ILIAS CHRISSOCHOIDIS

Stanford profile

PEPRAGMENA

Education

Research Appointments

Bibliographical Citations

Scholarly Acknowledgements

References

Memberships

Recent activity:

· “‘But I mustn’t let myself be [a] Philhellene’: Arnold J. Toynbee’s unpublished correspondence in the Hoover Institution archives (January–May 1921),” The Journal of Modern Hellenism 36 (2024), 103–172.

· “La Parisienne” Goes to the Opera: Maria Callas as Priestess, NEO Magazine, June–July 2024.

· A Practical Introduction to Music Theory and Harmony (online).

· “Beethoven’s Nine Symphonies,” Stanford course, Spring 2024.

· “The Burning of Smyrna: H. C. Jaquith’s Report to Admiral Bristol,” American Journal of Contemporary Hellenic Issues 14 (Summer 2023).

· A Practical Introduction to Music Theory and Harmony (available worldwide)

· “A victim of his obstinate devotion to the cause of the unhappy Armenian race”: The Murder of Rev. George P. Knapp (1915), Journal of the Society for Armenian Studies (2023)

· “The ‘Doxiadis’ Exhibition and its American Epilogue,” NEO Magazine (March 2023). [online]

· Piano trials (unrehearsed performances of short repertory works and original compositions)

· “Ο Πέτρος και ο Στάινμπεκ [Petros and Steinbeck],” Το ΒΗΜΑ, 18 September 2022.

· “Άγνωστα παρασκήνια της επανάστασης του 1922 [The unknown background of the Revolution of 1922],” Το ΒΗΜΑ, 17 July 2022.

· “From the Shores of the Aegean to the Edge of the Pacific: A tribute to Alexander Pantages (1864/75–1936),” NEO Magazine (April 2022).

“The most influential Greek since Alexander the Great? A reappraisal of Spyros P. Skouras,” NEO Magazine
“A humanities treasure in the heart of Silicon Valley,” Stanford Libraries Blog
“Biographer, Ilias Chrissochoidis, retells the story of Greek American film pioneer Spyros Skouras,” The Greek Herald

“Aπό τη Σαλονίκη στη Θεσσαλονίκη: η άγνωστη µαρτυρία του Ζακ Αµπραβανέλ,” Το ΒΗΜΑ, 31 October 2021.
“Ο άγνωστος ευεργέτης Σπύρος Σκούρας που έσωσε 3 εκατομμύρια Έλληνες στην Κατοχή,” Ο Ελληνικός Κήρυκας / The Greek Herald, (interview).

Interview with Julietta Karori and Dionysis Malouhos, “A Window to the World,” Hellenic Broadcasting Corporation, Radio Channel 3, 8 January 2020
“Νέα στοιχεία για την προσφορά του προέδρου της 20th Century Fox Σπύρου Σκούρα στην Ελλάδα της Κατοχής,” Athens News Agency, 27 July 2019
“Film pioneer’s archive at Stanford reveals Hollywood treasure trove,” Stanford News Service, 16 July 2019 (Greek version in the National Herald)
Interview with Julietta Karori, “A Window to the World,” Hellenic Broadcasting Corporation, Radio Channel 3, 23 January 2019
Εκδήλωση για το Νίκο Αστρινίδη (interview), Με το 3, Hellenic Broadcasting Corporation, Television Channel 3, 25 January 2019
Interview with Thanasis Gogadis, Hellenic Broadcasting Corporation, Radio 9.58 FM, 25 January 2019
“Μια νέα πατρίδα έξω από το παράθυρό μου” (interview, Hellenic Broadcasting Corporation, Radio Channel 3)

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EDUCATION

2004 Ph.D. in Musicology, Stanford University, USA.

Dissertation: “Early Reception of Handel’s Oratorios, 1732–1784: Narrative – Studies – Documents,” 3 vols., xiii + 1626 pp.

Dissertation committee: Professor Karol Berger (adviser), Professor Stephen Hinton (reader), Professor Thomas S. Grey (reader).

1996 M.Phil. (by research) in Musicology, University of Liverpool, UK.

Thesis: “The Concept of Music in the Shakespearean Corpus: An Exploration of Neoplatonic Ideas of Music in Shakespeare.”

