Welcome to the new website of our lab and studio at Stanford University – projects in research creation Welcome to our network of colleagues, friends and collaborators, projects, aspirations, and hopes. This is a new version of an online presence, combining elements of what was previously called metamedia@Stanford, archaeolog, and archaeography.com. There will be regular…
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Mike Pearson
Mike Pearson died last week. He was a performance artist, theatre director, theorist and philosopher, scholar and teacher. And, as composer John Hardy said, Mike collaborated and connected – visual design, architectural stagecraft, poets, playwrights, composers, experimental jazz musicians, dancers, disability & gender specialists, comics, community art conveners, museum curators, traditional Japanese theatre performers, Patagonian farmers,…
Studio update – Spring 2022
This academic year I am on sabbatical leave finishing three long-running projects and planning to focus more on applications of the archaeological imagination to matters of common and pressing contemporary concern, especially through design foresight and futures literacy. This is why I have put to one side my critical commentary on all things archaeological and…
Boijmans Collections Depot – teaser
The revolutionary new collections depot for Museum Boijmans Van Beuningen in Rotterdam opens later this year. Here is en evocative glimpse of the roof top. More about this remarkable project – [Link] [Link] [Link] [Link]
Futures Literacy: how to decolonize the future
December 8 – 12 2020. Tamara (Carleton) and I were at the UNESCO Futures Literacy Summit [Link] representing our research group – Foresight at Stanford [Link]. We are standing for design foresight and what we are now calling creative pragmatics (in our forthcoming book – [Link]). Competencies, tools and techniques, mindsets not for predicting the…
memory and return – Tri Bywyd (Three Lives) 1995
On the return of the past: document, memory, and archive. Katie Pearl (theatre director and professor at Wesleyan – see her extraordinary work here – [Link]) recently got in touch asking about the performance in Wales in 1995 of Tri Bywyd (translation – Three Lives), a work of theatre/archaeology by arts company Brith Gof. Specifically…