Invertebrates. Gutless, spineless– but perhaps underappreciated invertebrates. We probably don’t spend enough time thinking about that other category of organisms on earth, so on this episode we’re going to spend some time with maybe the most overlooked group of Eukaryotes: Fungi. As it turns out, there are (at least) five MIND BLOWING facts about fungi that we all need to know. We’ll then travel to Southeastern Alaska to study the changing forest community. A wave of climate-driven ecological change is sweeping across the region, and we’ll learn about what this means for forests and the people who live there. Finally on today’s show we leave the invertebrates and debut a new segment that we’re calling Convos with Kau (as in coversation with Kaustubh Thirmulai, PhD candidate in paleoclimate at UT-Austin).
by Miles Traer
As we kick off this new season of Generation Anthropocene, I thought that I’d take some time to answer some of the most queried questions on Google about geologists. Specifically, I tackled the question, “Are geologists…” followed by every letter of the alphabet and the resulting autofill question. Unsurprisingly, some of the letters hadn’t been searched enough for autofill to work. And yet, some letters yielded some of the strangest questions I’ve ever heard about geologists. Without further ado, here are my attempts at answers: Continue reading
Our co-producer, Miles, gives a talk about San Francisco’s hidden nature that is simultaneously informative, funny, surprising and slightly uncomfortable (you’ll know what we mean when you get there). From the gold rush to the bay to the delicious food, Miles tries to explain why humans ever came to the Bay Area… hint: it involves geology. The talk was given as part of a collaboration between the California Historical Society and the Odd Salon.
A tale of two men and geology on the roof of the world
by Miles Traer
Part I – Onto the Mountain
I’m sitting in a warm room wearing flannel pajamas with a hot meal in my belly when the title card on the movie fades and the 90-year-old film begins to flicker. The circular aperture is neatly divided along a diagonal line: the top featureless white, the bottom textured rough and grey – both ghostly. Darker striations run across the grey, further broken by white snow that looks like a child’s finger painting flecked with white and black dots. It’s only after several seconds that I notice that a few flecks of black are moving along the border between the white and grey, moving higher along the diagonal. Another title card appears and informs me that these tiny flecks are men, and the striated and speckled grey is Mount Everest as she appeared in 1924, on the eve of one of the most famous disappearances in mountaineering history. Continue reading