFA)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIANG SHAOJI ___ (b. 1945)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Nature Series, 1989-1998. Exhibition pamphlet, Charles H. Scott Gallery, Vancouver, April 1998.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

LIANG WEIZHOU ___ (b. 1962, Shanghai; Shanghai)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIANG YING (OR Ying Liang???)

In Fusion: New European Art (catalog). London: Ikon Gallery, South Bank Centre, c. 1993.

LIANG YUE __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

LIAO HAIYING ___ [F] (b. 1967; SAFA; CAAA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

LIAO SHOUPING ___ (/Liao Shiou-Ping; b. 1936, Taiwan; Japan; Paris; USA)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Heartney, Eleanor. "Absorbing Contradictions." Asian Art News, vol. 5, no. 4 (Jul/Aug 1995), pp. 28-30.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Pai, Maggie. "Liao Shiou-ping at the Taiwan Museum of Art" (review). Asian Art News, July-August 1992, pp. 48-49.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIE MING

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

__________, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

LIEN SHU-HUI (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

LIEN TEH-CHENG/ DER-CHERN/ DE-CHENG (Taiwan)

Clarke, David. "Foreign Bodies: Chinese Art at the 1995 Venice Biennale." ART Asia Pacific, vol. 3, no. 1 (1996), pp. 32-34. ([from parallel Taiwan show].)

Goodman, Jonathan. "Sign Language: Sex, Politics and Culture in the Work of Te-cheng Lien." ART AsiaPacific, issue 19 (1998), pp. 60-67.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

LIEW KUNG YU (b. China; Malaysia)

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

LIM, ANGELA (b. 1965, HK; SF)

Au, Desiree. "Sewing the Seeds of Gloom." Hong Kong Standard Newspaper, October 1995 (OR 11/6/95?).

Cohn, Terri. "Jayne Shor and Angela Lim at Catherine Clark Gallery." Artweek, May 1996.

Jana, Reena. "Assimilation or Alienation?" Asian Art News, vol. 4, no. 6 (Nov/Dec 1994), pp. 68-71.

__________. "Uncovering Relationships." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 76-78.

Jenkins, Steve. "Angela Lim and Anne Siems." Artweek, May 1998.

Kelley, Jeff. Crossings: Fourteen Asian and Asian American Artists from the Bay Area (cat.). San Francisco: A.T. Kearney/Asian Art Museum, 1998.

Lim, Angela. Cockaigne. San Francisco: Catharine Clark Gallery, 1998.

LIN CHENG JAN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LIN CHUAN-JIN (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

LIN CHUN __ (b. 1960; NZAFA; Xiamen)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIN CHUN-JU [F] (same as Lin Chun-ru?) (Taiwan?)

Pai, Maggie. "Making Visible the Invisible." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 60-66.

LIN CHUN-RU [F] (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

LIN CHUNYAN (b. 1962; Australia)

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

LIN FAN

Landscapes by Lin Fan (catalog?). Beijing: Xinhua Pub. House, 1995.

LIN FENGMIAN ___ (1900-91; native of Guangdong; 1919 to France; NAA Beijing; NAA Hangzhou)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIN GUANG YUH (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LIN HAN-TING (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

LIN HUI-HSIU (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

LIN HUI-RU (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

LIN JIAHUA ___ (b. 1953; Xiamen)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIN JINGJING ___ [F] (b. 1970; Fujian; CIFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Lin Jingjing Painting Album _____. Shanghai: Donghai Tang, 1997/8.

Paintings of Lin Jingjing 1995-1996. Published by the artist, 1996.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

LIN LIANG TSAI (b. 1947, Taiwan; c. 1984 to Belgium)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

LIN LIN __ (AKA Billy Harlem; 1957-1991; NZAFA; 1985 to USA)

Andrews, Julia. "Fragmented Memory: An Introduction," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 6-13.

Croizier, Ralph. "‘Going to the World': The Life and Death of Billy Harlem (Lin Lin)." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 22-49.

LIN MINHONG (Taiwan)

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

LIN PEI-CHUN (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

LIN SHOUYU/ Richard Lin ___ (b. 1933; Taiwan; 1949 to UK)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIN SHU-MIN ___ (b. 1963, Taipei; NY)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

LIN TIANMIAO ___ [F] (b. 1961, Taiyuan, Shanxi; 1989 to NY; Beijing/NY)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

"Between Here and There: The Fifth Istanbul Biennial" (review). ART AsiaPacific, issue 19 (1998), pp. 24-25.

