What is it about live performance that makes it so appealing, terrifying, and wonderful? What drives people to stand up in front of an audience, to perform without a safety net and put themselves on the line? In today's data-driven world, where everything can be recorded, stored, and recalled at any time, what role does live performance play? This episode begins with the harrowing experience of our host subjecting himself to the most extreme form of live performance of all: stand-up comedy. We continue with a story from playwright Amy Freed and Stanford professor of drama Kay Kostopoulos. And finally, we follow a production of the Stanford Spoken Word Collective, and get a peek at what goes on behind the curtain.
Host: Micah Cratty Producers: Daniel MacDougall, Micah Cratty Featured: Amy Freed, Kay Kostopilous Music: Noah Burbank, Dave Chisholm, Greg Sell, Chris Babson, Zach Katagiri, and Kissing Johnny
Story 1: I Figured Doing Stand-Up Would Help my Dating Life
Micah Cratty never set formal goals for college, but there were things he thought he should accomplish, like winning the Super Bowl, dating a supermodel, that kind of thing. But one goal seemed achievable, perform comedy at a comedy club in front of an audience of strangers.
In our last story we take a look at a kind of live performance whose popularity is secure, at least in college: spoken word. We went behind the scenes at the Stanford Spoken Word Collective's Spring Show preparations to try to capture the magic of the live.
Producers: Micah Cratty
Featuring: The Stanford Spoken Word Collective
The Storytelling Project is supported by the Stanford Institute for Creativity and the Arts, the Vice Provost for Undergraduate Education, Stanford Introductory Studies, Stanford Continuing Studies, and the Program in Writing and Rhetoric.