TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES M - S
Stressing contemporary art

Home Page | General Bibliography | Artists

A - F | G - J | K - L | T - X| Y - Z

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


M ART BODY ___ (Shanghai; Song Haidong, Tang Guangming, Yang Xu, Zhou Tiehai)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

MA BAOZHONG ___ (b. 1965, Heilongjiang)

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Lu Hong. "A Process of 'SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 7 (1996), various articles, repros.

Smith, Karen. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. "Ma Baozhong." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_ma.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

MA DESHENG ___ (b. 1952, Beijing; self-taught; 1985-87 Switzerland; France/USA since 1987) See also Xingxing Pai.

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986. (P. 28.)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Ma Desheng, La Porte, ed. Liviana Editrice, Bologna and ed. Doc(k)s, Marseille 1986. (Own poems.)

__________, Saveur de mots, ed. Gallimard, Paris, 1990. (Own poems.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Sang Ye; trans. & intro. by Barmé. "Fringe-Dwellers: Down and Out in the Yuan Ming Yuan Artists' Village." AAP, no. 15 (1997), pp. 74-77.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

__________. "Art and Reality in Twentieth-Century Chinese Painting," in Kao Mayching, ed., Twentieth-Century Chinese Painting (Hong Kong: Oxford University Press, 1988).

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

MA HAO (AKA Mary Chuang; Fifth Moon Group; USA)

Pai, Maggie. "Ma Hao at the Lung Men Gallery" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), p. 77.

MA JIAN __ (b. 1953, Qingdao; HK)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

MA KELU (b. 1954, Shanghai; self-taught; 1990 to NY) See "Without Name" Group

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

Websites:

Art Beãtus. http://www.artbeatus.com/

MA LIN (N-E China)

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

MA LIUMING ___ (b. 1969, Huangshi, Hubei; Beijing)

The 1994 URARC Report. Beijing: NAAC, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bright, Susan. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

Chie Kaihotsu. "De-genderism: Art on the Edge of Representation." AAP, no. 16 (1997). pp. 30-32. (Review.)

De-Genderism (catalog). Tokyo: Setagaya Art Museum, 1997.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Lin Kehuan. "About Ma Liuming's Body Art." Chenping Yuedu Magazine, (Taiwan), 10/95. Reproduced: http://www.connect-arte.com/archive/china/artistas/mlmin2.htm

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Nagoya, Satoru. "De-Genderism" (review). Flash Art, Summer 1997, pp. 132-133.

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/ma_liuming.html

"Connect-Arte in China: Ma Liuming" (illus. and bio.). http://www.connect-arte.com/archive/china/artistas/mlmin.htm

MA LU __ (b. 1958, Beijing; CAFA; Germany; CAFA)

Borysevicz, Mattieu and Cao Weijun. Second Wave (pamphlet, CIFA Gallery exhib.). Beijing: the authors, 1997.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Shui Tianzhong, ed. Ma Lu (catalog). Guangxi Fine Arts Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

MA QIZHI ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

MA XIAOXING ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

MA YUNFEI ___ (b. 1960)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

MAI JINYAO ___ (b. 1940, Singapore; London)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

MAI ZHIXIONG ___ (b. 1969, Guangdong; GAFA)

Peters, Paul and Hans van Dijk, curators. Mondrian in China: A Documentary Exhibition with Chinese Originals (catalog). Beijing: The Netherlands Ministry of Foreign Affairs, 1998.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Mondrian in China at the International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 83-84.

MAK, ANTONIO (HK)

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Ho, Oscar. "A Poverty of Space." Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 36-37.

MAN CHING YING ___ [F] (Phoebe Man; b. 1969, HK; HK)

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

MAN FUNG-YI ___ [F] (b. 1968; HK)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

MAO LIZI ___ (AKA Zhang Zhunli; b. 1950, Xianyang, Shanxi; 1990 to Paris)/ some text says: Mao Lizhi ___

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

MAO WENBIAO (b. 1950)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

MAO XIAOLANG ___

Hualang __ (Art Gallery), no. 54 (1996, no. 1).

