| located bodies – identity |
| John of Gaunt (2.1) - this England - this other Eden - this sceptred isle |
| issues of the identity of land, monarch, island, eden, birthplace | |
| celebrated by an old, sick and dying man | |
| who decries the mortgaging of England | |
| sold off | |
| England sick with rotten parchment bonds | |
| themes | |
| - ownership | |
| - heritage | |
| Slide 3 |
| what is English heritage? |
| what stands for, represents England? | |
| what have they inherited that makes them English? | |
| … beer, the parish church, fish and chips, cricket played upon a village green in summer, the Tower of London, the monarchy itself, stately homes, Shakespeare, a cottage garden … | |
| are just some of the possible answers | |
| Gaunt has pointed to some connections rooted in land and ownership, with references to Eden and England’s breed of men, England nurturing kings |
| the material textures of identity are centered upon the located body |
| this is another way of thinking of notions like ‘heritage’ (literally what is inherited), the way identity is signified |
| the photography of Martin
Parr - his collection ‘Think of England’ |
| dealing with the textures of identity | |
| location - people and their artifacts in an English summer |
| Slide 7 |
| Slide 8 |
| Slide 9 |
| Slide 10 |
| Slide 11 |
| Slide 12 |
| Slide 13 |
| Slide 14 |
| Slide 15 |
| Slide 16 |
| Slide 17 |
| Slide 18 |
| Slide 19 |
| Slide 20 |
| Slide 21 |
| Slide 22 |
| Slide 23 |
| Guillermo
Gomez-Peña - border art |
| dealing with language, material culture and identity | |
| an extract from his video ‘Border Brujo’ |
| Slide 25 |