1995–1996 M.Phil./Ph.D. status, Musicology, King’s College, University of London, UK.

Project: “The Impact of Aristotle’s Poetics on the Efforts Towards the Creation of Opera.”

Adviser: Professor Reinhard Strohm / Michael Fend.

1995 M.Mus. in Historical Musicology, King’s College, University of London, UK.

Thesis: “Striggio-Monteverdi’s L’Orfeo: An Excursion into its Neoplatonic Layers.”

Adviser: Professor Curtis Price.

1992 Ptychio (equivalent to MA) summa cum laude and highest GPA in my class, Musicology and Music Education,

Department of Music Studies, Aristotle University of Thessaloniki, Greece.

Thesis: “Το συνθετικό έργο του Νίκου Αστρινίδη : Μία πρώτη προσέγγιση / The Life and Works of Nicholas Astrinidis.”

1989–1990 private instruction in Conducting with Karolos Trikolidis (student of Hans Swarovski and Herbert von Karajan), New Conservatory of Thessaloniki, Greece.

1992 Diploma in Theory of Music (cluster of teaching degrees) cum laude,

Macedonian Conservatory of Thessaloniki, Greece.

1992 Fugue (Diploma: Excellent Unanimously with Distinction)

1990 Hodiki (Degree: Excellent)

1990 Counterpoint (Degree: Excellent Unanimously)

1988 Harmony (Degree: Excellent)

1990 Diploma in Piano Performance (professional degree) cum laude and First Prize,

Macedonian Conservatory of Thessaloniki, Greece.

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RESEARCH APPOINTMENTS AND ACADEMIC DISTINCTIONS

2017, 01–05 Visiting Researcher, “Economics of Change” department, WZB Berlin Social Science Center

2015/01–16/12Research Fellow (“Culture and Economics”), WZB Berlin Social Science Center

2015–2016 Library Research Fellowship, Tsakopoulos Hellenic Collection, California State University, Sacramento

2016 Honorary citation, Thracian Hearth of Thessaloniki

2011–2012 Research grant, Greek America Foundation

Visiting Fellowship, William Andrews Clark Memorial Library, UCLA

Visiting Scholar, Department of Music, Stanford University (July–September)

2010–2011 ACLS Fellowship, American Council of Learned Societies

Kluge Fellowship, The John W. Kluge Center at the Library of Congress

Katharine F. Pantzer Jr. Fellowship in Descriptive Bibliography, Houghton Library, Harvard University

McGill-ASECS Fellowship, The Burney Centre, McGill University

Honorary Research Associate, Department of Economics, University College London

Visiting Scholar, Minda de Gunzburg Center for European Studies, Harvard University [declined]

2010, Jan. Research grant, “Music & Letters” Trust

2009–2010 Research Associate, ESRC Centre for Economic Learning and Social Evolution (ELSE),

Department of Economics, University College London

Early Career Research Associate, Institute of Musical Research,

School of Advanced Study, University of London

2007–2008 Mayers Fellowship, The Huntington

2006–2007 John M. Ward Fellowship in Dance and Music for the Theatre, Houghton Library, Harvard University

Mary and Eric Weinmann Fellowship, Folger Shakespeare Library

2005–2006 Kanner Fellowship in British Studies, Center for Seventeenth- & Eighteenth-Century Studies, UCLA

ASECS/Mellon Postdoctoral Fellowship, Harry Ransom Center, The University of Texas at Austin

Gwin J. and Ruth Kolb Research Fellowship, American Society for Eighteenth-Century Studies

2005 Honorary Citation, Academy of Athens

2004–2005 Fletcher Jones Foundation Fellowship, The Huntington

2004 J. Merrill Knapp Research Fellowship, American Handel Society

2003–2004 Aubrey Williams Research Travel Fund Award, American Society for Eighteenth-Century Studies

2003 Travel Fellowship, American Society for Eighteenth-Century Studies

Graduate Research Opportunity Award, Stanford University

Ingolf Dahl Award Competition Finalist, AMS Pacific Southwest and Northern California chapters