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MAO XUHUI ___ (b. 1955/6?, Chongqing; Yunnan AFA; Kunming/Chongqing?)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Artistic Digest, Issue 1 (4/94). (Hong Kong)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Fan Dian, Chinese Fine Arts in the 1990's, 1993

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Leng Ling and Zhao Li, Present Situation of China Oil Paintings, 1993

Li Lu Ming, Chinese Contemporary Art Documents, 1990 —1991, 1992

Liao Wen, The Biographies of 100 Chinese Young and Middle-aged Artists, 1992

Lu Peng, Yi Dan, A History of China Modern Art 1979-1989, 1992

MS 8/87, p. 36 (illus.)

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wang Lin, New Realistic Paintings, 1988

Zhongguo dangdai meishu shi

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

Soobin Art Gallery. (Bio., illus. only) http://www.soobinart.com.sg/artists.html;

http://www.asia-ads.com/soobinart/artists_2.html;

http://www.asia-ads.com/soobinart/media_re2.html;

http://www.asia-ads.com/soobinart/art-gallery3.html

MAO YAN __ (b. 1968; CAFA; Nanjing Inst. of Art)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

East Meets East in the West. San Francisco: Limn Gallery, 1998.

"The Faces of China's Future" (interview). Limn Magazine, issue 2 (August 1998), pp. 12-23.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Jana, Reena. "East Meets East in the West at Limn Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 95.

Li Xianting. Mao Yan/Zhou Chunya. Beijing: CIFA Gallery, 1997.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 2 (1994), various articles, repros.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "Zhou Chunya and Mao Yan at the Central Academy of Fine Arts Gallery." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 95-96. (Review.)

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

MEI DEAN-E ___ (b. 1954; Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

MENG JINGHUI ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

MENG LUDING ___ (b. 1962, Hebei; CAFA; 1989 to W. Germany; 1990 to USA)

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Laing, Ellen Johnston. "Is There Post-Modern Art in the People's Republic of China?" In Modernity in Asian Art: The University of Sydney East Asian Series, no. 7, edited by John Clark. (Broadway, New South Wales: Wild Peony, 1993.) Pp. 207-221, pls. 150-157.

MS 9/87, inside fr. cover

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

MI QIU

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

MIAO SHAOCHUN

Miao Shaochun. Beijing: the artist, 1994.

MING JING (N-E China)

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

MO YI __ (b. 1958, Lhasa)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

MORYE __ [F] (b. 1958; SAFA; Xiamen)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

MODERN ART SCOPE (Luoyang)

MOU HUAN

Mou Huan. Oil Works by Mou Huan. Sichuan: pub. by the artist, 1995.

NAN XI (b. 1960, Zhejiang)

Websites:

ShanghART Website. http://www.shanghart.com/sh-nx.htm

NEW ANALYSTS/NEW MEASUREMENT GROUP ___ (dissolved 1995): Wang Luyan ___ (b. 1956), Gu Dexin ___ (b. 1962), Chen Shaoping ___ (b. 1947), Cao Youlian

The 1994 URARC Report. Beijing: NAAC, 1994.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 95-99.)

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

MacRitchie, Lynn. "Precarious Paths on the Mainland." Art in America, vol. 82 (3/94), pp. 51-53, 55, 57.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Thomas, Bronwyn. "Art and the Critic in Contemporary China" (based on interview with Wang Youshen). Orientations, vol. 23, no. 7 (July, 1992), pp. 59-61.

Tolnay, Alexander, Ueker, and Xin Ke Du. Uecker: Letter from Peiking/Xin Ke Du: Work III. Berlin: Neuer Berliner Kunstverein, 1995.

XinKeDu: Arbeit der Gruppe "Neuer Massstab" No. 4. Germany: Configura, 1995.

