TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES T - X
Stressing contemporary art

Home Page | General Bibliography | Artists

A - F | G - J | K - L | M - S| Y - Z

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


TAI HOI-YING (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

TAM, FRANK (1941-1998; b. Taishan; HK; 1972 to Canada; Vancouver)

Binks, Hilary. "A Curator's View" (interview with Hou Hanru). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 73-75.

__________. "No Longer One Image" (review of Between the Sky and the Earth). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 70-72.

Hou Hanru, curator. Between the Sky and the Earth: Five Contemporary Chinese Artists around the World. Hong Kong: Annie Wong Foundation and University Museum and Art Gallery, University of Hong Kong, 1998.

Websites:

Art Beãtus. http://www.artbeatus.com/

TAN, MARGARET SHUI [F] (Taiwan) (same as Margaret Siu-Tan?)

Yang, Wen-I. "Four Female Artists" (review of shows by Irene Chou, Chiu Tze-yan, and Yan Ming-hui; and Margaret Shui Tan). Art and Asia Pacific, vol. 2, no. 2 (April, 1995), pp. 117-118.

TAN PING __ (b. 1960, Chengde, Hebei; CAFA; 1989 to Germany)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

JSHK, 1/85, p. 12.

MS, 1/85, p. 42; 6/86, p. 40, cover; 3/88, p. 30.

MSWX, no. 6 (1996), various articles, repros.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Smith, Karen. "Square Studio at International Art Palace" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 83-84.

Square Studio. The Discussion of Chinese Art in the Period of Transformation. Beijing: Central Academy of Fine Arts and Konrad-Adenauer-Stiftung, 1997.

Tan Ping Print Exhibition (catalog). Germany: the artist/Galerie Christoff Weber, 1994.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Zhang Zhaohui. "Tan Ping at Red Gate Gallery" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), p. 68.

Zhongguo meishu bao, no. 19, 1985.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

TANG CHIUNG-SHENG (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

TANG GUANGMING ___ ("M" Art Body)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

TANG GUO (b. 1955, Wuxi, Jiangsu Province)

Tang Guo (catalog). Shanghai: ShanghART, 1997.

Zhong Tongyue (Anna). "Tang's Earthly Touches: Nanjing Artist Exhibits His Works in ShanghART." Shanghai Star, 10/08/96.

Websites:

ShanghART Website. http://www.shanghart.com/sh-tg.htm

T'ANG HAIWEN ___ (1927/9-1991; b. Amoy; 1949 to Paris)

Cohen, Joan Lebold. "T'ang Haiwen at Ho Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 60-61.

Pai, Maggie. "T'ang Haywen at Alisan Fine Arts" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 85-86.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

TANG HUI __ (b. 1968, Wuhan; CAFA)

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 7 (1996), various articles, repros.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Website:

Artist-in-residence at ARCUS, Ibaraki Prefecture, Japan (http://www.pref.ibaraki.jp/prog/arcus/are0043f.htm)

TANG JIAZHENG ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

TANG SONG __ (b. 1962, Hangzhou; NZAFA; 1989 to NSW)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (P. 100.)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 179, 49.)

JSHK, no. 3, 1989, p. 13.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Xin meishu, no. 4, 1987.

Zhongguo meishu bao, no. 6, 1989, p. 4; no. 11, 1989, p. 1.

TANG SONG __ (b. 1962) and XIAO LU __ (b. 1962)

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Barmé, Geremie and Linda Jaivin, eds. "An Exhibition of Anarchy: Postmodern Art in Peking," in New Ghosts, Old Dreams: Chinese Rebel Voices. New York: Times Books, 1992.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

TANG, STELLA (HK)

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

TANG TANG-FA (b. 1965)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

TANG XUN __ [F] (b. 1967)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

TANG YING-CHI (Deng Yingzi) ___ [F] (1989 to London; HK)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

TAO YA-LUN (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

TAO YUANQING ___ (1893-1929; native of Shaoxing)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

TENG FEI __ [F] (b. 1963, Hangzhou; Berlin; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Teng Fei. Teng Fei. China/Germany: pub. by the artist, 1995.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

TENG YING __ [F] (b. 1960; NZAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

THREE TRAVEL-WEARY LOAFERS ____ (Wei Dong, Lu Peng, Liang Changsheng)

Chandler, Mary Voelz. "Fresh Perspectives from China." Rocky Mountain News, 1/31/97. pp. 17D, 18D.

Rosen, Steven. "Defying Tradition." Denver Post, 3/20/97, pp. 8E, 5E.

Segraves, Julie M. The Adventures of the Three Travel Weary Loafers: New Art from the People's Republic of China, set of 3 volumes. (Vol. I: Courtyard, Courtyard by Wei Dong; Vol. II: Legends of New Immortals, by Lu Peng; Vol. III: Sleepy Talk and Leisurely Mood by Liang Chang Sheng.) Colorado: Asian Art Coordinating Council, 1996. (ISBN: 0-9640498-2-1)

TIAN LIMING ___

MSWX, no. 3 (1995), various articles, repros.

TING, WALASSE ___ (/Ding Xiongquan; b. 1929, Shanghai)

Contemporary Artists. San Francisco: Chinese Culture Center, 1984. (Exhib. folder.)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

TO WEUN __ (b. 1970, Guangdong; HK)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

TONG AICHEN ___ (b. 1969, Liaoning)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

TONG BIAO __ (b. 1971)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

TSAI HAIRU (Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

TSAI, KEN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

TSAI WEN-CHING (Taiwan)

McIntyre, Sophie. "Into the Stone Hills." Asia-Pacific Sculpture News, vol. 2, no. 2 (Spring 1996), pp. 26-31.

TSANG TAK PING (AKA Kith Tsang; HK)

Bennett, Alison. "Hong Kong Report." ART AsiaPacific, issue 19 (1998), pp. 35-36.

Clarke, David. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

Millichap, John. "Breaking Down Gallery Walls." Asia-Pacific Sculpture News, vol. 2, no. 2 (Spring 1996), pp. 32-33.

Websites:

Para/site Art Space: http://www.para-site.org.hk

TSANG TSOU CHOI (AKA King of Kowloon; b. c 1921, Guangdong; HK)

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

TSAO YA __ (b. 1956, Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

TSENG, KWONG CHI (1950-1990; b. HK; 1966 left HK; lived Vancouver, Paris, Montreal, NY)

Machida, Margo, curator. Asia/America: Identities in Contemporary Asian American Art. New York: Asia Society Galleries and the New Press, 1984.

