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Classes Taught

Technische Universität

Die Theorie der Sonatenform

Das Spätwerk Franz Schuberts

Das Spätwerk Arnold Schönbergs

Theodor W. Adorno

Neoklassizismus

Wagners Musikdramen

Einführung in die Musik des Mittelalters

Heinrich Schen­ker (I+II)

Die Drei­groschenoper: Entstehung und Rezeption

Benjamin Britten

Yale University

Opera (243a)

The Symphony (245a)

Kurt Weill and the Musical Theater (338a)

Romanticism in Music (425a)

The Concept of New Music in the 20th Century (426b)

Wagner’s Music Dramas (425b)

Readings in Music Aesthetics (469b)

Theory and Aesthetics in the Modern Period (705a)

Twentieth-Century Opera (506b)

Stanford University

Schenker in English (310)

Concepts of New Music (145)

Western Music after 1750 (41)

Western Music after 1820 (42)

Paul Hindemith (146)

Kurt Weill (Sophomore dialogue)

Twentieth-Century Opera (310)

History of Music Theory: (221A+B)

Themes and Variations (IHUM: Introduction to the Humanities)

Transformations (IHUM)

Opera and The Individual [1900–1950] (310)

The Beethoven Project (33N)