XinKeDu: Grup Xin Kedu ("Nova Mida"), Obra (5). Italy: 1996.

NEW SPACE GROUP (Xin Kongjian ___; Xu Jin)

NG KU-HUNG (= Wu Guhong; b. 1918; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

NG YIU-CHUNG (=Wu Yaozhong; b. 1935, HK)

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

NI HAIFENG ___ (b. 1964, Zhoushan City, Zhejiang; NZAFA; Zhoushan)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JSHK, 8/90, p. 23 (illus.)

Lenz, Iris. Balanceakte (catalog). Stuttgart: Institut für Auslandsbeziehungen, 1995.

Ni Haifeng. Ni Haifeng. Amsterdam: Ni Haifeng and Ellis Foundation, 1996.

Ni Haifeng. Own texts to happenings and poems.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhongguo meishu bao, no. 4, 1989.

NI QI __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

NI WEIHUA ___ (b. 1962)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

NIE GANYIN ___ (b. 1936, Hunan)

MSWX, no. 3 (1995), various articles, repros.

NIE OU __ [F] (b. 1948, Beijing)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Findlay, Ian. "Nie Ou at Plum Blossoms." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 86.

"Nie Ou: Memories," Plum Blossoms Gallery, 1998. http://www.plumblossoms.com/NieOu-PR.html

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites:

Plum Blossoms Gallery http://www.plumblossoms.com/NieOu.html

NING FANGQIAN ___ [F] (b. 1963; CAFA; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

OU XINWEN ___ (b. 1956, Guangdong; Kunming)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

PAN DEHAI ___ (b. 1956, Dongbei; Dongbei Normal; Yunnan)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS no. 274, 10/90, p. 39 (illus.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

PAN QIQUN ___ (b. 1952, Changzhou, Jiangsu)

MSWX, no. 9 (1997), various articles, repros.

PAN XIAODONG ___ (b. 1955)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

PAN XING LEI ___ (b. 1969, Liaoning; HK)

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

PAN YING __ [F] (b. 1962, Beijing; PLA Art Acad.; Central Acad. of ethnic minorities)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Bright, Susan. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/pan_ying.html

PAN YULIANG ___ [F] (1899-1977; native of Yangzhou; Shanghai Meizhuan; 1921-28 Lyon, Paris, Rome; 1928-35 NCU Nanjing; Paris)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

PANG MAOKUN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

PANG TAO __ [F] (b. 1934; CAFA; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

PANG YUAN __ [F] (b. 1937; CAAA; CAAA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

PAU, ELLEN (b. 1961, HK)

Between the Law and the Black Box: The Hong Kong Media Circle Installation 1997. Hong Kong: The Hong Kong University of Science and Technology Center for the Arts, 1997.

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

European Media Art Festival 1997. Osnabrück: European Media Art Festival, 1997.

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

PENG SHEN-SHIAN (Taiwan)

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

THE POND COLLECTIVE __ (Zhang Peili, Geng Jianyi, Wang Qiang, Song Ling, Bao Jianfei)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

POON CHUN-WAH (b. 1936, Guangzhou; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

PU GUOCHANG ___ (b. 1937; CAFA; Guizhou)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

PU JIE __ (b. 1959, Shanghai)

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Pu Jie. "Let's Play Chess Together." 1996. http://www.shanghart.com/sh-pj-text.htm#text

Pu Jie (catalog). Shanghai: ShanghART, 1996.

"Pu's Uncanny Oil Paintings on Exhibit." Shanghai Star, 10/18/96.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Sigg, Uli. (Comments on Pu Jie.) 1996. http://www.shanghart.com/sh-pj-text.htm#text

Tasch, Stephanie. (Text on Pu Jie.) 1998 or earlier. http://www.shanghart.com/sh-pj-text.htm#text

Websites:

ShanghART Website http://www.shanghart.com/sh-pj.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

PU LIYA ___

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

PUN SING LUI (1992 to HK)

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

QI HAIPING ___ (b. 1957, Jilin)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

QI MENGGUANG ___ (b. 1963, Inner Mongolia; Inner Mongolia Normal; Baoding Teachers' School, Hebei)

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

MSWX, no. 7 (1996), various articles, repros.

