TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES Y - Z
Stressing contemporary art

Home Page | General Bibliography | Artists

A - F | G - J | K - L | M - S| T - X

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


YAN BINGHUI ___ (b. 1956, Tianjin; Tianjin)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

YAN BO

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

YAN, BOB (HK?)

Fong Yuk Yan. A Day in the Life: Oil Paintings by Bob Yan (catalog). Hong Kong: Zee Stone Gallery, 1996.

YAN FEI __ (b. 1941)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

YAN LEI __

The 1994 URARC Report. Beijing: NAAC, 1994.

Leng Lin. Invasion: ‘95 Yan Lei's Works (catalog). Beijing: pub. by the artist, 1995.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Smith, Karen. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

YAN LI __ (b. 1954, Beijing; self-taught; 1985 to NY) See also Xingxing Pai.

Artists from China–New Expressions. Bronxville, NY: Sarah Lawrence College, 1987.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yan Li (own texts): Shunlin Press, Taiwan, 1991; Expedi Printing Inc., NY, 1987, 1990; Yongyu Printing Inc., Taiwan, 1990; Nine Song Press, Taiwan, 1990.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

YAN MING-HUI ___ [F] (b. 1956, Taiwan; NY)

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

Yang, Wen-I. "Four Female Artists" (review of shows by Irene Chou, Chiu Tze-yan, and Yan Ming-hui; and Margaret Shui Tan). Art and Asia Pacific, vol. 2, no. 2 (April, 1995), pp. 117-118.

YAN PEI MING (b. 1960, Shanghai; studied in France; 1980 to France; 1981 to Dijon)

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Binks, Hilary. "A Curator's View" (interview with Hou Hanru). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 73-75.

__________. "No Longer One Image" (review of Between the Sky and the Earth). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 70-72.

Bright, Susan. "Yan Pei Ming at Faggionato Fine Arts." AAN, vol. 8, no. 1 (1-2/98), pp. 83-84.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (Pp. 62, 63.)

Clarke, David. "Foreign Bodies: Chinese Art at the 1995 Venice Biennale." AAP, vol. 3, no. 1 (1996), pp. 32-34.

Dupont, Valerie. "Yan Pei Ming: Juste de la peinture." Opus International, no. 121 (1990), p. 50.

Hou, Hanru. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________, curator. Between the Sky and the Earth: Five Contemporary Chinese Artists around the World. Hong Kong: Annie Wong Foundation and University Museum and Art Gallery, University of Hong Kong, 1998.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________, curator. Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

__________. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Identity and Alterity: Figures of the Body 1895/1995. Venice: Marsilio, 1995. (Catalog: Biennale di Venezia, 46. esposizione internazionale d'arte.)

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

JSHK 2/91: 36 (illus.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Passions Privées (catalog). Paris: Musée d'Art Moderne de la Ville de Paris, 1995.

Rhizome–A European Art Exhibition. (Catalog.) The Hague: The Netherlands Office for Fine Arts, 1990. Pp. 92-97. (Hirshhorn, Smithsonian, Cleveland MOA)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Wilson, Kate. "Report from UK." OA, vol. 39, no. 4 (Win. 1993/94), pp. 53-57. (Review of Oxford MOMA.)

Websites:

Art Beãtus. http://www.artbeatus.com/

YAN PING __ [F] (b. 1956, Qixia, Shandong)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

MSWX, no. 4 (1995), various articles, repros.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

YAN SHAN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YAN ZHENDUO ___ (b. 1940; Beijing)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Binks, Hilary. "Cao Dali and Yan Zhenduo at Zee Stone Gallery." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 82-83.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YAN ZHENGXUE

Sang Ye; trans. & intro. by Barmé. "Fringe-Dwellers: Down and Out in the Yuan Ming Yuan Artists' Village." AAP, no. 15 (1997), pp. 74-77.

YANG CHENGGUO ___ (b. 1956, Shandong)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

YANG FEIYUN ___ (b. 1954, Inner Mongolia; CAFA)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yishujie ___ (Art Life), November-December, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

YANG GANG (b. 1946)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

YANG GUOXIN ___ (b. 1951; S. China Normal)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

YANG HUI (b. 1962, Shanghai; 1990 to France)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

YANG JIANPING ___ (b. 1971, Yixing)

MSWX, no. 8 (1997), various articles, repros.

YANG JIECHANG ___ (AKA Jie Cang __; b. 1956, Foshan, Guangdong; Guangzhou; 1989 to Paris; Paris and Heidelberg)

Binks, Hilary. "No Longer One Image" (review of Between the Sky and the Earth). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 70-72.

Cai, Paul and Chen Yingde. "Notes from London and Paris."

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (Pp. 56-57.)

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 68, 82-84.)

Gercke, Hans. West-Östliche Kontakte (catalog). Heidelberg: Heidelberger Kunstverein, 1995.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

Hou Hanru, curator. Between the Sky and the Earth: Five Contemporary Chinese Artists around the World. Hong Kong: Annie Wong Foundation and University Museum and Art Gallery, University of Hong Kong, 1998.

__________. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

__________, curator. Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

__________. "Le Plaisir du Texte: Zen and the Art of Contemporary China." Flash Art (int'l ed.), no. 173 (11/12 ‘93), p. 64.

__________. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

Hou Hanru and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

__________. "Six Chinese Artists and Contemporary Chinese Art after Political Pop." Text to accompany Lehmann Maupin exhibition, "4696/1998" (March-April 1998).

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Magiciens de la Terre. Paris: Centre Georges Pompidou, 1989.

My Home Is Your Home (catalog). Lodz, Poland: The Artists' Museum, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/China3.htm)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Yang Jie-chang, Gallery Jeanne Bucher, Paris, 1991.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

Websites:

Art Beãtus. http://www.artbeatus.com/

YANG JUN (b. 1963, Hubei; CAFA; Beijing)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (?? See Noth, p. 321.)

New Asian Art Show (catalog). Tokyo: Committee of International Contemporary, 1995.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Zhongguo meishu bao, no. 39, 1987, p. 2.

YANG KEQIN ___ [F] (b. 1963, Xinjiang; CAFA; NY)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

YANG MAO-LIN ___ (b. 1963; Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

__________. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Li Xianting. "In a Sea of Cultures." AAN, vol. 8, no. 1 (1-2/98), pp. 44-48.

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

YANG MIAN __ (Sichuan)

Bernell, Robert. "Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

"News Brief: New Art Awards." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 14, 16.

Yi Ying. "First Annual Chinese Contemporary Art Award: A New Perspective,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

YANG MIN

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

YANG MING __ (b. 1962, Fujian)

MSWX, no. 8 (1997), various articles, repros.

YANG PEIYUN ___ (Shanghai)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

YANG QIAN (SAFA)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Klein, Norman M. "Underneath the Wave: New Art by Chinese Artists." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 27-30.

