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1
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2
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- “Muse, sing me the man, the man of many wiles”
- “Saw… learned… weathered… fought”: the story of Odysseus
- “Of”? As in his story? Or a story about him?
- Telemachus:
- “My mother says I am his son; I know not / surely. Who has known
his own engendering?”
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3
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- “For [Zeus] had meditated on Aigisthos”
- Poseidon away on business
- Athena the reminder
- “Could I forget that kingly man, Odysseus?”
- Being remembered by your friends: a good life
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4
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- He travels into his father’s legend.
- Mentor (cognate with “mental”; “the mindful one”?)
- Nestor
- Menelaus
- Helen and nepenthe (“no-grief”)
- Fame and gifts
- Recognition
- A round trip
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5
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- No letters in the Odyssey!
- “Oral poetry”: if nobody remembers it, it vanishes
- Recitation from memory
- Composition from a memorized “kit”
- Think of jazz. The standards, the riffs.
- No “original” or “final” text
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6
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- “Things duplicate themselves on [the imaginary planet of] Tlön;
they also tend to grow vague or ‘sketchy,’ and to lose detail when
they begin to be forgotten. The classic example is the doorway that
continued to exist so long as a certain beggar frequented it, but
which was lost to sight when he died. Sometimes a few birds, a horse,
have saved the ruins of an amphitheater.”
- “Tlön, Uqbar, Orbis Tertius” (Collected Fictions)
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7
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- Chunking, batching, routines, macros
- Automatic composition: “formulae”
- One form serves many needs
- Dinner scenes (example, pp. 5-6)
- Shipping out (p. 31)
- Answering someone (p. 3)
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8
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9
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- 1. Physical body, plus
- 2. Body of legend
- 3. Relationships or social body (“guest-friends”; possessions)
- 4. Survival after death
- But who’s in a hurry?
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10
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- Odysseus on death versus dissolution (p. 90)
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11
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- Away from home (physical body absent)
- Relationships:
- one powerful enemy bears a lasting grudge (a form of memory)
- Remembered longingly (legend), but
- Suitor problem (see below)
- His possessions are being eaten away by people who are happy to
act as if he really is dead
- Self-defense?
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