Poshyananda, Apinan. "Yellow Face, White Gaze" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 30-31. (Incl. Hung Liu, Ken Chu, Tseng Kwong Chi, May Sun.)

TSENG YU-HO ___ (___)/ Betty Ecke (b. 1925; moved to USA)

Century.Woman _____ (cat.). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Tseng, Yu-ho. To hua. Kowloon, Hong Kong: Hanart T Z Gallery, 1992.

Twentieth Century Chinese Painting: Tradition and Innovation. Hong Kong: Urban Council, 1995.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/hk.html

TSONG PU __ (b. 1947, Shanghai; Taipei, Madrid; Taipei)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Lin, Jen-feng. "The Bright Moon Reflected in a Thousand Rivers." HSMS, September 1989, p. 223.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

Websites:

47th International Art Exhibition Venice, June 15-November 9, 1997 (http://www.labiennale.it/visual_a/xlvii/patr_en/segmenta.htm)

TSUI, GEORGE (HK)

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

TU TIN-TIN [F] (b. 1967; Taiwan)

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

UNTITLED SHOW GROUP (Beijing)

VAN LAU (HK)

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

WANDERING ARTISTS (Ah Xian, Guan Wei, Zhang Dali; Beijing)

WANG BAIJIAO ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WANG CHAOBING

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

WANG CHENG __ (b. 1965, Wuhu, Anhui; Nanjing)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

WANG CHUAN __ (b. 1953, Chengdu; SAFA; Chengdu)

Asian Art News, 3-4/94, p. 52 (illus.)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

WANG CHUN

Artistic Digest, Issue 1 (4/94). (Hong Kong)

WANG DEREN (b. 1962, Yichun, Heilongjiang; CA Applied Arts; 1992 to Berlin)

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Wang Deren, Zhongguo meishu bao, no. 8, 1987; no. 2, 1988, p. 2.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

WANG DONGLING

Klein, Norman M. "Underneath the Wave: New Art by Chinese Artists." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 27-30.

WANG DU (b. 1956, Hubei; Paris)

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Hou, Hanru. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Websites:

Art Beãtus. http://www.artbeatus.com/

Gate Foundation. http://www.base.nl/gate/

WANG FALING (=Wang Falin?)

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

WANG GANG __ (b. Shandong)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

WANG GONGXIN ___ (b. 1960, Beijing; NY)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lenz, Iris. Balanceakte (catalog). Stuttgart: Institut für Auslandsbeziehungen, 1995.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Smith, Karen. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

WANG GONGYI ___ [F] (b. 1946, Tianjin; NZAFA; Hangzhou; 1986 to France)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________ and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

Zhongguo meishu bao, no. 2, 1988.

WANG GUANGYI ___ (b. 1956, Harbin, Heilongjiang; NZAFA; Beijing, Shanghai)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Art and Asia Pacific, June, 1993, cover.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

__________. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

La Biennale Di Venezia: XLV Esposizione Internazionale d'Arte. Venice: Marsilio Editori S.P.A., 1993. (Catalog)

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chang, Johnson. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________. Wang Guangyi: Picture Calenders: Eastern Europe (catalog for 22nd. Int'l Biennial of Sao Paolo). Hong Kong: Hanart TZ Gallery, 1993.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fei, Dawei. "China/Avant-Garde" (interview by Meng Mei), Art Press 141 (November 1989), p. 30.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Hong Zaixin ___. "The Criticism Series and Criticism of the Series" ___________. MS, no. 243 (no. 3, 1988), pp. 5356.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Jaivin, Linda. "Sexual Realpolitik" (review). AAP, vol. 2, no. 4 (1995), pp. 32-33.

JSHK 10/90: 17 (illus.);JSHK, 4/86, p. 33; 9/89, p. 7; 8/89, p. 11

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Kunst Forum, no. 122 (1993).

Laing, Ellen Johnston. "Is There Post-Modern Art in the People's Republic of China?" In Modernity in Asian Art: The University of Sydney East Asian Series, no. 7, edited by John Clark. (Broadway, New South Wales: Wild Peony, 1993.) Pp. 207-221, pls. 150-157.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MacRitchie, Lynn. "Precarious Paths on the Mainland." Art in America, vol. 82 (3/94), pp. 51-53, 55, 57.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS, 9/89, p. 6.

Meishu sichao, no. 1, 1987, p. 21; no. 5, 1987, p. 21.

Millichap, John. "Wang Guangyi at Hanart TZ Gallery" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 84-85.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Schell, Orville, "Chairman Mao as Pop Art," in Mandate of Heaven: A New Generation of Entrepeneurs, Dissidents, Bohemians, and Technocrats Lays Claim to China's Future (New York: Simon & Schuster, 1994), pp. 279-292.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Wang Guangyi. "Replies to Three Questions" ________. MS, no. 243 (No. 3, 1989), p. 57.

Wang Guangyi: La Grande Critique (catalog). France: Galerie Bellefroid, 1993.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo meishu bao, no. 18, 1985; no. 36, 1986; no. 23, 1987; no. 11, 1989, p. 2.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

Zhu Bin, "Phenomenon and Review of Chinese Contemporary Art Criticism in the 1990s" in The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

The New York Times Magazine, Dec. 19, 1993.

Websites:

Soobin Art Gallery (bio., illus.). http://www.soobinart.com.sg/artists.html

"Connect-Arte in China: Wang Guangyi" (illus., bio.) http://www.connect-arte.com/archive/china/artistas/wangguan.htm

WANG HAI __ (Ch; now HK)

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

WANG HAO __ (b. 1963, Nanjing; CAFA; CAFA)

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

WANG HONGJIAN ___ (act. 1980s, 1990s)

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

WANG HONGLIANG

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

WANG HUAXIANG ___ (b. 1962, Guizhou; Guizhou AFA; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

MSWX, no. 6 (1996), various articles, repros.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Smith, Karen. "Square Studio at International Art Palace" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 83-84.

Square Studio. The Discussion of Chinese Art in the Period of Transformation. Beijing: Central Academy of Fine Arts and Konrad-Adenauer-Stiftung, 1997.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

WANG HUAIQING ___ (b. 1944, Beijing; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wang Huaiqing. Ink and Brush Sketches (catalog). Singapore: L'Atelier Production with Soobin Art Gallery, 1994.