YANG SHAOBIN ___ (b. 1963, Tangshan, Hebei; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bright, Susan. "The Chinese Grand Tour at Chinese Contemporary" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), p. 83.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

__________. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Xianting and Lu Jie. Faces behind the Bamboo Curtain (catalog). Hong Kong: Schoeni Art Gallery, 1994.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

YANG SHIH-CHI (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

YANG SHU __ (AKA Yang Shufeng _____)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YANG XU ("M" Art Body)

YANG YANLAI ___ [F] (b. 1971; CAFA; Guangzhou)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

YANG YANWEN ___ (b. 1939)

Bright, Susan. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

YANG, YINGFENG (AKA Yang Yuyu) (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

Robertson, Iain. "The Rising of the Phoenix." Asia-Pacific Sculpture News, vol. 2, no. 2 (Spring 1996), pp. 48-53.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yang, Ying-feng. Yang Ying-Feng '93 ko chan: pu hsiu kang hsi lieh hsin tso (In Stainless Steel : Sculptures by Yuyu Yang). Taipei: Yang Ying-feng Meishuguan, 1993.

Yang, Ying-feng. Yang Ying-Feng lei she ching kuan tiao su. Hong Kong: HK Arts Center, 1986.

Websites:

Art Beãtus. http://www.artbeatus.com/

YANG YINGSHENG ___ (b. 1961)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YANG YIPING ___ (b. 1947, Beijing; self-taught)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

YANG YUSHU (b. 1944, Beijing; self-taught; Beijing) See "Without Name" Group

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

YANG YUAN-TAI (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

YANG YUN __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YANG ZHENZHONG ___ (b. 1968, Hangzhou; NAFA)

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

YANG ZHILIN ___ (b. 1956, Jiangsu; Nanjing)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

YANG ZHICHAO ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

YAO, C.J. (b. 1941, Taichung)

Contemporary Artists. San Francisco: Chinese Culture Center, 1984. (Exhib. folder.)

YAO JUI-CHUNG (Taiwan) (Same as C.J. Yao/Yao Jui-jung?)

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

YAO JUI-JONG (Taiwan)

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

Shih, J. J. "Made in Taiwan: Images of Hong Kong." ART AsiaPacific, no. 15 (1997), pp. 44-59.

YAO YONG __ (b. 1962, Shandong)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

YE FEI __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

YE HENGGUI ___

MSWX, no. 2 (1994), repros.

YE QIUCAI (b. 1949; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

YE SHUANGGUI ___ (b. 1964)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

YE XIN (b. 1953, Beijing; 1986 to Paris)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

YE YONGLIE (typo for Ye Yongqing?)

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

YE YONGQING ___ (b. 1958, Kunming; SAFA; Chongqing)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

China in the Eye of a Scholar Artist: Ye Yongqing (catalog, exhib. at Soobin). Singapore: L'Atelier Productions, 1996.

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Contemporary Art Series, No 2: Constructions–Approaching Textualization. Changsha: Hunan Fine Arts Publishing House, 1992.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Doran, Valerie. "The Commerce of Art." AAP, vol. 1, no. 3 (1994), pp. 24-27.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JSHK 10/87: 45 (illus.); 9/90: 49, back cover (illus.)

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

Liu Wei/Ye Yongqing (catalog). Beijing: CIFA, 1997.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art and Victoria National Gallery, Melbourne, 1994.

MS yanjiu, no. 83; 1996, no. 3 [8/96], p. 37 (illus.)

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "Liu Wei and Ye Yongqing at the Central Academy of Fine Arts." AAN, vol. 8, no. 1 (1-2/98), pp. 82-83.

__________. "Xu Zhongmin and Ye Yongqing at the October Gallery." Asian Art News, vol. 7, no. 5 (9-10/97), p. 98. (Review.)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Ye Yongqing. "Tour of the Chinese Art Market in the ‘90s" Art Trends, 1994, combined vols. 4 & 5.

Yishujie ___ (Art Life), March-April, 1998.

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

YEN DING-SEN ___ (b. 1960, Tainan)

Yen Ding-sen (catalog). Taipei: Cherng Piin Gallery, 1997.

YEN SHEN-JER (b. 1943, Tainan)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

YI KAI (b. 1955, Changsha)

Binks, Hilary. "Yi Kai at Alisan Fine Arts" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), pp. 83-84.

Millichap, John. "The Spirit That Links." Asian Art News, vol. 8, no. 5 (9-10/98), pp. 73-75.

"New Works." AAN, vol. 8, no. 1 (1-2/98), p. 19.

YI LING __ (b. 1961, Shanghai; Beijing)

Peters, Paul and Hans van Dijk, curators. Mondrian in China: A Documentary Exhibition with Chinese Originals (catalog). Beijing: The Netherlands Ministry of Foreign Affairs, 1998.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Smith, Karen. "Mondrian in China at the International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 83-84.

YIN GUANG __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YIN GUANGZHONG ___ (b. 1944, Guizhou)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

YIN JUN __ (Shanghai)

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

YIN QI __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

YIN XIUZHEN ___ [F] (b. 1963, Beijing; Beijing)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Chiu, Melissa. "Thread, Concrete and Ice: Women's Installation Art in China." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 50-57.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Lago, Francesca Dal. "Against the Tide: The United States." ART Asia Pacific, no. 17 (1998), p. 100. (Review of "Against the Tide.")

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Preece, Robert. "Chinese Art, Manchester Style." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 39-41.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Yee, Lydia. Against the Tide (exhibition brochure). New York: Bronx Museum of the Arts, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

YIP SUN-SUN (Paris)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

YONG HONG

Wan Qingli. "Traditionalism, Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.

YOU SI

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

YU FAN __ (b. 1966, Shandong; CAFA)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

YU FEI

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

YU GUOMING ___ (Inner Mongolia; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

YU HONG __ [F] (b. 1966, Beijing; CAFA; Beijing)

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Beijing qingnian bao, 12/18/90; 7/9/91.

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

JSHK, 8/89. p. 23; 7/90, pp. 35, 43.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

__________, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

MS, 3/89; 9/90, p. 24, center, pp. 52, 53.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Shao Dazhen. "New Wave and Academic Painting Quietly Merge." Yishujia, no. 183 (August 1990), pp. 204-219.

Shui Tianzhong, ed. Yu Hong. Guangxi Fine Arts Publishing House, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Twenty-First Century, no. 9, 1992.

Wan Qingli. "Traditionalism, Reform and Modernism in Twentieth Century Chinese Painting." Orientations, vol. 23, no. 7 (July, 1992), pp. 22-27.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

YU GAO __ [F] (b. 1971; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

YU JIYONG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YU, MARLENE TSENG

Goodman, Jonathan. "Marlene Tseng Yu at Space Untitled" (review). Art in America, vol. 87, no. 1 (January 1999), p. 104.

