On a bright spring day in May, a surprising number of people skipped the pleasant weather to discuss Fyodor Dostoevsky‘s dark and comic novella, The Double. It was all part of Stanford’s Another Look book club. An eloquent panel made the case that the 1846 novella is one of the renowned Russian author’s forgotten classics.
The Double portrays the disintegration of a neurotic government clerk into two distinct entities – one toadying and nervous; the other self-assured, exploitative, and aggressive. Vladimir Nabokov, not usually a fan of Dostoevsky, called The Double “the best thing he ever wrote” and “a perfect work of art.”
Russian photographer ena Herzog joined us from Los Angeles. (Her husband Werner Herzog was an interlocutor for the Another Look event on J.A. Baker’s The Peregrine. I interviewed her at that time for Music & Literature here.)
Acclaimed author Robert Pogue Harrison moderated the discussion. The Stanford professor writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He and Lena were joined by Monika Greenleaf, associate professor of Slavic languages and literatures. Monika was a panelist from our event on Joseph Conrad’s Shadow-Line, and some of you met Lena at our mega-event on The Peregrine.
Another Look aficionado David Schwartz was our photographer for the occasion. A surprise for the evening was the eminent author and psychiatrist Herant Katchadourian, author of Guilt: The Bite of Conscience (he’s Emeritus Professor of Psychiatry and Human Biology at Stanford University), spoke for a few minutes to give a psychiatric evaluation of the novella’s protagonist, Yakov Petrovich Golyadkin.
The preeminent Dostoevsky scholar of our times, Stanford’s Joseph Frank, said of the novella: “the internal split between self-image and truth, between what a person wishes to believe about himself and what he really is – constitutes Dostoevsky’s first grasp of a character type that became his hallmark as a writer.” The Double marks a turning point in the life of the author. While the book owes a debt to Nikolai Gogol, the younger author moves beyond social critique to the psychological drama that would become his trademark in the great novels that followed.
It’s sad that Joe Frank, who died in 2013, couldn’t join us for the discussion. Fortunately, his widow, the mathematician Marguerite Frank, did.
You can listen to the podcast that includes all the voices here, including some very lively questions from our audience. All photos by David Schwartz (the top one is the good Dr. Katchadourian). We are always grateful for David’s presence at our events, and his camera!