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG HUANQING ___ (b. 1958)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WANG HUIMIN ___ [F] (Guangzhou; Big Tail Elephants)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

WANG JIPING ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WANG JIANAN (b. 1955)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

WANG JIANCHUAN

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

WANG JIANWEI ___ (b. 1958, Suining, Sichuan/Shanxi?; NZAFA; Beijing)

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Exhibition by Wang Jianwei (catalog). HK: Hong Kong Arts Center, 1991.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Incident–Process.State (catalog: solo exhib. by Wang Jianwei). HK: Hong Kong Arts Center, 1993.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 6597.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

"Universes in Universe Special: documenta X: Feng Mengbo." http://www.kulturbox.de/univers/doc/mengbo/e_meng1.htm

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

WANG JIANG __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WANG JIEYIN ___ (b. 1941, Jiangsu; Shanghai)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

WANG JIN __ (b. 1962, Datong; Beijing)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Smith, Karen. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

WANG JINSONG ___ (b. 1963, Heilongjiang; NZAFA; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Beijing qingnian bao, 12/18/90; 7/9/91.

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Du and Hong Hao, eds. Space and Vision: The Impression of Transmuting Daily Lives in Beijing 1998 (catalog). Beijing: Contemporary Art Center, Ltd., 1998.

JSHK, 10/91, p. 20, center.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

__________. "Wang Jinsong." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_jinson.htm

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twenty-First Century, no. 9, 1992.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Xin Meishu, no. 3, 1991, p. 86.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG JUN-JIEH ___ (b. 1963, Taipei; Berlin/Taipei)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

Websites: hong kong etc. (2nd Johannesburg Biennale, 1997)

Neon Urlaub (http://www.icf.de/neonurlaub/welcome)

Venice Biennale xlvii: http://www.labiennale.it/visual_a/xlvii/pavillon2/taiwan/taiwan.htm

WANG KEJU ___ (b. 1956, Shandong)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

WANG KEPING ___ (b. 1949, Beijing/ Hebei; self-taught; 1984 to Paris) See also Xingxing Pai.

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

The Annual of Chinese United Overseas Artists Association. (Yearbook) New York: Chinese United Overseas Artists Association, 1987.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Butterfield, Fox. "Serving the Workers and Peasants: Wang Keping," in China: Alive in the Bitter Sea. New York: Bantam Books, 1982.

Cohen, Joan Lebold. Painting the Chinese Dream: Chinese Art Thirty Years After the Revolution. Northampton, Massachusetts: Smith College Museum of Art, 1982.

__________. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Doar, Bruce and Susan Dewar. "From Tradition to Modernity." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 41-45.

Far Eastern Economic Review, no. 12, 1986, p. 18.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Mod. Artists, no. 4 (illus.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Poemes & Art en Chine, Les "Non-Officiels", Doc(k)s, Paris 1981/82.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

__________. "Art and Reality in Twentieth-Century Chinese Painting," in Kao Mayching, ed., Twentieth-Century Chinese Painting (Hong Kong: Oxford University Press, 1988).

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43.

"Wood Works." Asian Art News, vol. 7, no. 6 (11-12/97), p. 17.

Zhang Shaoxia and Li Xiaoshan. Zhongguo xiandai huihua shi. Nanjing: Jiangsu Meishu Chubanshe, 1986.

Zhongguo meishu bao, no. 10, 1986, p. 2; no. 12, 1986, p. 15.

WANG KUN __ (b. 1958, Tianjin)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG KUO-CHU (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

__________. "Reflections and Reconsiderations at the Taipei Fine Arts Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 92-93.

WANG KUO-HSIEN (Taiwan)

McIntyre, Sophie. "Into the Stone Hills." Asia-Pacific Sculpture News, vol. 2, no. 2 (Spring 1996), pp. 26-31.

WANG LAN-HSIUNG (b. 1943, Gaoxiong)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

WANG LIFENG (b. 1962)

Combs, Nicky. "Reaching for Cultural Continuity." Asian Art News, vol. 8, no. 5 (9-10/98), pp. 76-78.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

WANG LU __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

WANG LUYAN ___ (b. 1956, Beijing; self-taught; Beijing)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hou Hanru. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

MS no. 269, 5/90, p. 37 (illus.)

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Ushiroshoji, Masahiro. "Present Encounters." AAP, no. 15 (1997), pp. 30-31.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhongguo meishu bao, no. 35, 1988; no. 11, 1989, p. 2.

WANG NANMING ___ (b. 1962)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Websites:

"Connect-Arte in China: Wang Nanming" (illus. only). http://www.connect-arte.com/archive/china/artistas/wangnan.htm

WANG NENGTAO ___ (b. 1962, Heilongjiang)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

WANG PENG __ (b. 1964, Jinan; Beijing)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Goodman, Jonathan. "Wang Peng at the Asian Arts Academy." AAN, vol. 8, no. 1 (1-2/98), p. 91.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Websites:

"Connect-Arte in China: Wang Peng" (illus. and bio.):

http://www.connect-arte.com/archive/china/wangpen1.htm

http://www.connect-arte.com/archive/china/wangpen2.htm

http://www.connect-arte.com/archive/china/wangpen3.htm

http://www.connect-arte.com/archive/china/wangpen4.htm

WANG PO SHU

Wang Po Shu. Earth Story, 1996. Seattle: Seattle Arts Commission.

WANG QIANG __ (b. 1957, Hangzhou; Beijing; Pond Society)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/wang_qiang.html

WANG QINGSONG ___ (b. 1965, Shashi, Hubei; Beijing)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bright, Susan. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Puy, Inma G. "Spring in Beijing" (review). (April 14th, 1996): http://www.connect-arte.com/archive/china/echinab.htm

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/wang_qingsong.html

WANG SHAOJUN

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

WANG SHENGLI ___ (b. 1951, Xian)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

WANG SHIHUA ___ (Inner Mongolia; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

WANG TIANDE ___ (b. 1960, Shanghai)

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

WANG WANGWANG ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

WANG WEN-CHI (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

WANG XIANGMING ___ (b. 1956)

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG XIAOFEI ___ [F] (b. 1954; CAAA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

WANG XIAOHUI ___ [F] (b. 1957; Shanghai; Germany)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

WANG XINPING ___ (b. 1960)

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Waves of Asia (catalog/brochure). Tokyo: Tokyo Gallery, 1991.

WANG XINGWEI ___ (b. 1969, Shenyang)

Bright, Susan. "The Chinese Grand Tour at Chinese Contemporary" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), p. 83.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

WANG YAN __ (b. 1956, Liaoning)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YANPING ___/AKA YU WU [F] (b. 1956; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

Wan Qingli. "Traditionalism, Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.