YU PENG __ (b. 1955, Taipei, Taiwan)

Chang, Tsong-zung, curator. Man and Earth: Contemporary Paintings from Taiwan. Denver: Asian Art Coordinating Council, 1994.

Clarke, David. "Twentieth-Century Chinese Painting" (Review of Tradition and Innovation). ART AsiaPacific, no. 15 (1997), pp. 42-43.

Haggerty, Gerard. "Yu Peng/Kaikodo" (review). Art News, 10/98, p. 146.

Huang Tz'u-mei ___. "Yu Peng–na ke tsung ku-shu chung tsou ch'u lai te jen" ______________. I-shu-chia ___, no. 169 (June, 1989), p. 293.

Kuo, Jason C. Yu Peng, a Contemporary Chinese Painter. Towson, Maryland: Asian Arts Center, Towson State University, 1991.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Kushner, Robert. "Yu Peng at Kaikodo" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 98-99.

Lago, Francesca Dal. "Tracing Taiwan: United States" (review of Tracing Taiwan) ART Asia Pacific, no. 18 (1998), p. 91.

Lutchmansingh, Larry D. "Man and Earth" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 32-33.

Man and Earth: Paintings by Yu Peng. New York: Hanart Gallery Inc., and Hong Kong: Hanart 2, 1990.

Pai, Maggie. "Cheng Tsai-tung and Yu Peng at Hanart Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), p. 86.

Paintings by Yu Peng. Hsinchu: National Tsing Hua University Arts Center and Taipei: Pacific Cultural Foundation, 1994.

Prakash, Siddartha. "Cheng Tsai Tung and Yu Peng at Hanart T Z Gallery" (review). Asian Art News, November-December 1993, pp. 122-123.

Reckoning with the Past: Contemporary Chinese Painting. Edinburgh: The Fruitmarket Gallery, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twentieth Century Chinese Painting: Tradition and Innovation. Hong Kong: Urban Council, 1995.

Vainker, Shelagh. Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 1996.

Yang, Alice. "High and Low: The Cultural Space of COntemporary Taiwanese Art," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 119-128.

Yang, Alice and Jonathan Hay. Tracing Taiwan (cat.). New York: The Drawing Center, 1997.

Yu Peng __. "Shui-mo-hua yu wo" _____. I-shu-chia ___, no. 121 (June, 1985), p. 349.

Yu Peng: Literati Dreams. Hong Kong: Hanart T Z Gallery, 1992.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/taiwan.html

YU PING __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YU SHAOFEI ___ (b. 1959, Shandong)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

YU SHAOPING ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

YU, TIM ___ (b. 1964, HK; HK)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

YU TSZ MAN (HK)

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

YU XIAOFU ___ (b. 1950, Jiangsu; Shanghai)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________ and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

YU XIAOGANG ___ (b. 1958; NZAFA; Beijing)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YU XIAOPING ___ (b. 1957, Anhui)

MSWX, no. 8 (1997), repros.

Yishujie ___ (Art Life), March-April, 1998.

YU XINJIAO ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

YU YAT-YIU (HK)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

YU YOUHAN ___ (b. 1943, Shanghai; CA Applied Arts; Shanghai)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

__________. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

La Biennale Di Venezia: XLV Esposizione Internazionale d'Arte. Venice: Marsilio Editori S.P.A., 1993. (Catalog)

Chang, Johnson. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Fei, Dawei. "China/Avant-Garde" (interview by Meng Mei), Art Press 141 (November 1989), p. 31.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chineseart.com/volume1issue5/special

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Leng Lin. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Li, Xianting. "The Imprisoned Heart: Ideology in an Age of Consumption." AAP, vol. 1, no. 2 (April, 1994), pp. 25-30.

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Lucie-Smith, Edward. Visual Arts in the Twentieth Century. New York: Abrams, 1996.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Raddock, David M. "Beyond Mao and Tiananmen: China's Emerging Avant-Garde." The New Art Examiner, March 1995, pp. 25-27, 54.

__________. "Regarding China's New Avant-Garde Artists." The New Art Examiner, February 1995, pp. 30-33.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Schell, Orville, "Chairman Mao as Pop Art," in Mandate of Heaven: A New Generation of Entrepeneurs, Dissidents, Bohemians, and Technocrats Lays Claim to China's Future (New York: Simon & Schuster, 1994), pp. 279-292.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wilson, Kate. "Report from UK." OA, vol. 39, no. 4 (Win. 1993/94), pp. 53-57. (Review of Oxford MOMA.)

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

Websites:

"Connect-Arte in China: Yu Youhan" (illus. only). http://www.connect-arte.com/archive/china/artistas/youhan.htm

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

ShanghART Website. http://www.shanghart.com/sh-yyh.htm; (Illus. only) http://www.shanghart.com/sh-other.htm

YU ZHENLI ___ (b. 1949, Dalian)

MSWX, no. 1 (1994), various articles, repros.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

YUAN CHIN-TAA ___ (b. 1949, Taiwan)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

YUAN GUANGMING (Same as Yuan Goang-ming?; 1993 to Germany; Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

YUAN JAI __ [F] (b. 1941, Chongqing; Taipei)

Findlay, Ian. "Bringing Tradition up to Date." AAN, vol. 8, no. 1 (1-2/98), pp. 40-43.

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

YUAN LEPING ___ (b. 1957, Zhejiang; Hangzhou)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

YUAN QINGYI ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

YUAN SHUN __ (b. 1961, Shanghai; Beijing Arts Inst. of the PLA; Shanghai; 1990 to Poland; Berlin)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (?? See Noth, p. 321.)

Chinese Art in Exile, Project Group "Metabolism" (Kassel, 1992), p. 33.

JSHK, 8/88, p. 9; 6/90, pp. 21-23.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites: Haus der Kulturen der Welt: www.asianartnow.de/

YUAN XIAOFANG ___ (b. 1961)

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 1 (1994), repros.

YUAN YAOMIN ___ [F] (b. 1961; CAFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

YUAN YUNSHENG ___ (b. 1937)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

YUE MINJUN ___ (b. 1962, Daqing, Heilongjiang; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Bright, Susan. "The Chinese Grand Tour at Chinese Contemporary" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), p. 83.

__________. "Chinese Painting; United Kingdom." ART Asia Pacific, no. 17 (1998), p. 99. (Review of "10 Contemporary Painters from China.")

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Gustafson, Paula. "4696/1998: Contemporary Art from China at Art Beatus Gallery" (review). Asian Art News, vol. 8, no. 5 (9-10/98), pp. 79-80.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

__________. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Li Xianting and Lu Jie. Faces behind the Bamboo Curtain (catalog). Hong Kong: Schoeni Art Gallery, 1994.