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

QI QIUSHI ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

QI ZHILONG ___ (b. 1962, Inner Mongolia; CAFA; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Consumer Icons, Pop Art by Qi Zhilong (catalog). Hong Kong: Schoeni Art Gallery, 1994.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

QIA SANG __ (/KA SANG?)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

QIAN WEIKANG ___

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

QIAO XIAOGUANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

QIN FENG (b. 1961, Xinjiang; Blue Art Association)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

QIN XIUJIE

Hong Yi, Lei Bo and Qin Xiujie. Urban Mind and Material Life: Hong Yi/Lei Bo/Qin Xiujie (catalog for exhibition at China Art Gallery). Guangxi: Guangxi Fine Arts Publishing House, 1997.

QIN YIFENG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

QIN YUFEN ___ [F] (b. 1954, Qingdao, Shandong; self-taught; 1986 to Berlin; married to Zhu Jinshi)

Chinesische Kunst im Exil, Kunststation Kleinsassen, p. 21.

Hou Hanru and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Ma, Yingli. "Zehn Wochen in China: Ein Gespräch mit Zhu Jinshi." Neue Bildende Kunst, vol. 5, no. 1 (Feb-Mar, 1995), pp. 56-57.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Qin Yufen Malereien, 1984-1986 (catalog). Heidelberg: Heidelberger Kunstverein, 1986.

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/China3.htm)

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Websites:

Art Beãtus. http://www.artbeatus.com/

QIN YUANYUE ___ (b. )

MSWX, no. 9 (1997), various articles, repros.

QING QING

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

QIU DESHU ___ (AKA CHOU DESHU; b. 1948, Shanghai)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

"Qiu Deshu: Genesis, Evolution, Sublimation," Plum Blossoms Gallery, 1996. http://www.plumblossoms.com/Qiu-PR.html

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

QIU PING __ [F] (b. 1961, Wuhan, Hubei; studied NZAFA, Berlin; 1988 to Berlin)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Women's projects at the Hochschule der Künste, Berlin Interval 91 Berlin and Interval 92 Berlin.

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

QIU RUIMIN ___ (b. 1944, Longyan, Fujian)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

QIU SHIHUA ___ (b. 1940, Sichuan; Shenzhen)

Asian Art News, 3-4/92, p. 41 (illus.)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. Qiu Shihua (catalog for 23rd. Int'l Biennial of Sao Paolo). Hong Kong: Hanart TZ Gallery, 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Wear, Eric Otto. "Uncertainties at the Sao Paulo Bienal." Asian Art News, vol. 7, no. 2 (Mar/Apr 1997), pp. 92-93.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

QIU TI __ [F] (1906-1958)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

QIU ZHEJIE (Same as Qiu Zhijie?)

Smith, Karen. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

QIU ZHIJIE ____ ___ (b. 1969, Fujian; NZAFA)

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Leng Lin, "Art Theory and Culture in the 1990s" in The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

__________, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wu Liming. "Plotting Space at Courtyard Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 81-82.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

QU FENGGUO ___ (b. 1966, Dalian)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

QU LEILEI ___ (b. 1951, Beijing; Xingxing Pai; 1986 to England)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bright, Susan. "A Journey into Memory." AAN, vol. 8, no. 1 (1-2/98), pp. 62-65.

__________. "Qu Lei Lei at Chinese Contemporary." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 81-82.

Cai, Paul and Chen Yingde. "Notes from London and Paris."

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

QU YAN __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

QUAN SHANSHI ___ (b. 1930, Ningbo)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

RAY, FIONA [F] (HK/England)

Kember, Pamela. "Luise Fong at John Batten Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 88.