WANG YANRU

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

WANG YI __ (b. 1957, Chongqing; SAFA)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

WANG YIDONG ___ (b. 1955, Shandong; CAFA)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YIGANG (Heilongjiang; Lu Xun AFA; Shenyang)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "Wang Yigang at Red Gate Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 60.

WANG YING

Wang Ying. Works by Wang Ying. Sichuan: pub. by the artist, 1995.

WANG YINGCHUN ___ (___?) [F] (b. 1942/3?, Taiyuan, Shanxi; CAFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

WANG YOU-CHUN (b. 1944, Taizhong)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

WANG YOUSHEN ___ (b. 1964, Beijing; Beijing)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "The Painted Photograph: An Exhibition of Contemporary Photography from China, Hong Kong, and Taiwan" (review). Asian Art News, vol. 4, no. 3 (May/Jun 1994), pp. 54-58.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Chiu, Melissa. "Everyday Sightings: Melissa Chiu Interviews the Chinese Artist Wang Youshen." AAP, vol. 3, no. 2 (1996), pp. 50-54.

Contemporary Art Series, No 2: Constructions–Approaching Textualization. Changsha: Hunan Fine Arts Publishing House, 1992.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

__________. "Dream On" (review of "Now, Dream of East," Beijing). AAP, vol. 2, no. 2 (April, 1995), pp. 119-120.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thomas, Bronwyn. "Art and the Critic in Contemporary China" (based on interview with Wang Youshen). Orientations, vol. 23, no. 7 (July, 1992), pp. 59-61.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

WANG YUPING ___ (b. 1962; CAFA; Beijing)

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wang Yuping's Works. Taipei: Taiwan Co., 1993.

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YUPING ___ [F] (b. 1956; Shandong)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

There Are Fish, There Is Love: Wang Yuping and Shen Ling. Taipei: Jeff Hsu's Oriental Art, 1997/8.

Wang Yuping's Oil Painting. Taipei: Chinese Cultural Artefacts and Art Research Studio, 1993.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YUQI ___ (b. 1958, Hebei; Tianjin AFA)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YUAN __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

WANG YUANZHEN ___ [F] (b. 1943; CAFA; Tianjin)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WANG YUEHONG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WANG ZHIYUAN

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Modern Chinese Prints from the Central Academy of Fine Arts, Peking. Preston: The Lancashire Polytechnic and The Harris Museum and Art Gallery, 1985?

Roberts, Claire, "Wang Zhiyuan." AAP, no. 15 (1997), p. 92. (Review.)

WANG ZIWEI ___ (b. 1963, Shanghai; Shanghai Inst. of Technology; Shanghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Doran, Valerie. "The Commerce of Art." AAP, vol. 1, no. 3 (1994), pp. 24-27.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

WANG ZUYANG

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

WEI CHI-I (Taiwan)

Findlay, Ian. "Wei Chi-I at Respectable Art Center" (review; Taipei). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 66-67.

WEI DONG __ (b. 1968, Inner Mongolia; Beijing Acad. of Arts & Crafts, Beijing Normal Inst.; Beijing) (See: Three Travel Weary Loafers)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Farnay, Rachel. "Wei Dong at Plum Blossoms" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 90-91.

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

JSHK, 4/94, 9/94

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

_______. "Six Chinese Artists and Contemporary Chinese Art after Political Pop." Text to accompany Lehmann Maupin exhibition, "4696/1998" (March-April 1998).

"Players in the Landscape." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 48-53.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Segraves, Julie M. The Adventures of the Three Travel Weary Loafers: New Art from the People's Republic of China, set of 3 volumes. (Vol. I: Courtyard, Courtyard by Wei Dong; Vol. II: Legends of New Immortals, by Lu Peng; Vol. III: Sleepy Talk and Leisurely Mood by Liang Chang Sheng.) Colorado: Asian Art Coordinating Council, 1996. (ISBN: 0-9640498-2-1)

Vainker, Shelagh. Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 1996.

"Wei Dong: The Age of Innocence," Plum Blossoms Gallery, 1998. http://www.plumblossoms.com/WeiDong-PR.html

Wei Dong: Ancient Stage, Modern Players (catalog). Hong Kong: Plum Blossoms Gallery, 1995.

Websites:

"Connect-Arte in China: Wei Dong" (illus. only). http://www.connect-arte.com/archive/china/artistas/weidong.htm

Plum Blossoms Gallery. http://www.plumblossoms.com/WeiDong.html

WEI ERSHEN ___ (b. 1965, Harbin; Lu Xun Art Acad.; Lu Xun Art Acad.)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

MSWX, no. 2 (1994), various articles, repros.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WEI GUANGQING ___ (b. 1962/3?, Huangshi, Hubei; NZAFA; Wuhan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Dewar, Susan. "Dream On" (review of "Now, Dream of East," Beijing). AAP, vol. 2, no. 2 (April, 1995), pp. 119-120.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MSWX, no. 1 (1994), various articles, repros.

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites:

ShanghART Website. http://www.shanghart.com/sh-wgq.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

WEI HSUEHO (Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

WEI JIA __ (b. 1957, Beijing; 1985 to USA)

New American Paintings, Number 15. Wellesley, Mass.: Open Studio Press, 1998.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

WEI MING __ (b. 1959; Hubei Industrial School)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WEI QI ___ (b. 1923; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WEI QINGJI

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

WEI RONG __ [F] (b. 1963, Beijing; CAFA; Beijing)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WEI XIAOFENG ___ (b. 1962, Xian; 1986 to USA)

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

WEI XIAOLIN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WEI YE

Wei Ye. Wei Ye in the Midst of New Cultural Thought. Beijing: pub. by the artist, 1993.

WEN GUOZHANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WEN HUI

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

WEN LIPENG ___ (b. 1931; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WEN PULIN ___ (b. 1957, Liaoning; Beijing)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

WENG DANXIAN ___ (AKA Wong Danxian; b. 1954, Fuzhou, Fujian; NAFA; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

WENG FEN (Guangzhou)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

WILD GRASS PAINTING GROUP ____ (est. 1983, Hunan)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WITHOUT NAME GROUP (Ma Kelu, Yang Yushu, Zhang Wei, Zhao Wenliang)

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

WONG DANXIAN ___ (See: Weng Danxian)

WONG KING-SENG (b. 1928; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

WONG MAN-LUNG (b. 1940, Guangdong; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

WONG SHUN (HK)

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

WONG SHUN-KIT (HK)

Clarke, David. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

WONG WAI-HUNG ___ [F] (Jenny Wong; b. 1970, Guangdong)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

WONG, WUCIUS ___ (=Wang Wuxie; b. 1936, Guangdong; was US; now HK)

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." ART AsiaPacific, no. 15 (1997), pp. 48-53.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Smith, Karen. "‘Art at the Handback' at Blunden Oriental." Asian Art News, vol. 7, no. 5 (9-10/97), p. 97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

"Wucius Wong: Visions of a Wanderer," Plum Blossoms Gallery, 1997. http://www.plumblossoms.com/Wucius-PR.html

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/hk.html

WONG, YANK (HK)

"The Artist's Voice" (interview). Asian Art News, May-Jun 1993, Hong Kong Supplement, pp. 20-22.