"A Premier Collection in London." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Websites:

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

YUN LAN

Album of Paintings by Yun Lan. Jiangsu Fine Arts Pub. House, 1995.

YUNG, DANNY/Yung Ning Tsun ___ (= Rong Nianzeng; b. 1943, Shanghai; UCB; HK)

Between the Law and the Black Box: The Hong Kong Media Circle Installation 1997. Hong Kong: The Hong Kong University of Science and Technology Center for the Arts, 1997.

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

__________. "Found in Transit: Hong Kong Art in a Time of Change" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

European Media Art Festival 1997. Osnabrück: European Media Art Festival, 1997.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

YUNG HO CHUNG/HO CHUNG YUNG/YUNG HO CHANG (???)

Websites: hong kong etc. (2nd Johannesburg Biennale, 1997)

ZAO WOU-KI /Zhao Wuji ___ (b. 1921, Beijing; France)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Clarke, David. "Twentieth-Century Chinese Painting" (Review of Tradition and Innovation). ART AsiaPacific, no. 15 (1997), pp. 42-43.

__________. "Zao Wou-ki" (review of "Zao Wou-ki," HK MOA). ARTAsia Pacific, no. 14 (1997), pp. 92-93.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in Contemporary Chinese Art." Orientations, vol. 23, no. 7 (July, 1992), pp. 44-52.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

__________. "Art and Reality in Twentieth-Century Chinese Painting." In Kao, Mayching, ed. Twentieth-Century Chinese Painting. Hong Kong: Oxford University Press, 1988.

Twentieth Century Chinese Painting: Tradition and Innovation. Hong Kong: Urban Council, 1995.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

Zheng Sheng Tian. "The Historical Standings of the Hangchou School in 20th Century Chinese Art," in Christie's 20th Century Chinese Art Part I (auction Catalog). Taipei: Christie's, 25 October 1998.

ZENG FANZHI ___ (b. 1964, Wuhan; Hubei AFA; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang, Johnson. Behind Masks: Zeng Fanzhi (catalog). Hong Kong: Hanart TZ Gallery, 1995.

Chang Tsong-zung. "The Naked Eye." Asian Art News, vol. 5, no. 2 (Mar/Apr 1995), pp. 44-45.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

__________. "Recent Chinese Art in Beijing." AAP, no. 15 (1997), p. 85.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Ho, Oscar Hing-kay. "In Search of an Identity." Art and Asia Pacific, vol. 1, no. 1 (1993), pp. 12-14. (Repro. of Meat Series II.)

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

JSHK 1/91: 26 (illus.); 12/92: 33 (illus.)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

__________. "Nine Chinese Artists." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/feature

Li Xianting. "Zeng Fanzhi." (ShanghART website, 4/98.)

__________, Wang Lin, and Gu Chengfeng. Recounting of Skin–Zeng Fanzhi. China, 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Mask Series 1993-1998." (ShanghART website, 4/98.)

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Weng, Ling, Karen Smith and Lorenz Helbling, curators. Zeng Fanzhi 1993-1998. Beijing: CIFA Gallery; Shanghai: ShanghART Gallery, 1998.

Websites:

ShanghART Website. (Illus. only) http://www.shanghart.com/sh-other.htm

Li Xianting "Life Masks: Symbol and Expression in the Recent Paintings of Zeng Fanzhi" http://www.chinesegallery.com/artist/zfz/l.htm

ZENG HAO __ (b. 1963, Kunming; SAFA, CAFA; Guangzhou MS XY)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Hualang __ (Art Gallery), no. 54 (1996, no. 1).

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

The Second Oil Painting Department Biennial (catalog). Guangdong: Guangzhou Art Academy, 1994.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zeng Hao __ (catalog). Beijing: CIFA, 1997.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

ZENG XISHENG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZENG XIAOFENG ___ (b. 1952, Kunming; Kunming)

MSWX, no. 5 (1995), repros.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZENG XIAOJUN ___ (b. )

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHA JIAWU ___

Jiang Jingsheng. Jianghu baiye tu (The hundred occupations along rivers and lakes) Illustrated by Zha Jiawu. Wuhan: Hubei Meishu Chubanshe, 1996.

ZHAI YUEFEI ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAN HONGCHANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAN JIANJUN ___ (b. 1931, Liaoning; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

Art Beãtus. http://www.artbeatus.com/

ZHAN WANG __ (b. 1962; CAFA; Beijing)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). Illus. only.) http://www.chinese-art.com/volume1issue1/

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

MSWX, no. 8 (1997), various articles, repros.

Smith, Karen. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

__________. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

__________. "Contemporary Rocks." World Sculpture News, vol. 3, no. 1 (Winter, 1997), pp. 30-32.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHANG BAOCHI (b. 1956, Xian; left for US 1986; Woodland, CA)

Jana, Reena. "Baochi Zhang at Haines Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 108-109. (Review.)

Kelley, Jeff. Crossings: Fourteen Asian and Asian American Artists from the Bay Area (cat.). San Francisco: A.T. Kearney/Asian Art Museum, 1998.

Machida, Margo, curator. Asia/America: Identities in Contemporary Asian American Art. New York: Asia Society Galleries and the New Press, 1984.

"News Brief: New Shows" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), p. 20.

ZHANG BIN __ (b. 1966, Sichuan; SAFA; SAFA)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Kember, Pamela. "‘8+8-1' at Schoeni Gallery." AAN, vol. 7, no. 5 (9-10/97), pp. 102-103. (Review.)

ZHANG BINBIN ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

ZHANG BO __ (b. 1965; CAFA)

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

ZHANG DALI ___ (b. 1971, Harbin; Wandering Artists, Beijing)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Smith, Karen. "Zhang Dali and Mathieu Borysevicz at Beijing Art Museum" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 79-80.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

ZHANG DAQIAN ___ (/Chang Dai Chien; 1899-1983; native of Sichuan)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZHANG DUANZHONG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHANG ENLI (b. 1965, Jilin province)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Websites:

ShanghART Website. http://www.shanghart.com/sh-zel.htm

ZHANG FURONG ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHANG GONG __ (b. 1959, Beijing; Beijing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Cohen, Joan Lebold. "Zhang Gong at Schoeni" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 63-64.

Fan Di'an, Leng Lin, and Hans van Dijk. Ideals and Idols of Beijing (catalog). Hong Kong: Schoeni Art Gallery, 1994,

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

MSWX, no. 7 (1996), repros.

New Anecdotes of Social Talk (catalog). Beijing: Beijing: International Art Palace, 1995.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

ZHANG GUANGHUI ___ (b. 1961, Wuhan)

MSWX, no. 6 (1996), various articles, repros.

