Monday, April 30, marked a notable event in the literary world: perhaps the first-ever discussion of poet Philip Larkin‘s 1947 novel, A Girl in Winter at a top-ranking university. If the event does have a precedent, it’s unlikely to have matched the high-caliber expertise assembled at the Bechtel Conference Center that night. Another Look Director Robert Pogue Harrison moderated the discussion. The Stanford professor also hosts the popular talk show, Entitled Opinions, and contributes regularly to the New York Review of Books. He was joined by renowned author and National Medal of Arts winner Tobias Wolff, professor emeritus of English at Stanford.
Literary scholar Elizabeth Conquest, universally known as “Liddie,” completed the trio of panelists. She knew Philip Larkin personally—he was a close friend of her late husband, historian and poet Robert Conquest—and has written about Larkin’s poetry.
Some said it was our best event ever – one compared it to a delightful dance for three, to a “delicious effect.” Another said simply that they wished we had four events a year, rather than three.
Robert’s introduction of Larkin’s forgotten early novel riffed on the opening lines of the overlooked classic, originally titled The Kingdom of Winter: “There had been no more snow during the night, but because the frost continued so that the drifts lay where they had fallen, people told each other that there was more to come. And when it grew lighter, it seemed that they were right, for there was no sun, only one vast shell of cloud over the fields and woods…”
The little-known novel takes place in wartime England, where a young refugee from Europe named Katherine Lind tries to recover her life while working in a provincial library. Meanwhile, she recalls a memorable summer with the Fennel family in England before the war, and a near-romance with the son Robin.
Philip Larkin is one of England’s most eminent postwar poets, but few know of his early forays into fiction. All that changes tonight, Monday, April 30, when Another Look considers Larkin’s little-known 1947 novel that takes place in wartime England, where a young refugee from the Continent attempts to recover her life while working in a provincial library. Please join us! It’s free and open to the public!
When, where, who
Elizabeth Conquest in the Wall Street Journal
Another full house for Another Look’s bicentennial celebration of Mary Shelley‘s Frankenstein; or, The Modern Prometheus. And though the night was rainy, the audience was warm, intelligent, and enthusiastic. Although Frankenstein was a special two-hour session with four discussants, we barely scratched the surface of the aesthetic and moral dimensions of the novel. As promised, we focused on the book as a literary work: a flowering of the romantic imagination, as well as a pioneering landmark in science fiction. Though the Another Look director, Robert Pogue Harrison, had some penetrating observations about moral responsibility for invention in a technology age – we are all heirs of Victor Frankenstein, who abdicated responsibility and abandoned the creature he had created.
Dr. Audrey Shafer, a Stanford professor and anesthesiologist on the steering committee for Frankenstein@200 campus-wide events, made opening remarks, and presented the panelists with Frankenstein mugs, a keepsake for participation in the Stanford program. Robert Harrison moderated the discussion. He was joined by three panelists who have all taught Frankenstein at Stanford: French Prof. Dan Edelstein, Classics Prof. Andrea Nightingale, and former Stanford fellow Inga Pierson.
Another Look’s winter event on Frankenstein was part of Stanford’s year-long celebration of the bicentennial of the book’s 1818 publication, when the young author was twenty years old.
Her tale has proved timely, even prophetic, given our current concerns about artificial intelligence, animal-to-human transplants, and stem cells. Frankenstein explores role of conscience in creation, and asks: What does it mean to be human? Is it wise to play God? And don’t we all fear that our creative triumphs will turn against us, destroying us and those we love.
According to critic Harold Bloom, “The greatest paradox and most astonishing achievement of Mary Shelley’s novel is that the monster is more human than his creator. This nameless being, as much a modern Adam as his creator is a modern Prometheus, is more lovable than his creator and more hateful, more to be pitied and more to be feared, and above all able to give the attentive reader that shock of added consciousness in which aesthetic recognition compels a heightened realization of the self.”
Photos for the event were taken by our faithful Another Look fan David Schwartz.
The much-awaited podcast is here. Enjoy!
Two hundred years ago, 20-year-old Mary Shelley published her masterpiece, Frankenstein; or, The Modern Prometheus. It was an immediate popular success. The book would rock the world, and inspire films, theater adaptations, television shows, video games, sequels, and spinoffs. But today’s public conception of the hero may owe more to Boris Karloff’s iconic 1931 film role than to the “the Creature” that Shelley created in her classic, with its complicated and troubling humanity.
Hence, our winter “Another Look” event spotlights Shelley’s Frankenstein. The discussion will take place at 7:30 p.m. on Wednesday, January 24, at the Bechtel Conference Center. Frankenstein will be a special two-hour event with four panelists.