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

WU CHU (Taiwan?)

Findlay, Ian. "Wu Chu at Pada Gallery" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 90-91.

WU DAYU (b. ; Paris; Shanghai)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zheng Sheng Tian. "The Historical Standings of the Hangchou School in 20th Century Chinese Art," in Christie's 20th Century Chinese Art Part I (auction Catalog). Taipei: Christie's, 25 October 1998.

WU DEBIN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WU DE CH'UN (b. 1953; Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

WU GUANZHONG ___ (b. 1919, Yixing)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Rizvi, Sajid. "Wu Guanzhong--Fame and Fortune in Proud Retreat from Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/wgz.htm)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zheng Sheng Tian. "The Historical Standings of the Hangchou School in 20th Century Chinese Art," in Christie's 20th Century Chinese Art Part I (auction Catalog). Taipei: Christie's, 25 October 1998.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

WU GUOQUAN ___ (AKA Hei Gui __/"Black Ghost")

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WU HAO __ (b. 1931, Nanjing; 1947 to Taiwan; founded Ton Fan Group)

Findlay, Ian. "Wu Hao at Lung Men Art Gallery." AAN, vol. 8, no. 1 (1-2/98), p. 90.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

WU JINGHAN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WU MALI ___ [F] (b. 1957, Taipei; lived in Austria and HK; Taipei)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Clarke, David. "Foreign Bodies: Chinese Art at the 1995 Venice Biennale." ART Asia Pacific, vol. 3, no. 1 (1996), pp. 32-34. ([from parallel Taiwan show].)

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Good, P. "Zerreissen: philosophische Gedanken zur Kunst von Wu Mali," The Othernesse (Germany, 1995).

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

Lenz, Iris. Balanceakte (catalog). Stuttgart: Institut für Auslandsbeziehungen, 1995.

Lien, Fu Chia-wen. "Wu Mali: Gnawing Texts, Reaming Words." Art News, November, 1995.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Pai, Maggie. "Making Visible the Invisible." Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 60-66.

Promenade in Asia (catalog). Tokyo: Shiseido Gallery, 1994.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

Websites:

• 47th International Art Exhibition Venice, June 15-November 9, 1997 http://www.labiennale.it/visual_a/xlvii/patr_en/segmenta.htm

• "Mali Wu," N. Paradoxa, No. 5, November 1997 http://web.ukonline.co.uk/n.paradoxa/maliwu.htm

• "Mali Wu : Artist's Statement," N. Paradoxa, No. 5, November 1997 (first published in The Journalist weekly magazine Taipei, May 5 1996, no. 478) http://web.ukonline.co.uk/n.paradoxa/maliwu2.htm

• Linda Jaivin, [this article was orginally translated into German and published in the exhibition catalogue Balance Act [Stuttgart: Ifa Gallery, 1995)], N. Paradoxa, No. 5, November 1997 http://web.ukonline.co.uk/n.paradoxa/maliwu3.htm

• "Epitaph: Recent work by Mali Wu," N. Paradoxa, No. 5, November 1997 http://web.ukonline.co.uk/n.paradoxa/maliwu4.htm

WU MEICHUN

Smith, Karen. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

WU MINGHUI ___ (b. 1969)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

WU PINGREN ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

WU SHAN ZHUAN ___ (b. 1960, Zhoushan, Zhejiang; NZAFA; Germany)

The 1994 URARC Report. Beijing: NAAC, 1994.

Andrews, Julia. "Fragmented Memory: An Introduction," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 6-13.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

__________. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Barmé, Geremie and Linda Jaivin, eds. "An Exhibition of Anarchy: Postmodern Art in Peking," in New Ghosts, Old Dreams: Chinese Rebel Voices. New York: Times Books, 1992.

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao, Minglu and Andrews, Julia F., "The Context in the Text: Meaning in Wu Shanzhuan's Work," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 32-35.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (P. 88.)

Hou Hanru. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

JSHK 12/87: 23 (illus.)

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art and Victoria National Gallery, Melbourne, 1994.

MS, 6/86.

Meishu sichao, no. S, 1987, back cover.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twenty-First Century, no. 4, 1991.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Zhongguo meishu bao, no. 38, 1986; no. 40, 1987; no. 6, 1989, p. 4; no. 11, 1989, p. 2.

WU SHAOXIANG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

MS 6/87, inside front cover (illus.)

WU SHUANG-HSI [F] (Taiwan)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

WU TIEN-CHANG ___ (/Wu Tianzhang; b. 1956, Taipei; Taipei)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

__________. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chineseart.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Nanjo, Fumio. "Asian View" (review of "Asian View–Asia in Transition"). ART Asia Pacific, vol. 3, no. 3 (1996), pp. 100-101.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

WU WEIHE ___ [F] (b. 1970; Harbin; Beijing; 1996+ working with BAI CHONGMIN ___)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

WU WEIJIA ___ (b. 1960, Nantong, Jiangsu)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

WU WENGUANG (Beijing)

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

WU XIAO HUNG

Bright, Susan. "The Chinese Grand Tour at Chinese Contemporary" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), p. 83.

WU XIAOJUN ___ (b. 1960, Jiangsu)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin. "Photographic Works of Hong Lei and Wu Xiaojun." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/artist

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

WU YIMING (b. 1966, Shanghai)

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Zhong, Anna Tung Yue. "Wu's Art: Tradition Vs. Intuition." Shanghai Star, March 4, 1997.

Websites:

ShanghART Website. (Illus. only) http://www.shanghart.com/sh-other.htm

WU ZHICHUN ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

XI JIANJUN (b. 1962; Concept 21)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

Hou Hanru. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

Silent Energy. Oxford: Museum of Modern Art, 1993.

XIA DEWU ___ (b. 1957, Qingdao)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

XIA JUNNA ___ [F] (b. 1971; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

XIA LIXIA ___ [F]

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

XIA XIAOWAN ___ (b. 1959, Beijing; CAFA; Beijing)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS 1/86, p. 34 (illus.); 5/93 (illus.)