ZHANG GUOLIANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHANG GUOLONG ___ (b. 1957, Shenyang, Liaoning; Germany; China)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

ZHANG HAI'ER ___ (b. 1957, Guangzhou)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Cheng, Scarlet. "The Painted Photograph: An Exhibition of Contemporary Photography from China, Hong Kong, and Taiwan" (review). Asian Art News, vol. 4, no. 3 (May/Jun 1994), pp. 54-58.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

ZHANG HAO

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

ZHANG HONGBO

Smith, Karen. "Zhang Hongbo at Gulao Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 82-83.

ZHANG HONGTU ___ (b. 1943, Gansu; CAFA; to U.S. 1982; NY)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

The Annual of Chinese United Overseas Artists Association. (Yearbook) New York: Chinese United Overseas Artists Association, 1987.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

Francia, Luis H. "Tiananmen Show Gutted." The Village Voice. July 31, 1990.

Goodman, Jonathan. "Zhang Hongtu at the Bronx Museum of the Arts." Asia-Pacific Sculpture News, Winter 1996, p. 58.

Hay, Jonathan. "Ambivalent Icons: Works by Five Chinese Artists Based in the United States." Orientations, vol. 23, no. 7 (July 1992), pp. 37-43.

"The Last Banquet." Harper's Magazine. October 1990.

Lin, Edward. "Censored!" Transpacific, June 1994.

Meishu zuopin 7, 1981 (illus.)

Pallet, Gail. "Mao's Scorched Flowers Go West: Is There Art after Liberation?" The Village Voice, May 13, 1986.

Schell, Orville, "Chairman Mao as Pop Art," in Mandate of Heaven: A New Generation of Entrepeneurs, Dissidents, Bohemians, and Technocrats Lays Claim to China's Future (New York: Simon & Schuster, 1994), pp. 279-292.

__________. "Once again Long Live Chairman Mao." Atlantic Monthly. December 1992.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Works by Zhang Hongtu (catalog). Hong Kong: Hong Kong University of Science and Technology Center for the Arts, 1998.

Wu Hung. "Hong Kong 1997." Public Culture, 1997.

Yang, Alice. "A Group Show: We Are the Universe" (review) in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 60-62.

Yee, Lydia. Zhang Hongtu: Material Mao. New York: Bronx Museum of Fine Arts, 1995.

Zhang Hongtu. "Zhang Hongtu/Hongtu Zhang: An Interview." In John Hay, ed., Boundaries in China. London: Reaktion Books, 1994, pp. 280-298.

Zimmer, William. "Statements from the Chinese, after Tiananmen Square." New York Times (CT) November 6, 1994.

ZHANG HUAIJUN ___ (b. 1954)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

ZHANG HUAN __ (b. 1965, Anyang; Beijing)

The 1994 URARC Report. Beijing: NAAC, 1994.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin, "Art Theory and Culture in the 1990s" in The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Smith, Karen. "Contemporary Chinese Art." Art Asia Pacific, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHANG JIANHUA

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

ZHANG JIANJUN ___ (b. 1955, Shanghai; Shanghai Acad. of Drama; 1989 to USA)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Gao Minglu. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Twenty-First Century, no. 4, 1991.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

Zhongguo meishu bao, no. 26, 1986; no. 38, 1986.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

ZHANG JIE __ [F]

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHANG JIE __ (b. 1963, Chongqing)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

ZHANG JIN (b. 1958)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

ZHANG JUN __ (b. 1964, Jilin)

Borysevicz, Mattieu and Cao Weijun. Second Wave (pamphlet, CIFA Gallery exhib.). Beijing: the authors, 1997.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

ZHANG KEDUAN

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHANG KERUI ___ (Hangzhou)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

ZHANG LEI __ [F] (b. 1968, Jinan; CAFA; Beijing)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHANG LI __ (b. 1958, Beijing)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

ZHANG LIGUO ___ (b. 1939; Beijing)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHANG MIAOYAN (b. Beijing; Berkeley early 1990s)

Kelley, Jeff. Crossings: Fourteen Asian and Asian American Artists from the Bay Area (cat.). San Francisco: A.T. Kearney/Asian Art Museum, 1998.

ZHANG MINJIE ___ (b. 1959, Tangshan)

MSWX, no. 6 (1996), various articles, repros.

ZHANG NIANCHAO

Maggio, Meg. "Exhibition Review: Desire for Words." Orientations, vol. 23, no. 7 (July, 1992), pp. 68-69.

ZHANG PEILI ___ (b. 1957, Hangzhou; NZAFA; Hangzhou; Pond Soc.)

The 1994 URARC Report. Beijing: NAAC, 1994.

Brett, Guy. "Zhang Peili at Crousel-Robelin Bama." Art in America, vol. 81 (11/93), pp. 139, 151.

Bryson, Norman. "The Post-Ideological Avant-Garde." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cohen, Joan Lebold. "A Studio Visit with Zhang Peili." Asia-Pacific Sculpture News, vol. 1, no. 4 (Autumn 1995), pp. 44-45.

Contemporary Art Series, No 5: Pop Trend–New Question in China. Changsha: Hunan Fine Arts Publishing House, 1993.

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Dal Lago, Francesca. "Cities on the Move" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 36-38.

__________. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Fei, Dawei. "China/Avant-Garde" (interview by Meng Mei), Art Press 141 (November 1989), p. 31.

Egan, Charles. "The Future of the New Chinese Art." Limn Magazine, issue 2 (August 1998), pp. 4-11.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 93-94.)

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gu Dexin, Huang Yongping, Zhang Peili (catalog). Paris: Gallery Arnaud Lefebvre, 1992.

Hou Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________, curator. Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

__________. "Le Plaisir du Texte: Zen and the Art of Contemporary China." Flash Art (int'l ed.), no. 173 (11/12 ‘93), p. 64.

__________. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

"Instalación : ‘Out of the Center'": http://www.connect-arte.com/archive/china/zhangpe1.htm

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Kember, Pamela. "Transcending Stereotypes" (review of the Jiangnan Project). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 61-63.

Li, Xianting. "The Imprisoned Heart: Ideology in an Age of Consumption." AAP, vol. 1, no. 2 (April, 1994), pp. 25-30.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art and Victoria National Gallery, Melbourne, 1994.

Martin, Fred. "Art and History." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 33-34.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS, 11/86; 8/87, p. 24; 11/87.

Meishu sichao, no. 1, 1987.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

Recent Works (catalog), Beijing, 1992.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Thiek, Catherine. Four Points of Reference (4 Points de Recontre. Chine, 1996) (catalog). Paris: Galerie de France, 1996.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Twenty-First Century, no. 4, 1991.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Xin Meishu, no. 4, 1984.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Peili, "Battle with the West." Jiangsu huakan, vol. 6, 1996.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo meishu bao, no. 34, 1986, p. 4; no. 38, 1986, p. 3; no. 45, 1987; no. 35, 1988, p. 1; no. 11, 1989, p. 1.