RED HUMOR GROUP ____ (Zhoushan, Zhejiang; Wu Shanzhuan, Ni Haifeng)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

REN CHUANWEN ___ (b. 1963)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

REN HUA [F]

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

REN JIAN __ (b. 1955, Liaoning; Lu Xun Acad.; Wuhan; New History Group)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Contemporary Art Series, No 2: Constructions–Approaching Textualization. Changsha: Hunan Fine Arts Publishing House, 1992.

Contemporary Art Series, No 5: Pop Trend–New Question in China. Changsha: Hunan Fine Arts Publishing House, 1993.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zha, Jianying. China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture. New York: The New Press, 1995.

REN RONG (b. 1960, Nanjing; studied Nanjing AFA, Germany; 1989 to Germany)

Chinesische Kunst im Exil, Kunststation Kleinsassen, p. 29.

Collage (catalog). Wuppertal: Von der Heydt Museum, 1991.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Hualang __ (Art Gallery), no. 54 (1996, no. 1).

Künstler, 9/91, pp. 23-25.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Ren Rong's Papierschnitte, Kulturamt der Stadt Heiligenhaus, 1991.

Ren Rong's Scherenschnitte (artist book), Schleswig, 1992, exhibition catalog Kleinsassen, 1992.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

REN SHI-ZENG (b. 1949, Zhejiang)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

REN XIAOLIN ___ (b. 1963, Beijing)

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

MSWX, no. 5 (1995), repros.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

REN ZHENJIANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

RHINOCEROS PAINTING GROUP ____ (Xuzhou)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

RONG RONG __ (AKA Lu Zhirong; b. 1968, Fujian)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

The Witness of the Contemporary Art in China (catalog/brochure). Tokyo: Tokyo Gallery, 1995.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ROU XIAOLIN

China/Avant-Garde. Beijing: China Art Gallery, 1989.

RUAN HAIYING ___ [F] (b. 1961, Beijing)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

RUAN JIE __ (b. 1962, Shanghai; Ruanjie)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

"SHS GROUP" "SHS__" (Hubei)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

SAH, CYNTHIA (b. 1952, Hong Kong; Bard College; HK)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Millichap, John. "Feeling for Stone." Asia-Pacific Sculpture News, vol. 2, no. 1 (Winter 1996), pp. 38-39.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/taiwan.html

SHAN FAN

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": http://www.shanghart.com/sh-texts.htm (1997 or 1/98.)

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

SHANG DEZHOU ___ (b. 1939)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

SHANG DING __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHANG TAO __ (b. 1938; CAFA; Guangzhou)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHANG YANG __ (b. 1942, Hubei; Hubei AFA; S. Ch. Normal)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

__________. "Shang Yang: Mona Lisa Plastered with Food Labels." ARTnews, vol. 95 (4/96), p. 119.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MS yanjiu, no. 84; 1996, no. 3, p. 39 (illus.)

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

The Second Oil Painting Department Biennial (catalog). Guangdong: Guangzhou Art Academy, 1994.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

__________, ed. Shang Yang. Guangxi Fine Arts Publishing House, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHAO FAN __

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

Shao Fan. Shao Fan. Beijing: the artist/CIFA Gallery, 1996.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

SHAO FEI __ [F] (b. 1954, Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Ch. Lit. Win., 1987 (illus.)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Lim, Lucy. Contemporary Chinese Painting: An Exhibition from the People's Republic of China. San Francisco: Chinese Culture Center, 1984.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

SHAO, FRANCES T. J. (b. 1963; Taiwan?)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

SHAO YACHUAN

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

SHAO YANXIN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHEN FAN __ (b. 1952, Jiangsu; Shanghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Findlay, Ian. "Shen Fan at Chinese Contemporary Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 85.

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Hualang __ (Art Gallery), nos. 60-61 (1997, nos. 1-2).