MS yanjiu, no. 84; 1996, no. 4 [11/96], p. 19 (illus.)

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XIAMEN DADA ____ (Huang Yongping, Lin Chun, Lin Jiahua)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

XIA XING __ (b. 1958, Beijing; CAFA)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

XIANG JING ___ [F] (b. 1968; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

XIANG JINGUO ___ (b. 1950, Hubei)

Hualang __ (Art Gallery), no. 50 (1995, no. 3).

MSWX, no. 8 (1997), repros.

XIANG NONG __ (Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

XIANG WEIGUANG ___ (Hunan; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

XIAO BAILI

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

XIAO FENG __ (b. 1932, Jiangsu; studied USSR; Hangzhou)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XIAO FENG __ (b. 1962, Wuhan)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

MSWX, no. 1 (1994), repros.

XIAO GUOFU (AKA MOGEN; b. 1964, Guizhou; 1991 to Beijing; 149 Studio)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/xiao_guofu.html

XIAO HAICHUN ___ (b. 1944, Jiangsu)

"Hanart at the Hong Kong Arts Center." Asian Art News, vol. 5, no. 1 (1-2/95), pp. 21-22.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XIAO HUIXIANG ___ [F] (b. 1933, Changsha, Hunan; Beijing/overseas?)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

MSWX, no. 9 (1997), various articles, repros.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XIAO JUN __ (b. 1965, Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Websites:

ShanghART Website. http://www.shanghart.com/sh-xj.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

XIAO LU __ [F] (Daughter of Xiao Feng; b. 1962, Hangzhou; NZAFA; 1989 to NSW)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

MS, 10.88, back cover (illus.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Xin meishu, no. 4, 1988.

Zhongguo meishu bao, no. 11, 1989, p. 1.

XIAO XIAN (bro. of Ah Xian??? see: Jose, Search)

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

XIAO XIAOLAN ___ [F] (moved to Canada)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Websites:

ShanghART Website. http://www.shanghart.com/sh-xxl.htm

XIAO YIWEN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

XIE DEQING/ Tehching Hsieh/ Sam Hsieh ___ (b. )

Xie Lifa ___. My Painter Friends _______. Taipei: Zili Evening Paper, 1988. (Pp. 119-130.)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

XIE DONGMING ___ (b. 1956)

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XIE NANXING (Sichuan)

Bernell, Robert. "Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

"News Brief: New Art Awards." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 14, 16.

Yi Ying. "First Annual Chinese Contemporary Art Award: A New Perspective,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

XIE XIANGLI (b. 1963)

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

XIN DONGWANG ___ (b. 1963)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XIN HAIZHOU ___ (b. 1966, Chengdu; SAFA; Chengdu)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Realistic Illusions (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XIN KONGJIAN GROUP (See New Space Group)

XIN QIN __ (b. 1970, Nanjing)

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

XING DANWEN ___ [F] (b. 1967; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

The Witness of the Contemporary Art in China (catalog/brochure). Tokyo: Tokyo Gallery, 1995.

Xing Danwen. With Chinese Eyes. Beijing: China Economic Publishing House, 1994.

XING FEI __ [F] (b. 1958, Beijing; CAFA; 1984 to NY)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. "Two Steps Forward, One Step Back." Art News, vol. 87, May (1988), pp. 123-125.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XING JUNQING (Artist for army/airforce/navy)

Xing Junqing. Xing Junqing–Oil Paintings. Pub. by the artist, 1997.

XING QINGREN

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

XINGXING PAI (Stars)

The Annual of Chinese United Overseas Artists Association. (Yearbook) New York: Chinese United Overseas Artists Association, 1987.

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986. (Pp. 7, 8.)

Chinesische Kunst im Exil, Kunststation Kleinsassen.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 44-48.)

MS, 3/80; 12/80, pp. 33-36.

Poemes & Art en Chine, Les "Non-Officiels", Doc(k)s 114.f N.41, Paris 1982.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

XIONG WENYUN [F]

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Xiong Wenyun at China Art Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 80-81.

XU ANMING ___ (b. 1960, Beijing)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XU BEIHONG ___ (1895-1953; b. Yixing xian)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XU BING __ (b. 1955, Chongqing; CAFA; 1990 to USA; NY)

Abe, Stanley K. "No Questions, No Answers: ‘China' and a Book from the Sky." Unpublished manuscript, 1998.

__________. "No-Sense from Out There: Xu Bing's Tian Shu in the West." Unpublished paper presented at the College Art Association Annual Conference, 2/23/96.

Andrews, Julia. "Fragmented Memory: An Introduction," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 6-13.

__________. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Animal. Anima. Animus (catalog). Pori, Finland: Pori Art Museum, 1998.

Around Us, Inside Us–Continents. Boras, Sweden: Boras Museum of Art, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Barmé, Geremie. "Xu Bing, a Chinese Character." Art Monthly Australia, July 1993, pp. 13-14

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Chen, Weihe ___. "Authenticity and Absurdity: Discussing Xu Bing and His Book from the Sky _______________. HSMS, no. 217 (3/89), pp. 146-151.

__________. Lun Xu Bing ji qi "Tianshu" _________ (A discussion of Xu Bing and his Book from the Sky). Zhishi fenzi ____ (Intellectuals), no. 1, 1989/90?, pp. 81, 82 (?).

__________. (Xu Bing and his A Book from the Sky) Intellectuals 1 (1988), pp. 58-62.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

Cheng, Zhide ___. "My Opinion of A Book from the Sky" _________. MS, no. 276 (12/90), pp. 7-8.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

__________, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Contemporary Art Series, No 2: Constructions–Approaching Textualization. Changsha: Hunan Fine Arts Publishing House, 1992.

Cotter, Holland. [Review: Xu Bing at the Bronx Museum of the Arts.] New York Times, 8/26/94.

Cotter, Holland. "Xu Bing." (Review: exhibit at the Bronx Museum of the Arts.) (Column.) New York Times, vol. 143 (8/26/94): C26 (L), col 1, 6 col in.

Danto, Ginger. "Xu Bing, Bellefroid" (Bellefroid Gallery, Paris; installation). ARTnews, vol. 92, no. 6 (Sum. ‘93), p. 186.

Davidson, Christina. "Words from Heaven: Installation Artist Xu Bing Catalogues the Southern Skies." Art and Asia Pacific, vol. 1, no. 2 (April, 1994), pp. 48-55.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Desire for Words. Hong Kong: Hong Kong Arts Centre, 1992.