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Chiu, Melissa. "Thread, Concrete and Ice: Women's Installation Art in China." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 50-57.

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

Lago, Francesca Dal. "Against the Tide: The United States." ART Asia Pacific, no. 17 (1998), p. 100. (Review of "Against the Tide.")

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

MS yanjiu, no. 84; 1996, no. 2, back cover (illus.)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yee, Lydia. Against the Tide (exhibition brochure). New York: Bronx Museum of the Arts, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

LIN WEI __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIN WEN HEI (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LIN YAN __ [F] (b. 1961; CAFA; 1989 to USA, France; NY)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Pang Tao, ed. The Storm Society and Post-Storm Art Phenomenon. Taipei: Chin Show Publishing Co., 1997.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Zheng, Sheng Tian, ed. Three Generations of Chinese Modernism: Qiu Ti, Pang Tao, Lin Yan. Vancouver: Art Beatus Gallery, 1998.

LIN YILIN ___ (/Lin Weimin; b. 1964, Guangzhou; GAFA; Guangzhou) See Big Tail Elephant Group & S. Art Salon

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

LIN YONGKANG ___ (b. 1959, Guangdong)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LIN YUAN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LING HUITAO ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

LIU, AMOS C. H. (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

LIU ANPING ___

The 1994 URARC Report. Beijing: NAAC, 1994.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

LIU BO __ (b. 1963, Jilin)

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

LIU CHUNHUA ___ (b. 1944; native of Heilongjiang; CAFA; Central Minorities Inst.; CAAC)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIU DAHONG ___ (b. 1962, Qingdao, Shandong; NZAFA; Shanghai)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997. (Many images also reproduced: "Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 [late 1997]. http://www.chinese-art.com/volume1issue1/)

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Liu Da Hong: Paintings 1986-92. Hong Kong: Schoeni Fine Oriental Art, 1992.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS no. 273, 9/90, p. 34 (illus.)

MSWX, no. 7 (1996), various articles, repros.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Schell, Orville, "Chairman Mao as Pop Art," in Mandate of Heaven: A New Generation of Entrepeneurs, Dissidents, Bohemians, and Technocrats Lays Claim to China's Future (New York: Simon & Schuster, 1994), pp. 279-292.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Websites:

ShanghART Website. (Illus. only) http://www.shanghart.com/sh-other.htm

LIU DAMING ___ (b. 1961, Changchun)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

LIU DERUN ___ (b. 1950, Shandong)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

LIU FENGHUA ___ (b. 1956, Chengde, Hebei; Beijing)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

LIU FENGZHI ___ (b. 1964, Harbin; 1993 to Beijing)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

LIU HONG __ [F] (b. 1956, Sichuan)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

MSWX, no. 4 (1995), various articles, repros.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

LIU HONGWEI ___ (b. 1965; N-E China)

MSWX, no. 7 (1996), repros.

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

LIU HUAZHONG

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

LIU HUANZHANG ___ (b. 1930, Balihan, Inner Mongolia)

Contemporary Chinese Art: Sculpture by Liu Huanzhang. Beijing: Foreign Languages Press, 1984.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIU HUNG (b. 1948, Changchun, Manchuria; emigrated 1984; now lives in Oakland)

Arieff, Allison. "Cultural collisions : identity and history in the work of Hung Liu."

Woman's Art Journal, vol. 17 (Spring/Summer '96), pp. 35-40.

Berkson, Bill. "(Capp Street Project, San Francisco; installations)." Artforum, vol. 27 (Dec. '88), p. 129.

Burkhart, Dorothy. "(Rena Bransten Gallery, San Francisco; exhibit)." Art News, vol. 93 (Feb. '94), pp. 147.

East Meets East in the West. San Francisco: Limn Gallery, 1998.

Goodman, Jonathan. "Hung Liu" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 93-94.

"Hung Liu." Bulletin (Allen Memorial Art Museum; Oberlin, Ohio), vol. 47, no. 2 (1994), pp. 32-9.

Jan, Alfred. "Hung Liu." New Art Examiner, vol. 21 (Apr. '94), pp. 45-6.

Jana, Reena. "East Meets East in the West at Limn Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 95.