Another Look’s winter event on Frankenstein is part of Stanford’s year-long celebration of the bicentennial of the book’s 1818 publication. Shelley’s tale has proved timely, even prophetic, given our current concerns about artificial stem cells, and animal-to-human transplants. Frankenstein expl
Acclaimed author Robert Pogue Harrison will moderate the discussion. The Stanford professor who is Another Look’s director writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He will be joined by three panelists who have all taught Frankenstein at Stanford: French Prof. Dan Edelstein, Classics Prof. Andrea Nightingale, and former Stanford fellow Inga Pierson.
All our events are free and open to the public – and please bring your friends! You can find Frankenstein at the Stanford Bookstore, Kepler’s in Menlo Park, and Bell’s Books in Palo Alto.
The event was close to a record-breaker, with about two hundred participants – not bad for an off-the-beaten track Hungarian novel (and only equaled by Zora Neale Hurston‘s Their Eyes Were Watching God).
Sándor Márai’s taut and mesmerizing novel, published in 1942, opens in a secluded Hungarian castle, where an old general awaits a reunion with a friend. It is 1940, and he has not appeared in public for decades. The long-estranged companions talk all night – or rather, the general talks, as the evasive visitor listens to the general discuss love, intimacy, honor, betrayal, and a beautiful, long-dead wife.
The novel is set against the backdrop of the disintegrated Austro-Hungarian empire, and shares the melancholy wisdom of its narrator: “We not only act, talk, think, dream, we also hold our silence about something. All our lives we are silent about who we are, which only we know, and about which we can speak to no one. Yet we know that who we are and what we cannot speak about constitutes the ‘truth.’ We are that about which we hold our silence.”
Acclaimed author Robert Pogue Harrison moderated the discussion. The Stanford professor who is Another Look’s director writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He was joined by renowned author and National Medal of Arts winner Tobias Wolff, professor emeritus of English at Stanford, and Jane Shaw, Stanford’s Dean for Religious Life at Stanford.
Toby Wolff, Another Look’s founding director, opened by praising the courage of author Márai to sit down and create a remarkable novel about an all-night conversation – two men meet, but only one of them talks, and they persevere till dawn. The end. A daunting creative challenge that Márai pulls off magnificently.
We were happy to see a lively Hungarian contingent in the audience, too – including the Hungarian Consul General for the Bay Area. And boy, did the Hungarians have a different take on the book – they praised Carol Brown Janeway‘s translation, but said that the richness of their native tongue is AWOL. And while Márai is little known west of the Danube, they assured us his books are everywhere in Budapest.
On a bright spring day in May, a surprising number of people skipped the pleasant weather to discuss Fyodor Dostoevsky‘s dark and comic novella, The Double. It was all part of Stanford’s Another Look book club. An eloquent panel made the case that the 1846 novella is one of the renowned Russian author’s forgotten classics.
The Double portrays the disintegration of a neurotic government clerk into two distinct entities – one toadying and nervous; the other self-assured, exploitative, and aggressive. Vladimir Nabokov, not usually a fan of Dostoevsky, called The Double “the best thing he ever wrote” and “a perfect work of art.”
Russian photographer ena Herzog joined us from Los Angeles. (Her husband Werner Herzog was an interlocutor for the Another Look event on J.A. Baker’s The Peregrine. I interviewed her at that time for Music & Literature here.)
Acclaimed author Robert Pogue Harrison moderated the discussion. The Stanford professor writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He and Lena were joined by Monika Greenleaf, associate professor of Slavic languages and literatures. Monika was a panelist from our event on Joseph Conrad’s Shadow-Line, and some of you met Lena at our mega-event on The Peregrine.
Another Look aficionado David Schwartz was our photographer for the occasion. A surprise for the evening was the eminent author and psychiatrist Herant Katchadourian, author of Guilt: The Bite of Conscience (he’s Emeritus Professor of Psychiatry and Human Biology at Stanford University), spoke for a few minutes to give a psychiatric evaluation of the novella’s protagonist, Yakov Petrovich Golyadkin.
The preeminent Dostoevsky scholar of our times, Stanford’s Joseph Frank, said of the novella: “the internal split between self-image and truth, between what a person wishes to believe about himself and what he really is – constitutes Dostoevsky’s first grasp of a character type that became his hallmark as a writer.” The Double marks a turning point in the life of the author. While the book owes a debt to Nikolai Gogol, the younger author moves beyond social critique to the psychological drama that would become his trademark in the great novels that followed.
It’s sad that Joe Frank, who died in 2013, couldn’t join us for the discussion. Fortunately, his widow, the mathematician Marguerite Frank, did.
You can listen to the podcast that includes all the voices here, including some very lively questions from our audience. All photos by David Schwartz (the top one is the good Dr. Katchadourian). We are always grateful for David’s presence at our events, and his camera!