Erickson, Britta. "Evolving Meanings in Xu Bing's Art: ‘A Case Study of Transference.'" Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

__________. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

__________. "Process and Meaning in the Art of Xu Bing." In Three Installations by Xu Bing. Madison, Wisconsin: Elvehjem Museum of Art, 1991. Pp. 2-32.

__________. [Square Word Calligraphy]. Manuscript, 1998.

Fan, Di'an ___. "Seeking Eternity–Xu Bing Creates Paths of Exploration" _____________. Meishu yanjiu, no. 53; 1989, no. 1 (2/89), pp. 37-40.

Fouser, Robert J. "The Kwangju Biennale: Unmapping the Enmapped" (review). ART Asia Pacific, no. 18 (1998), pp. 22-24.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, "Meaningless and Confrontation in Xu Bing's Art," in Fragmented Memory: The Chinese Avant-Garde in Exile (Columbus, Ohio: Wexner Center for the Arts, The Ohio State University, 1993), pp. 28-31.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 89-92.)

Giuliano, Charles. "Massachusetts College of Art/ Boston: Xu Bing: Language Lost." Art New England, vol. 17 (2/3 ‘96), pp. 65-66.

Goodman, Jonathan. "Chinese Character." World Art, no. 14 (1997), pp. 14-16.

__________, "Four Thousand Characters in Search of a Meaning." ART News, vol. 93, iss. 7 (9/94), pp. 99-101.

__________. "Xu Bing at Jack Tilton and the New Museum" (review). Art in America, vol. 87, no. 1 (January 1999), p. 95.

Grausman, Jennifer, Andrew Lohr, and Lisa Pasquariello. Fractured Fairy Tales: Art in the Age of Categorical Disintegration. Durham: Duke University Museum of Art, 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Hamlish, Tamara. "Prestidigitations: A Reply to Charles Stone." Public Culture, vol. 6, no. 2 (Win. 1994), pp. 419-442.

Hay, Jonathan. "Ambivalent Icons: Works by Five Chinese Artists Based in the United States." Orientations, vol. 23, no. 7 (July 1992), pp. 37-43.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________ ___. "Xu Bing, Atop the Point of a Frozen Peak" __________. HSMS, no. 235 (9/90), pp. 133-135.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Hung, Wu, "A ‘Ghost Rebellion': Notes on Xu Bing's ‘Nonsense Writing' and Other Works," Public Culture,, 1994, no. 6, pp. 411-418.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

Lee, Benjamin, "Going Public," Public Culture,, 1994, no. 6, pp. 165-178.

Lee, Leo Ou-fan. "Across Trans-Chinese Landscapes: Reflections on Contemporary Chinese Cultures." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

"The Library of Babel"–Characters/Books/Media (catalog). Tokyo: NTT InterCommunication Center, 1998.

Liu Kesu ___. "An Analysis of the Spirit of Mirror to Analyse the World" _______. MS, no. 269 (5/90), pp. 8-9.

Lloyd, Ann Wilson. "Lost and Found." In Xu Bing "Language Lost" (Boston: Massachusetts College of Art, 1995), pp. 20-25.

Lloyd, Ann Wilson. "Xu Bing." Sculpture (Wash., D.C.), vol. 15 (1/96), pp. 78-79.

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Ma, Yan. A Reader-Response Analysis of "A Book from the Sky": A Postmodern Educational Enterprise. (Doctoral dissertation, University of Wisconsin– Madison, 1993.)

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

"Open Art, the Black Cover Book" _________. HSMS, no. 285 (11/94), pp. 15-16.

Origins of Myth and Fire: New Art from Japan, China and Korea (catalog). Saitama: The Museum of Modern Art, 1996.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

__________. "Rewriting the Rules." Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 46-47.

__________. "Symbol vs Symbolic at the Lung Men Art Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 92-93.

The People's Progress: Twentieth Century Chinese Woodcuts (catalog). Sydney: Art Gallery of NSW, 1996.

Reuter, Laurel. "Musing into Winter." Art Journal, vol. 53, no. 3 (Fall 1994), pp. 46-59.

Rhem, James. "Xu Bing, Elvehjem Museum of Art." New Art Examiner, May 1992, p. 37.

Rimmer, Cate. "Huang Yong Ping & Xu Bing" (review). C Magazine, no. 59 (September-November, 1998), p. 38.

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Sherman, Mary. "City Focus Boston: Xu Bing and a Prayer." ARTnews, vol. 94, iss. 10 (12/95), pp. 55-56.

Smith, Karen. "Xu Bing's New Work, Cultural Animals" ___________. HSMS, no. 285 (11/94), pp. 82-84.

Stamets, Bill. "Xu Bing, Randolph Street Gallery." The New Art Examiner, vol. 23, no. 6 (2/96), p. 43.

Stone, Charles, "Xu Bing and the Printed Word," Public Culture,, 1994, no. 6, pp. 407-410.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in Contemporary Chinese Art." Orientations, vol. 23, no. 7 (July, 1992), pp. 44-52.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Taylor, Janelle. "Non-Sense in Context: Xu Bing's Art and Its Publics." Public Culture,, 1993, no. 5, pp. 317-327.

Twenty-First Century, no. 4, 1991.

Unreadable Books, New Letters (catalog). Tokyo: The Mitaka City Art Center, 1998.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Wang, Eugene Yuejin. "Of Text and Texture: The Cultural Relevance of Xu Bing's Art." In Xu Bing "Language Lost" (Boston: Massachusetts College of Art, 1995), pp. 7-19.

Wang, Jianhua. "Words for the New Century: A Story of Xu Bing, a Young Artist." Chinese Youth (int'l ed.), pp. 30-32.

Wang, Lin __. "Xu Bing's Art: Yet Another Drinking Bear" ____________. JSHK, no. 110 (2/90), pp. 21-23.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Xu Bing. "Drawing Instruction: Generally Speaking and in Practical Terms" __________. Meishu yanjiu, 1988, no. 4 (11/88), pp. 36-39.

__________. "A New Examination of and Understanding of Multiples" ______________. MS, no. 238 (10/87), pp. 50-51.

__________. "Xu Bing's Raising Pigs Questions and Answers" ________. HSMS, no. 285 (11/94), pp. 80-81.

Xu Bing: Recent Work (exhib. brochure). New York: Bronx Museum of the Arts, 1994.

Xu, Bing. A Case Study of Transference. Video by Ma Yingli, Ai Weiwei; translation: Kris Torgeson. New York, July 1994.