__________. "Hung Liu at Rena Bransten Gallery" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 77-78.

Liu, Hung. "In and Out of Focus." In Symposium: "Asian Contemporary Art Reconsidered" [October 1997]. Tokyo: Japan Foundation Forum, 1997.

Machida, Margo, curator. Asia/America: Identities in Contemporary Asian American Art. New York: Asia Society Galleries and the New Press, 1984.

Matthews, Lydia. Graves, Donna. "Evacuations through community history." Artweek, vol. 23 (Aug. 20 '92), pp. 4-5.

Poshyananda, Apinan. "Yellow Face, White Gaze" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 30-31. (Incl. Hung Liu, Ken Chu, Tseng Kwong Chi, May Sun.)

Robinson, Hilary. "New York, New York." Women's Art Magazine, no. 58 (May/June '94). pp. 24-5.

Roche, Harry. "Global disconnection." Artweek, vol. 21 (Nov. 8 '90), p. 16.

Santiago, Chiori. "Ways of Seeing." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 30-31.

Tamblyn, Christine. "Hung Liu: ‘Reading Room,' ‘Resident Alien.'" High Performance, vol. 11 (Winter '88), p. 81.

Watten, Barrett. "Cultural strategies." Artweek, vol. 23 (Nov. 5 '92), p. 32.

Watten, Barrett. "The Powers of imbalance." Artweek, vol. 22 (Nov. 28 '91), p. 20.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." Art and Asia Pacific, vol. 2, no. 2 (April, 1995), pp. 44-51.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

Yang, Alice. "Disorienting Territories" (review of "(dis)ORIENTED: Shifting Identities of Asian Women in America"). ART Asia Pacific, vol. 3, no. 1 (1996), pp. 40-41. (Reprinted as "Disorienting Territories," in Yang, Why Asia? Contemporary Asian and Asian American Art [New York: New York University Press, 1998], pp. 73-78.)

Yau, John. "(Nahan Contemporary, New York; exhibit)." Artforum, vol. 28 (Mar. '90), p. 162.

Zinsser, John. "(Nahan Contemporary, New York; exhibit)." Art in America, vol. 78 (June '90), pp. 182-3.

LIU JIAN __ (b. 1969, Yancheng)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

LIU JIANHUA ___ (b. 1962, Jiangxi)

MSWX, no. 8 (1997), repros.

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

LIU JIANPING ___ (b. 1957)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LIU KUO-SUNG ___ (b. 1932, Shandong; Taiwan, HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/China3.htm)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

__________. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

Yishujie ___ (Art Life), November-December, 1996.

LIU LIPING ___ [F] (b. 1962, Beijing; CAFA)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Liu Liping's Picture Album–Drawings. Beijing: the artist, 1994.

Liu Liping's Picture Album–Oil Paintings. Beijing: the artist, 1994.

Liu Liping's Picture Album–Prints. Beijing: the artist, 1994.

MS, 3/93 (illus.)

Modern Chinese Prints from the Central Academy of Fine Arts, Peking. Preston: The Lancashire Polytechnic and The Harris Museum and Art Gallery, 1985?

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yishujie ___ (Art Life), January-February, 1997.

LIU LIUYU ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIU MANWEN ___ [F] (b. 1962; Lu Xun AFA; Heilongjiang)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

LIU MING __ (b. 1957, Liaoning)

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LIU MING __ (b. 1957, Nanjing; NAFA; 1991 to Paris)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIU QINGHE (b. 1961, Tianjin)

Combs, Nicky. "Blending Tradition and Contemporary." Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 76-78.

"Exhibition Commentary" (photo only). ART Asia Pacific, no. 17 (1998), pp. 80-81.

MSWX, no. 3 (1995), repros.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

LIU REN JIE ___ (b. 1951, Liaoning)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LIU RENTAO (b. 1970, Shenyang)

Smith, Karen. "Liu Rentao." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_rentao.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

LIU RENZHI

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

LIU SHAOJUAN (b. 1964, Jiangsu; self-taught; Nanjing)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

LIU SHIH FEN (Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

LIU WEI __ (b. 1965/3?, Beijing; CAFA; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

__________. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

La Biennale Di Venezia: XLV Esposizione Internazionale d'Arte. Venice: Marsilio Editori S.P.A., 1993. (Catalog)

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________. "The Other Face." Asian Art News, vol. 5, no. 4 (Jul/Aug 1995), pp. 41-43.