Zhu Bin, "Phenomenon and Review of Chinese Contemporary Art Criticism in the 1990s" in The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Web-sites

Art Beãtus. http://www.artbeatus.com/

http://www.connect-arte.com/archive/china/zhangpe2.htm

ZHANG PING __ (b. 1955, Beijing)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

ZHANG QIANG __ [M] (b. 1962; Shandong)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

ZHANG QINGHUI (b. 1964)

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

ZHANG QUN __ (b. 1962, Inner Mongolia; Vancouver)

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Here Not There. Vancouver: Vancouver Art Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZHANG QUN with MENG LUDING

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

MS 7/85, p. 40 (illus.)

ZHANG SHAOJUN ___ (b. 1958, Shanghai)

Unreadable Books, New Letters (catalog). Tokyo: The Mitaka City Art Center, 1998.

ZHANG SHENG __ (b. 1946, Tianjin)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

ZHANG SONG __

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHANG WEI __ (b. 1952, Beijing; self-taught; 1986 to NY) See "Without Name" Group

The Annual of Chinese United Overseas Artists Association. (Yearbook) New York: Chinese United Overseas Artists Association, 1987.

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986. (P. 30.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

ZHANG WENZHI ___ [F] (b. 1959; Guangzhou)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

ZHANG XIANGYU

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

ZHANG XIAOGANG ___ (b. 1958, Kunming; SAFA; Chongqing)

8 + 8 - 1 (catalog). Hong Kong: Schoeni Art Gallery, 1997.

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Bloodlines" (review). "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). http://www.chinese-art.com/volume1issue2/

Chang, Johnson. L'Altra Faccia: Three Chinese Artists at Venice (catalog, exhib. at Venice Biennale). Zanzibar, 1995. (AKA: The Other Face: Three Chinese Artists at the Centenary Exhibition, ‘Identità e Alterità. Venice, 1995.)

__________. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "The Other Face." Asian Art News, vol. 5, no. 4 (Jul/Aug 1995), pp. 41-43.

__________. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Clarke, David. "Foreign Bodies: Chinese Art at the 1995 Venice Biennale." AAP, vol. 3, no. 1 (1996), pp. 32-34.

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

__________. Susan. "Recent Chinese Art in Beijing." AAP, no. 15 (1997), p. 85.

Doran, Valerie. "The Commerce of Art." AAP, vol. 1, no. 3 (1994), pp. 24-27.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Genocchio, Benjamin. "Family Ties" (review). ART AsiaPacific, issue 19 (1998), pp. 83-84.

Healy, Anthony. "Gentle Reminders." World Art, no. 10 (3/96), pp. 16-19.

Identity and Alterity: Figures of the Body 1895/1995. Venice: Marsilio, 1995. (Catalog: Biennale di Venezia, 46. esposizione internazionale d'arte.)

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

JSHK 6/85: 10 (illus.); 10/87: 45 (illus.); 12/92: 10 (illus.)

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thiek, Catherine. Four Points of Reference (4 Points de Recontre. Chine, 1996) (catalog). Paris: Galerie de France, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Yishujie ___ (Art Life), March-April, 1998.

Zhang Xiaogang. Bloodline: The Big Family ______. Beijing: Gallery of the Central Academy of Fine Arts, 1997.

__________. "Zhang Xiaogang,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

"Connect-Arte in China: Zhang Xiaogang" (illus. only). http://www.connect-arte.com/archive/china/artistas/zhang.htm

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

ZHANG XIAOTAO ___

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Yishujie ___ (Art Life), March-April, 1998.

ZHANG XIN __ [F] (b. 1967, Shanghai; Shanghai)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Chiu, Melissa. "Thread, Concrete and Ice: Women's Installation Art in China." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 50-57.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHANG XU

Doran, Valerie. "The Commerce of Art." AAP, vol. 1, no. 3 (1994), pp. 24-27.

ZHANG XUDONG ___ (b. 1966, Liaoning)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

ZHANG YAJIE

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

website: http://www.artistavenue.com/artpages/artist/art1031.htm

ZHANG YANG __ (Shandong; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHANG YING __ (Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

ZHANG YONGHONG ___ [F] (b. 1968; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

ZHANG YONGJIAN ___ (b. 1958)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Doar, Bruce and Susan Dewar. "From Tradition to Modernity." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 41-45.

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHANG YONGXU ___ (b. 1963)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

ZHANG YU __ (b. 1959, Tianjin)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

MSWX, no. 3 (1995), repros.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

ZHANG ZHENGGANG ___ (b. 1953, Shanghai)

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZHAO BAIWEI ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAO BANDI ___ (b. 1963, Beijing; CAFA; Beijing)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Dewar, Susan. "Moonflight in Beijing" (review of Zhao Bandi's "Moonflight"). AAP, vol. 2, no. 1 (1995), pp. 34-35.

__________. "Recent Chinese Art in Beijing." AAP, no. 15 (1997), p. 85.

Doar, Bruce and Susan Dewar. "From Tradition to Modernity." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 41-45.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

JSHK, 1/92, p. 19, center.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Taylor, Roger and Helga Lasschuyt. "Fire Works." World Art, no. 5 (Feb., 1995), pp. 30-32.

van Dijk, Hans, curator. Moonflight. Beijing: HAC and NAAC, 1994.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

Websites

China Art Expo ‘94, Guangzhou: http://iias.leidenuniv.nl/iiasn/iiasn4/ascul/chinart.txt

ZHAO GANG __ (b. 1961, Beijing; studied CAFA, Netherlands; 1984 to NY) See also Xingxing Pai.

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986. (P. 32.)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhao Gang Paintings (catalog). New York: Vorpal Gallery, 1992.

Zhao Gang Selected Abstract Work 1983-88 (catalog). New York: Vorpal Gallery, 1988.

ZHAO HAIBO ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAO HUI __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAO JI

Clark, John, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

ZHAO JIANHAI (Concept 21)

ZHAO JIANREN (b. 1960, Shaoxing, Zhejiang; ZNAFA; 1991 to Amsterdam)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Taylor, Roger. "Weather Report" (rev.). World Art, no. 7 (4/95), p. 96.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

ZHAO KAIKUN ___ (b. 1954)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHAO LIANG __ (b. 1971, Liaoning)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

ZHAO LONG __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAO NENGZHI (Same as Zhao Nenzhi?; b. 1968, Sichuan; SAFA)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

ZHAO QIN __ (b. 1966/7?, Jiangsu)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

ZHAO SHAORUO ___ (b. 1962, Gansu)

The 1994 URARC Report. Beijing: NAAC, 1994.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

ZHAO SHOUQING (b. 1962)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

ZHAO SONGYUAN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHAO SUIKANG ___ (b. 1956; Shanghai; 1986 to NY)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHAO WENHUA ___ (b. 1955, Inner Mongolia)

Scarff, Julian. "Eight Baoding Artists at the National Art Gallery of China" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 68-69.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHAO WENLIANG (b. 1937, Harbin; self-taught; Beijing) See "Without Name" Group

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

ZHAO ZHENLIN

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

ZHENG BIN __ (Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

ZHENG CHONGBIN (b. 1961, Shanghai; ZNAFA; 1989 to SF)

JSHK, 9/86.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Xin meishu, 7/85.

