Notes
Slide Show
Outline
1
Writing Behind a Screen
  • The Pillow Book 枕草子, sections 1-51
2
What kind of book is this?
  • Style
  • Narrative ordering
  • Subject matter
  • Speaker’s personality
  • Relation to an outside world
  • What’s left unspoken
  • Like or unlike the Crito?
    • A word of caution about cultural typing
3
How to read it?
  • As a novel (fiction)?
  • As a diary (fact)?
  • As a notebook (sketches)?
  • As a series of prose poems?
  • Available genres:
    • Chronicles
    • nikki 日記 (“diary”), zuihitsu 隨筆 (“casual writings”), monogatari 物語 (“novel”)
4
What’s in a list?
  • Section 13: “Depressing Things”
  • Section 14: “Hateful Things”
5
“The Lesser Recorder of Words”
  • Sei Shōnagon 清少納言 , ca. 965-ca. 1020?
  • 清 (Kiyowara, Chinese pron. Sei): clan name
    • Literary and official family, famous for its poets
  • Ca. 993-1001: lady-in-waiting to Empress Sadako


6
Writing in ‘Japanese’…
  • A “feminine” medium?
7
 
8
Same origins, different functions
  • Ch. “mei,” J. “bi” (represents the word or concept of ‘beautiful’)美
  • J. hiragana “ma” (represents syllable)
  • ま
9
… but thinking in Chinese?
  • Section 51: “Grass Hut”
  • Battle of wits
  • Having cards and showing them
  • Reputation, curiosity, value
  • Interplay between male and female worlds, between Chinese and Japanese learning
  • Sei Shōnagon vs. Murasaki Shikibu
10
A chessboard packed with daughters
  • Fujiwara clan (Empress Sadako’s family)
  • Fujiwara no Michitaka, empress’s father and chief minister (d. 995)
  • Struggle between empress’s brother, F. no Korechika, and uncle, F. no Michinaga, for supremacy
  • Michinaga wins; Sadako demoted, Michinaga’s daughter Akiko becomes chief consort
11
The rules of the game
  • Court life
  • Emperor vs. father-in-law of emperor
  • (father-in-law is grandfather of next emperor)
  • Women and political power: “set apart,” indispensable but impotent
  • Sei Shōnagon’s loyalties
12
Jade Tower and Grass Hut
  • Section 7: “When the Empress moved”
  • Section 12: “When I make myself imagine”
  • Section 49: “It was during one of Her Majesty’s periods of residence”
  • Living on the outside
13
Inhabited space
  • How do actors in this drama recognize each other, maneuver for authority, pursue their desires, resign themselves to the inevitable, through the organization of space?
  • Architecture, maps, room decoration
  • Letters and poems
  • Dogs and shoes
  • It’s all meaningful