__________. The Other Face: Three Chinese Artists at the Centenary Exhibition, ‘Identità e Alterità. Venice, 1995.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Clarke, David. "Foreign Bodies: Chinese Art at the 1995 Venice Biennale." AAP, vol. 3, no. 1 (1996), pp. 32-34.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

Healy, Anthony. "Looking for Trouble?" World Art, no. 7 (4/95), pp. 22-24.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Identity and Alterity: Figures of the Body 1895/1995. Venice: Marsilio, 1995. (Catalog: Biennale di Venezia, 46. esposizione internazionale d'arte.)

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li, Xianting. "A Gifted Artist: Liu Wei." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). http://www.chinese-art.com/volume1issue2/

_______. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

__________. "Six Chinese Artists and Contemporary Chinese Art after Political Pop." Text to accompany Lehmann Maupin exhibition, "4696/1998" (March-April 1998).

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

"Liu Wei: One Man Show." Asian Art News, 11-12/93, p. 34. (Review.)

Liu Wei/Ye Yongqing (catalog). Beijing: CIFA, 1997.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MacRitchie, Lynn. "Precarious Paths on the Mainland." Art in America, vol. 82 (3/94), pp. 51-53, 55, 57.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Painting Den (catalog), Beijing, 1992.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Liu Wei and Ye Yongqing at the Central Academy of Fine Arts." AAN, vol. 8, no. 1 (1-2/98), pp. 82-83.

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twenty-First Century, no. 9, 1992.

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yu Jin __. "Liu Wei's Works and His ‘Cynical Realism'" _______________. JSHK, no. 142 (10/92), pp. 23-25, 28-29.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

LIU WEIDONG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

LIU WENJUN

Sang Ye; trans. & intro. by Barmé. "Fringe-Dwellers: Down and Out in the Yuan Ming Yuan Artists' Village." AAP, no. 15 (1997), pp. 74-77.

LIU XIAN-ZHONG (b. 1950, Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

LIU XIANGDONG ___ (b. 1963, Liaoning; CAFA; Beijing)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

LIU XIAODONG ___ (b. 1963, Liaoning; CAFA; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

East Meets East in the West. San Francisco: Limn Gallery, 1998.

"The Faces of China's Future" (interview). Limn Magazine, issue 2 (August 1998), pp. 12-23.

Fan Di'an ___. "Liu Xiaodong, Or the Authentic Representation of the Real" _________. MS, no. 266 (2/90), pp. 62-64 , inside fr. cover.

__________. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Jana, Reena. "East Meets East in the West at Limn Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 95.

JSHK, 2/89, 4/89, p. 22.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Liao Xiaodong. "The Spirit of Realism" ______. Meishu yanjiu, no. 84 (no. 4, 1996; 11/96), pp. 3-4, 17.

__________. "Valuing Reality" ____. Meishu yanjiu, no. 63 (no. 3, 1991; 8/91), pp. 18-19, 34-35.

Liu Xiaodong. Hong Kong: Hong Kong Xiandai Chubanshe and Guangxi Meishu Chubanshe, 1993.

Liu He __. "Jin Shangyi, Sun Jingbo, Chao Ge, and Liu Xiaodong: Discussing the Art of Portraiture with Breadth and Depth" _______________________. MS, no. 297 (9/92), pp. 8-9, 16.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Pai, Maggie. "(Taipei Fine Arts Museum, Taiwan; traveling exhibit)." OA, ns 40 (Spring 1994), pp. 72-74.

Shao Dazhen. "New Wave and Academic Painting Quietly Merge." Yishujia, no. 183 (August 1990), pp. 204-219.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. "Liu Xiaodong." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_liu.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twenty-First Century, no. 9, 1992.

Yi Ying, "Liu Xiaodong: A Retrospective,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (http://www.chinese-art.com/volume1issue1/)

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

__________. "Self Consciousness of Positioning–Thoughts on Liao Xiaodong's Works" _____________. JSHK, no. 132 (12/91), pp. 37-40.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LIU XIAOHONG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIU XIAOXIAN (China; Sydney)

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

LIU XINHUA ___ (b. 1955, Wuhan; Beijing/Lanzhou)

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

LIU XIU MEI [F] (Taiwan)

Findlay, Ian. "A Naive in Taiwan." Asian Art News, vol. 5, no. 1 (1-2/95), pp. 50-51.