Zhongguo meishu bao, 5/87.

ZHENG GUOGU ___ (b. 1970, Guangdong; Big Tail Elephants)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Taylor, Roger and Helga Lasschuyt. "Fire Works." World Art, no. 5 (Feb., 1995), pp. 30-32.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yishujie ___ (Art Life), November-December, 1996.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

ZHENG LIANJIE

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

ZHENG NONG __ (b. 1968; Central Acad. of Applied Arts)

A Walking Bystander: Photographs by Zheng Nong. Pub. by the artist, 1997.

ZHENG SHENGTIAN ___ (b. 1938, Henan; ZAFA; Vancouver)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

ZHENG SIDIAN ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHENG XUEWU

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

ZHENG YI __ (b. 1961, Harbin)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHENG YUKE (Concept 21)

ZHONG AHCHENG (AKA Ah Cheng; b. 1949, Sichuan)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

ZHONG BIAO __ (b. 1968, Chongqing; SAFA; SAFA)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Zhong Biao. The Fable of Life, Zhong Biao, Paintings 1994-96 (pamphlet). Sichuan: pub. by the artist, 1996.

__________. The Fable of Life, Zhong Biao, Paintings 1996-97 (pamphlet). Sichuan: pub. by the artist, 1997.

ZHOU BIN __ (b. 1970, Heilongjiang)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

ZHONG RUQIAN ___ (b. 1950, Hubei)

MSWX, no. 3 (1995), repros.

ZHONG WEIFAN ___ (b. 1959)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

ZHOU CHANGJIAN (=Zhou Changjiang?; Shanghai)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

ZHOU CHANGJIANG ___ (b. 1950, Shanghai; Shanghai)

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHOU CHUNYA ___ (b. 1955, Chongqing/[Chengdu?]; SIFA; Chengdu)

Artistic Digest, Issue 1 (4/94). (Hong Kong)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

"Collection of Y. Q. Zhang, Chengdu, China." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (March 1998). (Illus. only.) http://www.chinese-art.com/volume1issue3/

Contemporary Art Series, No 6: Retrospect and Afterthought–The First Guangzhou Biennial Art Fair in the 90s. Changsha: Hunan Fine Arts Publishing House, 1993.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

East Meets East in the West. San Francisco: Limn Gallery, 1998.

"The Faces of China's Future" (interview). Limn Magazine, issue 2 (August 1998), pp. 12-23.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Jana, Reena. "East Meets East in the West at Limn Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 95.

Li Xianting. Mao Yan/Zhou Chunya. Beijing: CIFA Gallery, 1997.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Red and Grey: Eight Avant-Garde Chinese Artists. Singapore: Soobin Art Gallery, 1997.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Selected Oil Paintings of Zhou Chunya. Chengdu: Sichuan Fine Arts Publishing House, 1992.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "Zhou Chunya and Mao Yan at the Central Academy of Fine Arts Gallery." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 95-96. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yi Ying. "Bad Painting." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

Soobin Art Gallery (bio., illus. only). http://www.soobinart.com.sg/artists.html

ZHOU JIN [F]

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

ZHOU JIRONG ___ (b. 1962, Guizhou; Beijing)

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Modern Chinese Prints from the Central Academy of Fine Arts, Peking. Preston: The Lancashire Polytechnic and The Harris Museum and Art Gallery, 1985?

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Smith, Karen. "Square Studio at International Art Palace" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 83-84.

Square Studio. The Discussion of Chinese Art in the Period of Transformation. Beijing: Central Academy of Fine Arts and Konrad-Adenauer-Stiftung, 1997.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

Zhou Ji Rong Modern Print Exhibition _______. Beijing: 1993.

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

bio: http://www.artistavenue.com/artpages/artist/1033bio.htm

ZHOU QIN

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

ZHOU SHAOHUA ___ (b. 1929, Shandong; Wuhan)

MSWX, no. 1 (1994), repros.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZHOU SHILIN ___ (b. 1955)

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHOU SICONG ___ [F] (1939-1996; CAFA; CAFA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

ZHOU TIEHAI (b. 1966, Shanghai; Shanghai; "M" Art Body)

"About Zhou Tiehai." http://www.shanghart.com/sh-zth-text.htm#text2

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Bernell, Robert. "Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

Binks, Hilary. "No Longer One Image" (review of Between the Sky and the Earth). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 70-72.

"A Conversation between Jiangnan Artist Zhou Tiehai, Project Organizers Xia Wei and Hank Bull and Front Editor Kerri Embrey." Front, vol. 9, no. 4 (3-4/98), pp. 15-19.

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Erickson, Britta. "Made in China: Is There a Market for New Chinese Art?" "Beyond The Confines Of The Market," "China's Virtual Galleries." Limn Magazine, issue 2 (August 1998), pp. 24-30.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Hou, Hanru. "Ambivalent Witnesses: Art's Evolution in China." Flash Art 61 (November-December 1996), pp. 61-64.

__________, curator. Between the Sky and the Earth: Five Contemporary Chinese Artists around the World. Hong Kong: Annie Wong Foundation and University Museum and Art Gallery, University of Hong Kong, 1998.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Kember, Pamela. "Transcending Stereotypes" (review of the Jiangnan Project). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 61-63.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stirfry/)

"News Brief: New Art Awards." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 14, 16.

Promenade in Asia II (catalog). Tokyo: Shiseido Gallery, 1997.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Tasch, Stephanie. "The Artist as a Young Man–Ambivalent." http://www.shanghart.com/sh-zth-text.htm#text3

Yao, Catherine. "Shanghai's Lonely Avant-Garde." Asian Wall Street Journal, 2/2-3/96, p. 7.

Yi Ying. "First Annual Chinese Contemporary Art Award: A New Perspective,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

Zhou Tiehai. Will: A Silent Movie by Zhou Tiehai (movie script). http://www.shanghart.com/sh-zth-text.htm#text

"Zhou Tiehai and Geng Jianyi." (Information sheet and exhibition announcement from Presentation House Gallery, Vancouver, 3/98.)