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter. "Shen Fan." 1996. http://www.shanghart.com/sh-sf-text.htm#text

__________, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Shen Fan (catalog). Shanghai: ShanghART, 1996.

Yao, Catherine. "Shanghai's Lonely Avant-Garde." Asian Wall Street Journal, 2/2-3/96, p. 7.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/shen_fan.html

ShanghART Website. http://www.shanghart.com/sh-sf.htm

SHEN JIAYAN

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

SHEN LING __ [F] (b. 1965, Liaoning; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

MSWX, no. 4 (1995), various articles, repros.

Shen Ling's Oil Painting. Taipei: Chinese Cultural Artefacts and Art Research Studio, 1993.

Shui Tianzhong, ed. Shen Ling. Guangxi Fine Arts Publishing House, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

There Are Fish, There Is Love: Wang Yuping and Shen Ling. Taipei: Jeff Hsu's Oriental Art, 1997/8.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHEN QIBIN

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

SHEN QIN __ (b. 1958, Jiangsu; Jiangsu Ch. Ptg. Acad.; Jiangsu)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

SHEN WEIGUANG

Shen Weiguang (catalog).Beijing: Galerie Tao, 1996.

SHEN XIAOTONG ___ (b. 1968, Chengdu; SAFA; Chengdu)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shen Xiaotong. Diary of Temptation ____ (catalog). Beijing: CIFA, 1997.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHEN YUAN __ [F] (b. 1959, Xianyou; Fujian, 1990 to Paris)

Hou, Hanru. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Parisien(ne)s. London: Inst. of International Visual Arts and Camden Arts Center, 1997.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Websites:

Art Beãtus. http://www.artbeatus.com/

SHENG JUN __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

SHENG QI (Concept 21)

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

SHEU TZU-KUEY (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

SHI BENMING ___ (b. 1958, Taiyuan; CAFA)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHI CHONG __ (b. 1963, Wuhan; Hubei Inst. Fine Arts; Hubei Inst. Fine Arts, Wuhan)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 2 (1994), various articles, repros.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

__________, ed. Shi Chong. Guangxi Fine Arts Publishing House, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHI DIHUA ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHI GUOLIANG (b. 1956, Beijing; Vancouver)

Here Not There. Vancouver: Vancouver Art Gallery, 1995.

SHI HU __ (b. 1942, Hebei)

MSWX, no. 3 (1995), various articles, repros.

Vainker, Shelagh. Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 1996.

Yishujie ___ (Art Life), November-December, 1996.

SHI HUI __ [F] (b. 1955, Ningbo; NZAFA; Beijing)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gustafson, Paula. "Paper Traditions." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 75-76.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

Xu Jiang and Shi Hui. Chess-Paper-Art: SelectedWorks by Xu Jiang/Shi Hui. Hangzhou: China National Art Academy Press, 1995.

Yishujie ___ (Art Life), January-February, 1997.

Websites:

Art Beãtus. http://www.artbeatus.com/

SHI LIANG __ (b. 1963, Shandong)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SHI LEI __ (b. 1961; Hubei AFA; S. Ch. Normal)

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

SHI LU __ (/né Feng Yaheng ___; 1919-82; native of Sichuan)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

SHI QIANG __ (b. 1960; Hunan)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHI YONG __ (Shanghai Huashang School of Art)

"Choose a New Look for the Artist." ShanghART Website. http://www.shanghart.com/shiyong/index.html

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

SHU JIHONG ___ (act. 1980s)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

SHU QUN __ (b. 1958, Jilin)

China/Avant-Garde. (Not illus.)

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SHUI, MARGARET (Assumed to be the same as Margaret Sui-tan and Margaret Shiu Tan) (b. 1946, Hong Kong; California, Switzerland, Singapore; Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

SHUI MEI [F] (b. 1969, Beijing)

Millichap, John. "Shui Mei at Schoeni Art Gallery." AAN, vol. 8, no. 1 (1-2/98), pp. 86-87.