LIU XIUMING ___ [F] (b. 1957)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

LIU XUN __ (b. 1923; Beijing)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LIU YAN __ [F] (b. 1965, Heilongjiang; Physics Dept., Jilin U.; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

China/Avant-Garde.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

__________. "Liu Yan at Hanmo Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 59-60.

Yishujie ___ (Art Life), March-April, 1998.

LIU YAN [M]( b. c. 1961, Heilongjiang)

Smith, Karen. "Liu Yan at Hanmo Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 59-60.

LIU YE __ (b. 1964, Beijing)

Borysevicz, Mattieu and Cao Weijun. Second Wave (pamphlet, CIFA Gallery exhib.). Beijing: the authors, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Lin Xiaoping. Liu Ye (catalog). Beijing: Mingjingdi Gallery, 1997.

MSWX, no. 7 (1996), various articles, repros.

New Anecdotes of Social Talk (catalog). Beijing: Beijing: International Art Palace, 1995.

Peters, Paul and Hans van Dijk, curators. Mondrian in China: A Documentary Exhibition with Chinese Originals (catalog). Beijing: The Netherlands Ministry of Foreign Affairs, 1998.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Mondrian in China at the International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 83-84.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

LIU YI

Huang Zhuan. Change–Liu Yi's Work (catalog). Guangzhou: the artist, 1996.

LIU YINGZHAO ___ (b. 1956, Beian, Heilongjiang; Lu Xun Inst.; Tianjin AFA)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

LIU YIYUAN ___ (b. 1942, Wuhan, Hubei)

Selected Works of Liu Yiyuan. Wuhan City: Hubei Fine Arts Publishing House, 1991.

LIU YONGGANG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

LIU YUYI

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

LIU YUN __ (b. 1959)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIU ZHENG __ (b. 1969, Hebei)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

LIU ZHENG __ (b. 1972, Hebei)

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

LIU ZHENG __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LIU ZHENGGANG ___ (b. 1962, Lanzhou, Gansu)

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

LIU ZIJIAN ___ (b. 1956, Hubei; Wuhan)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

LO CHENG-HSIEN (b. 1946, Yinlin, Taiwan)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

LO CHIH-CHENG (Taiwan)

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

LO CH'ING __ (b. 1948; Taiwan)

Allen, Joseph Roe III. "Lo Ch'ing's Poetics of Integration: New Configurations of the Literati Tradition." Modern Chinese Literature, vol. 2, no. 2 (Fall 1986), pp. 143-169.

__________, trans. Forbidden Games and Video Poems: The Poetry of Yang Mu and Lo Ch'ing. Seattle and London: University of Washington Press, .

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Kuo Chi-sheng ___, ed. Lo Ch'ing hua-chi ____ (Selection of paintings by Lo Ch'ing). Taipei: 1990.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

Lo Ch'ing shu-hua chi _________ (Selection of calligraphy and paintings by Lo Ch'ing, vol. 3). Taipei: 1995.

Lo Ch'ing shi-hua chi (Selection of poetry and paintings by Lo Ch'ing, vol. 4). Taipei: 1996.

Paintings and Poems by Lo Ch'ing. Taipei, 1990.

LONG LIYOU ___ (b. 1958, Hunan; CAFA; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LU CHENGGANG (N-E China)

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

LU HAO __ (b. 1969, Beijing)

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

LÜ HUIZHOU ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Lü JIANJUN ___

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

LU LEI

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

LU LIN __ (b. 1962, Jinan, Shandong; Beijing)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

LU MINGDE (b. 1950; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

LU MING-TSE (Taiwan)

Pai, Maggie. "Symbol vs Symbolic at the Lung Men Art Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 92-93.

LU NAN __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LU PENG __ (b. 1967, Beijing; Capital Normal U.; Beijing) (See Three Travel Weary Loafers)

Bright, Susan. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Hore, Tessa. "Lu Peng: In Front of Tradition–Behind the Vanguard." Asian Art Newspaper [date?].