Websites:

ShanghART Website. http://www.shanghart.com/sh-zth.htm

ZHOU WEI __ (b. 1944, Liaoning)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHOU XIAOHU ___ (b. 1960; Wujin, Jiangsu; SAFA)

Lu Hong. "A Process of ‘SELF' Discovery—Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Zhang Qing. Here and Now: ‘97 Contemporary Invitational Art Exhibition. 1997.

ZHOU XIANGLIN ___ (b. 1955)

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHOU YU __ (b. 1953, Inner Mongolia)

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHOU YUEJIA ___ (b. 1958, Shanghai)

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

ZHOU YUNXIA (b. 1960, Nanjing; self-taught; Nanjing)

JSHK, 2/86, p. 18.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

ZHU AIPING ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHU BING __ [F] (b. 1964; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

ZHU FADONG ___ (b. 1960, Yunnan)

Contemporary Art Series, No 5: Pop Trend–New Question in China. Changsha: Hunan Fine Arts Publishing House, 1993.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHU JIA __ (b. 1963, Beijing; Beijing)

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Heartney, Eleanor. "Report from Johannesburg: Mapping the Postcolonial" (review). Art in America, vol. 86, no. 6 (June 1998), pp. 51-53, 55.

Hou, Hanru. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": http://www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

Websites:

hong kong etc. (2nd Johannesburg Biennale, 1997) http://www.dialnsa.edu/iat97/johannesburg/hongkongetc/zhu.html

ZHU JINSHI ___ (b. 1954, Beijing; self-taught; 1986 to Berlin; married to Qin Yufen)

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986. (Pp. 21, 34.)

Chinesische Kunst im Exil, Kunststation Kleinsassen, incl. own text, pp. 11-19, 25.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gebrochene Bilder—Junge Kunst aus China (Broken Pictures—Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 44-48.)

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Jinshi Zhu Fangzhen (catalog). Berlin: DAAD Galerie, 1990.

Kunstgepäck eines Diplomaten (catalog). Chur, Switzerland: BündnerMuseum.

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Ma, Yingli. "Zehn Wochen in China: Ein Gespräch mit Zhu Jinshi." Neue Bildende Kunst, vol. 5, no. 1 (Feb-Mar, 1995), pp. 56-57.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Qiang. Huihua xinchao ____/ New Tide of Painting. Nanjing: Jiangsu Meishu Chubanshe, 1988.

"Zhu Jinshi" (review). ART AsiaPacific, issue 19 (1998), pp. 93-94.

Websites:

Art Beãtus. http://www.artbeatus.com/

ZHU MING __

The 1994 URARC Report. Beijing: NAAC, 1994.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHU MING __ [F]

Contemporary Art Series, No 3: Transformism–Genesis and Displacement. Changsha: Hunan Fine Arts Publishing House, 1992.

ZHU MO __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHU NAIZHENG ___ (b. 1935; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHU SHACHONG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHU WEI __ (b. 1966, Beijing)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

AAP, vol. 3, no. 4 (1996), p. 1. (Illustration only.)

Barmé, Geremie. Shades of Mao: The Posthumous Cult of the Great Leader. London: M.E. Sharpe, 1996.

Doran, Valerie. "The Commerce of Art." AAP, vol. 1, no. 3 (1994), pp. 24-27.

Smith, Karen. "World Within World Without." Asian Art News, vol. 6, no. 5 (Sep/Oct 1996), pp. 66-68.

Vainker, Shelagh. Modern Chinese Paintings: The Reyes Collection in the Ashmolean Museum, Oxford. Oxford: Ashmolean Museum, 1996.

Zhu Wei: China Diary (catalog). Hong Kong: Plum Blosoms Gallery, 1996.

"Zhu Wei: Diary of the Sleepwalker," Plum Blossoms Gallery 1998. http://www.plumblossoms.com/Sleepwalker-PR.html

Zhu Wei: The Story of Beijing (catalog). Hong Kong: Plum Blossoms Gallery, 1994.

Websites:

Plum Blossoms Gallery. http://www.plumblossoms.com/ZhuWei.html; (Illus. only.) http://www.plumblossoms.com/ChinaDiary.html

ZHU WEI __ (b. 1958, N-E; CAFA; Harbin)

MSWX, no. 2 (1994), repros.

Zhongguo dangdai youhua, vol. 1. Henan People's Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ZHU WEI __ (same as above?)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog). Guangxi Fine Arts Publishing House, 1996.

ZHU WEN (Hunan; Beijing)

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

ZHU XIAOGANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZHU XIAOHE ___ (b. 1956, Shandong; Chongqing)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena: Pacific Asia Museum, 1991.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZHU XINJIAN ___ (b. 1953, Jiangsu)

"Exhibition Commentary" (photo only). ART Asia Pacific, no. 17 (1998), pp. 80-81.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Dal Lago, Francesca. "New Literati Painting" (review). Art Asia Pacific, issue 19 (1998), pp. 32-34.

Union of Contemporary Artists: ‘98 the First Exhibition in Shanghai (catalog). Shanghai: The Organizing Committee, 1998.

ZHU YAN __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHU YIYONG ___ (b. Chongqing, 1957)

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

ZHU ZHENGENG ___ (b. 1939, Jiangsu; Wuhan)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena: Pacific Asia Museum, 1991.

ZHU ZHIWEI ___ [F] (b. 1970; CAFA; CAAA)

Century.Woman (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/June 1998), pp. 82-83.

ZHU ZUDE ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

ZHUANG HUI __ (b. 1963, Yumen, Gansu Province; Luoyang)

Borysevicz, Mathieu. "Zhuang Hui's Photographic Portraits." ART Asia Pacific, issue 19 (1998), pp. 74-79.

__________. "Zhuang Hui's Photographic Portraits." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Leng Lin, curator. Dream of China: ‘97 Chinese Contemporary Art (catalog). Beijing: China Today Press, 1997.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog). Berlin: Edition Braus, 1997.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

__________. "Zhuang Hui." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_hui.htm1

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

Zhang Zhaohui. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

ZHUANG ZHENG

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

ZOU FENG

Smith, Karen. "Carving out a Cultural Exchange." Asia-Pacific Sculpture News, vol. 2, no. 3 (Summer 1996), pp. 20-21.

ZOU JIANPING ___ (b. 1955, Hunan), LI LUMING ___ (B. 1956, Hunan). XIAO PEICANG ___ (b. 1952, Hunan), YAO YANGGUANG ___ (b. 1960, Hunan)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena: Pacific Asia Museum, 1991.

ZOU MINNA ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

ZU ZHOU ("Curse Swear")

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ZUNZI (Hong Kong)

Ho, Oscar. "The Long Road Back Home: Hong Kong in 1997 and Beyond." Art Asia Pacific, no. 15 (1997), pp. 48-53.

ZUO ZHENGYAO ___ and LUO YING __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.


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