Somewhere in Time–Paintings by Shui Mei (catalog). Hong Kong: Schoeni Art Gallery, 1997.

"Woman's Touch." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 17, 19.

SHYU RUEY-SHIANN (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

SIU-TAN, MARGARET (Taiwan)

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

SO, GRETCHEN (HK)

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

SO HING KEUNG ___ (b. 1959, Hong Kong)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

SO MAN-YEE ___ [F] (b. HK)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

SONG DONG __ (b. 1966, Beijing; Capital Normal; Beijing)

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Huang Du and Hong Hao, eds. Space and Vision: The Impression of Transmuting Daily Lives in Beijing 1998 (catalog). Beijing: Contemporary Art Center, Ltd., 1998.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

SONG GANG __ (b. 1960, Sichuan; NZAFA; Hangzhou; 1992 to Italy)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Meishu sichao, no. 1, 1986, p. 22.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Xin meishu, no. 4, 1986, back cover.

SONG HAIDONG ___ (b. 1958, Yangzhou; NZAFA; Shanghai; "M" Art Body)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Song Haidong: Own text about the 1991 Shanghai "Garage Exhibition."

Sun Liang, Song Haidong: Two Person Exhibition (catalog). Tokyo: Tokyo Gallery, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

SONG LING __ (Pond Soc.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

SONG YONGHONG ___ (b. 1966, Hebei; NZAFA; Beijing)

(with SONG YONGPING ___) China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Jaivin, Linda. "Sexual Realpolitik" (review). AAP, vol. 2, no. 4 (1995), pp. 32-33.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Smith, Karen. "Song Yonghong at Amonal Gallery" (review), Asian Art News, vol. 5, no. 3 (May-June 1995), pp. 59-60.

Song Yonghong: Burning Realities (catalog). Hong Kong: Hanart T. Z. Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Two Brothers' Views of Hong Kong: Recent Paintings by Song Yonghong and Song Yongping (catalog). Hong Kong: Hanart T. Z. Gallery, 1997.

SONG YONGPING ___ (b. 1961, Shanxi; Taiyuan, Shanxi)

(with SONG YONGHONG ___)China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

__________. "Song Yongping." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_song.htm

__________. "Song Yongping at Hanart TZ Gallery" (review). Asian Art News, vol. 7, no. 4 (Jul/Aug 1997), pp. 88-89.

Two Brothers' Views of Hong Kong: Recent Paintings by Song Yonghong and Song Yongping (catalog). Hong Kong: Hanart T. Z. Gallery, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

SOUTHERN ARTISTS SALON _______ (Chen Xiaoxiong, Liang Juhui, Lin Weimin/Yilin, Wang Du)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

Zhongguo meishu bao, no. 24, 1986, p. 1; no. 40, 1986, p. 3; no. 42, 1986.

SQUARE STUDIO (Su Xinping, Tan Ping, Wang Huaxiang, Zhou Jirong)

Smith, Karen. "Square Studio at International Art Palace" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 83-84.

STARS GROUP (See Xingxing Pai)

SU FUNG-NAN (b. 1943, Taipei)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

SU XINPING ___ (b. 1960, Jining, Inner Mongolia; CAFA; CAFA)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Gao Minglu. Album of Su Xinping's Lithographs. Qingdao City: Qingdao Publishing House, 1992.

__________. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

MS, 7/87.

Meishu, no. 218 (2/86), pp. 58-59 (illus. only).

MS yanjiu, no. 84; 1996, no. 4 [11/96], p. 18 (illus.)

MSWX, no. 6 (1996), various articles, repros.

The People's Progress: Twentieth Century Chinese Woodcuts (catalog). Sydney: Art Gallery of NSW, 1996.