Segraves, Julie M. The Adventures of the Three Travel Weary Loafers: New Art from the People's Republic of China, set of 3 volumes. (Vol. I: Courtyard, Courtyard by Wei Dong; Vol. II: Legends of New Immortals, by Lu Peng; Vol. III: Sleepy Talk and Leisurely Mood by Liang Chang Sheng.) Colorado: Asian Art Coordinating Council, 1996. (ISBN: 0-9640498-2-1)

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/lu_peng.html

LU PING [F]

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

LU QING __

Shin Yong-doug and Yin Jinan. A Point of Contact: Korean, Chinese Japanese Contemporary Art (catalog). Korea: Taegu Art and Culture Hall, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

LÜ SHENGZHONG ___ (b. 1952, Shandong; CAFA; Beijing)

Chen Cunrui ___. "Various Opinions of the ‘Xu Bing Phenomenon' and Numerous Comments on Lü Shengzhong" ________________. MS, no. 253 (no. 1, 1989), pp. 20-24.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Lü Shengzhong. Calling of the Soul. Guangxi Fine Arts Publishing House, 1998.

__________. Fine Line Drawings by Lü Shengzhong, 2nd ed. Guangxi Fine Arts Publishing House, 1994.

__________. Mi hun ji ___ (Record of the search for the hun soul), 2nd ed. Changsha: Hunan Meishu Chubanshe, 1997.

__________. The Works of Lü Shengzhong. Changsha: Hunan Fine Arts Publishing House, 1991.

MS 10/87, p. 39 (illus.); MS, 12/88, pp. 36, 37 (illus.)

MS shilun, 3/89, back and front covers (illus.)

MS yanjiu, 1987 (illus.); MS yanjiu, 2/90, inside cover (illus.); Meishu yanjiu, 1991, no. 4 (illus.)MS yanjiu, no. 84/ 1996, no. 4 [11/96], p. 20 (illus.)

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Origins of Myth and Fire: New Art from Japan, China and Korea (catalog). Saitama: The Museum of Modern Art, 1996.

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wan Qingli. "Traditionalism, Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yin Ji'nan ___. "The Awareness of Life in Lu Shengzhong's Art" ___________. HSMS, no. 221 (7/89), pp. 48-58.

__________. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

LU TIEN-YEN (b. 1949; 101 Modern Art Group, Taiwan Art Group)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

LU YIZHONG (b. 1949; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

__________. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

LU YUANMIN ___ (b. 1950, Shanghai)

Schmid, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

LU ZHIRONG ___ (See: RONG RONG)

LUI CHIUN KWONG (HK)

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

LUI SHOU-KWAN ___ (= Lu Shoukun; 1919-76; b. Guangzhou; HK)

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

LUO BROTHERS (LIU WEIDONG, b. 1963; LUO WEIGUO, b. 1964; LUO WEIBING, b. 1972; all born into a Yao minority family, Guangxi province; collaborating since 1986; Beijing)

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

JSHK, 7/96

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

__________. "Six Chinese Artists and Contemporary Chinese Art after Political Pop." Text to accompany Lehmann Maupin exhibition, "4696/1998" (March-April 1998).

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Yishujie ___ (Art Life), March-April, 1998.

LUO ERCHUN ___ (b. 1929, Hunan)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

LUO FAHUI ___ (b. 1961, Chongqing; SAFA; SAFA)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

LUO LIFANG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

LUO MINGJUN ___ [F] (b. 1965, Hunan; USA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

LUO PINGAN

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

LUO QI __ (b. 1960, Hangzhou; ZAFA; ZAFA)

Peters, Paul and Hans van Dijk, curators. Mondrian in China: A Documentary Exhibition with Chinese Originals (catalog). Beijing: The Netherlands Ministry of Foreign Affairs, 1998.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Mondrian in China at the International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 83-84.

LUO YING __ [F] (b. 1964, Hunan)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

MSWX, no. 4 (1995), various articles, repros.

LUO ZHONGLI ___ (b. 1948, Bishan, Sichuan; SAFA; Sichuan)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Laing, Ellen Johnston. "Is There Post-Modern Art in the People's Republic of China?" In Modernity in Asian Art: The University of Sydney East Asian Series, no. 7, edited by John Clark. (Broadway, New South Wales: Wild Peony, 1993.) Pp. 207-221, pls. 150-157.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shen, Jiawei and Binghui, Huangfu. "Luo Zhongli" (review of "Luo Zhongli", Casula Powerhouse Art Center, Sydney). AAP, vol. 3, no. 4 (1996), pp. 52-57.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

YSJ, 1992/1 & 3

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.


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