Xu, Bing. Square Word Calligraphy. Hong Kong: Hanart TZ Gallery, 1997. (Exhibition pamphlet.).

Xu Bing. Tokyo: Tokyo Gallery, 1991.

Xu Bing "Language Lost." Boston: Massachusetts College of Art, 1995.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

__________. "Xu Bing and the Rewriting of Culture." 1995. (Ms, pub. in: Yang, Why Asia?, pp. 24-29.)

Yishujie ___ (Art Life), January-February, 1997.

Yi Ying __. "The Choice Lies Between Technique and Concept: Critique of Xu Bing's Recent Works" ________________. MS, no. 245 (no. 5, 1988), pp. 50-53, inside front cover.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

__________. "Ghosts Pounding the Wall and Meaninglessness," Hsiung Shi Art Monthly, no. 235 (9/90), pp. 125-133.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

__________, Press release and exhibition pamphlet for "When Heaven and Earth Meet: Cai GuoQiang and Xu Bing," Bard College, 1998.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

Websites:

Art Beãtus (Illus., bio., artist's statement.) (http://www.artbeatus.com/xubing.html#statement)

Fractured Fairy Tales (http://www.duke.edu/web/art/fractintro.html)

Hanshan Tang (http://www.hanshan.com/x1.html#XU0TS2)

Haus der Kulturen der Welt (http://www.asianartnow.de/)

"Inside Out": "Nin Gui Xing?" 10/98:

(http://www.asiasociety.org/arts/insideout/workinprog.html)

(http://www.asiasociety.org/arts/insideout/work_qt.html)

PLEXUS (http://www.plexus.org/bing.html)

Projects Space Archive: Xu Bing, Tsan Books (http://fileroom.aaup.uic.edu/RSG/proarchive.html)

University Art Museum, University at Albany, re: 1996 exhib. of A Book from the Sky (http://www.albany.edu/museum/wwwmuseum/xb/xubing12.html)

Article featuring Case Study of Transference and Square Word Calligraphy http://civilwind.aan.net/guest/zhuren/zhuren.htm

Museum of Contemporary Ideas: S U P E R F I C T I O N S (http://toolshed.artschool.utas.edu.au/moci/encyc/entries/bing.html)

Xu Bing A Case study of Transference, 1994 Xu Bing's video installation is being exhibited in the "New China" exhibit at Jack Tilton gallery in New York (http://www.imageseries.com/art-review.htm)

Xu Bing Die Lehre des Sinns entleeren (http://www.v2.nl/mail/v2east/0012.html)

XU FUHOU ___ (b. 1954)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XU HONG __ [F] (b. 1957, Shanghai; Shanghai)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

MSWX, no. 4 (1995), various articles, repros.

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wan Qingli. "Traditionalism, Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XU HONGMIN ___ (b. 1971, Hunan)

Wu Liming. "Plotting Space at Courtyard Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 81-82.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

XU JIANG __ (b. 1955; ZAFA, Hamburg; NZAFA)

Chang Tsong-zung. "Of Time and Power." Asian Art News, vol. 8, no. 5 (9-10/98), pp. 68-69.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Xu Jiang and Shi Hui. Chess-Paper-Art: SelectedWorks by Xu Jiang/Shi Hui. Hangzhou: China National Art Academy Press, 1995.

Yishujie ___ (Art Life), January-February, 1997.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XU JIANGUO ___ (b. 1951, Shanghai; Shanghai Acad. of Drama; 1984 to USA)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XU JIN __ (act. mid-1980s, Beijing)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XU LEI __ (b. 1963, Nantong, Jiangsu)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Dai Jinhua. "Imagined Nostalgia." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 143-161.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

XU LONGSEN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

XU MANGYAO ___ (b. 1945, Shanghai; Paris; China)

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

XU MIN __ [F] (b. 1955; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XU RUOTAO ___ (b. 1964, Shenyang)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

XU SAN __ (Hunan; Beijing)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

XU SHUN __ (b. 1973, Jiangsu)

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

XU TAN __ (b. 1957, Wuhan, Hubei; GAFA; Guangzhou; Big Tail Elephants)

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

JSHK, 3/90, p. 13.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

MS, 3/89, p. 35 (illus. only); 5/89, p. 30 (illus.).

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Second Oil Painting Department Biennial (catalog). Guangdong: Guangzhou Art Academy, 1994.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Xin meishu, 1/89.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

XU WEIDE ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

XU WEIXIN ___ (b. 1956)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

XU XI __ (b. 1940, Shaoxing; 1989 to USA; NY)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wepman, Dennis. "Xu Xi." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 36-39.

XU XIAOYAN ___ [F] (b. 1960)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

XU XIAOYAN ___

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

XU YANZHOU ___ (b. 1961, Shandong; Shandong)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

XU YIHUI ___ (b. 1964, Jiangsu)

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Huang Du and Hong Hao, eds. Space and Vision: The Impression of Transmuting Daily Lives in Beijing 1998 (catalog). Beijing: Contemporary Art Center, Ltd., 1998.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

__________. "Six Chinese Artists and Contemporary Chinese Art after Political Pop." Text to accompany Lehmann Maupin exhibition, "4696/1998" (March-April 1998).

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

McFadden, Sarah. "The ‘Other' Biennial." Art in America, vol. 85, no. 11 (11/97), pp. 84-91.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

XU ZHIWEI ___ (b. 1961, Beijing)

The Witness of the Contemporary Art in China (catalog/brochure). Tokyo: Tokyo Gallery, 1995.

XU ZHONGMIN (b. 1961, Mianyan, Sichuan; SAFA; Beijing/Chongqing)

Findlay, Ian. "Xu Zhongmin at the October Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 85-86.

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Smith, Karen. "Xu Zhongmin and Ye Yongqing at the October Gallery." Asian Art News, vol. 7, no. 5 (9-10/97), p. 98. (Review.)

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

XUE SONG __ (b. 1965, Tangshan, Hebei; Shanghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Selected Works by Xue Song, Volume 1 (catalog). Shanghai: ShanghART, 1997.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Wu Liang. "Critique." 1998 or earlier. http://www.shanghart.com/sh-xs-text.htm#text

Xue Song: Charred Memories (catalog). Shanghai: ShanghART, 1997.

Zhong Tongyue. "Studio Fire Guides Xue to New Dimension of Art." Shanghai Star, 10/15/96, p. 14.

Websites:

ShanghART Website: http://www.shanghart.com/sh-xs.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

XUE ZHIGUO (b. 1957)

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.


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