Raddock, David M. "Beyond Mao and Tiananmen: China's Emerging Avant-Garde." The New Art Examiner, March 1995, pp. 25-27, 54.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

__________. "Square Studio at International Art Palace" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 83-84.

__________. "Su Xinping at Red Gate Gallery." AAN, vol. 8, no. 1 (1-2/98), p. 82.

__________. (Slightly different version of the above, for Max Protetch.)

Square Studio. The Discussion of Chinese Art in the Period of Transformation. Beijing: Central Academy of Fine Arts and Konrad-Adenauer-Stiftung, 1997.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Su Xinping. _____ ("The Motif and the Space"). Meishu, no. 263 (no. 11, 1989), pp. 41-44, 38.

Yang, Shao Yi. "Out of the Grasslands" (review of "Out of the Grasslands: The Recent Lithographs of Su Xinping"). AAP, vol. 3, no. 2 (1996), p. 106.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

bio.: http://www.artistavenue.com/artpages/artist/1032bio.htm

SUI JIANGUO ___ (b. 1956, Shandong; Shandong AFA, CAFA; Beijing)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Dream On" (review of "Now, Dream of East," Beijing). AAP, vol. 2, no. 2 (April, 1995), pp. 119-120.

__________. "Sui Jianguo/Li Gang." Art/Text, no. 60 (2-4/98), pp. 88-89. (Review.)

__________. "Sui Jianguo and the Sculptural Dilemma." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 28-30.

Doar, Bruce and Susan Dewar. "From Tradition to Modernity." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 41-45.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Hualang __ (Art Gallery), no. 50 (1995, no. 3).

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MSWX, no. 8 (1997), various articles, repros.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Shin Yong-doug and Yin Jinan. A Point of Contact: Korean, Chinese Japanese Contemporary Art (catalog). Korea: Taegu Art and Culture Hall, 1997.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yishujie ___ (Art Life), March-April, 1998.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

Red Gate Gallery Website. http://www.redgategallery.com

SUN BAOGUO ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

SUN DINGYU (SUN JING) ___ (__) [F] (b. 1955; Dalian; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

SUN GE __ [F] (b. 1955)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

SUN GUOJUAN ___ [F] (b. 1959, Chongqing; Yunnan)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

SUN JINGBO ___ (b. 1945; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

SUN LIANG __ (b. 1957, Hangzhou; NZAFA; Hangzhou)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

"Chinese Paintings and Sculpture Auction." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Raddock, David M. "Beyond Mao and Tiananmen: China's Emerging Avant-Garde." The New Art Examiner, March 1995, pp. 25-27, 54.

__________. "Regarding China's New Avant-Garde Artists." The New Art Examiner, February 1995, pp. 30-33.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Sun Liang, Song Haidong: Two Person Exhibition (catalog). Tokyo: Tokyo Gallery, 1994.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

SUN MAN __ [F] (b. 1968; Xian MSXY)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

SUN, MAY (b. 1954, Shanghai; to HK 1957; LA)

Kelly, Jeff. "Fugitive Landings: Installations in San Francisco." Visions, Winter 1991, pp. 24-28.

Machida, Margo, curator. Asia/America: Identities in Contemporary Asian American Art. New York: Asia Society Galleries and the New Press, 1984.

Poshyananda, Apinan. "Yellow Face, White Gaze" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 30-31.

SUN PING __

The 1994 URARC Report. Beijing: NAAC, 1994.

Contemporary Art Series, No 5: Pop Trend–New Question in China. Changsha: Hunan Fine Arts Publishing House, 1993.

Contemporary Art Series, No 6: Retrospect and Afterthought–The First Guangzhou Biennial Art Fair in the 90s. Changsha: Hunan Fine Arts Publishing House, 1993.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

SUN WEIMIN ___ (b. 1946, Heilongjiang; CAFA)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

SZE YUEN /Shi Yuan [F] (b. 1960)

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

SZETO KEUNG (b. Taiwan; late 1970s to NY)

Pai, Maggie. "Szeto Keung at Cherng Piin Gallery" (review). Asian Art News, March-April 1994, pp. 89-90.


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