Newcombe Dissertation Fellowship Finalist, The Woodrow Wilson National Fellowship Foundation

2002–2003 Research Fellowship, William Andrews Clark Memorial Library, UCLA

ASECS-Lewis Walpole Library Fellowship, The Lewis Walpole Library, Yale University

2001–2002 Geballe Dissertation Prize Fellowship, Stanford Humanities Center

2000–2002 Doctoral Fellowship, Panayotis and Effie Michelis Foundation

1996–2000 Doctoral Fellowship, Stanford University

1995–1996 Postgraduate Fellowship, Alexander S. Onassis Public Benefit Foundation

Vozou Fellowship, Academy of Athens

1994–1995 Velliou-Varonou Scholarship, Greek Ministry of Education and Religious Affairs

1992–1993 Postgraduate Scholarship, Macedonian Conservatory of Thessaloniki

1991 (Fall) research grant, Aristotle University of Thessaloniki

1990 Honorary Diploma and Scholarship, Rotary Club of Thessaloniki

1987–1991 Undergraduate Fellowships, Greek State Scholarships Foundation

1986 Honorary Diploma, Municipality of Neapolis, Thessaloniki

1985–1992 Fellowship, School of Advanced Music Theory, Macedonian Conservatory of Thessaloniki

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TEACHING EXPERIENCE

Stanford Continuing Studies, Stanford University (Lecturer / Academic Staff):

2024 Summer A Practical Introduction to Music Theory and Harmony (online)

2024 Spring Beethoven’s Nine Symphonies

2023 Summer A Practical Introduction to Music Theory and Harmony (online)

2023 Spring Musica divina: The Life and Works of Mozart

2022 Spring A Practical Introduction to Music Theory and Harmony (online)

2021 Summer A Practical Introduction to Music Theory and Harmony (online)

2020 Spring The Artistry of Beethoven: A 250th Anniversary Celebration

2019 Fall A Practical Introduction to Music Theory and Harmony (online)

2019 Winter Beethoven’s Nine Symphonies

2018 Fall A Practical Introduction to Music Theory and Harmony (online)

2018 Winter A Practical Introduction to Music Theory and Harmony (online)

2017 Summer A Practical Introduction to Music Theory and Harmony

2016 Summer A Practical Introduction to Music Theory and Harmony

2015 Summer A Practical Introduction to Music Theory and Harmony

2014 Summer A Practical Introduction to Music Theory and Harmony

2014 Spring An Introduction to Opera

2013 Summer Practical Music Theory

2013 Spring An Introduction to Opera

2012 Summer What Makes Classical Music Tick: The Elements of Sound

2012 Winter An Introduction to Opera

2011 Fall Practical Music Theory

2009 Fall Handel and His Times [cancelled]

2009 Summer Music’s Anatomy: Classical Music from the Inside

2008 Summer Practical Music Theory

2008 Spring Mozart and the Enlightenment

2007 Summer Practical Music Theory

2006 Fall Beethoven’s Nine Symphonies

2006 Summer Practical Music Theory

2006 Spring A Practical Introduction to Harmony

2005 Fall Handel’s London

2005 Summer A Practical Introduction to Music Theory

2005 Spring Handel and Georgian England [cancelled]

Teaching evaluations

Department of Music, Stanford University (Teaching Fellow):

2004 Winter Elements of Music II

2003 Fall Elements of Music I

2003 Spring Elements of Music III

2002 Fall Introduction to Music Theory

1999 Fall Mozart’s Instrumental Music

1999 Winter Music History until 1750

1998 Fall The Music of J.S. Bach and G.F. Handel

1998 Spring Talking about Music

1998 Winter Introduction to Music

1997 Fall Introduction to Music Theory

Macedonian Conservatory of Thessaloniki, Greece (Lecturer):

1989–1991 Music Theory I

1989–1991 Piano I

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WORK EXPERIENCE

2017 (Spring) music director, The Good Person of Szechwan, Department of Theater and Performances Studies, Stanford University
2017– teaching staff (piano/music theory), New Mozart School of Music, Palo Alto.
2013–2015 technical staff (digitizing CCARH’s printed archive for the Packard Humanities Institute).
2012– pianist, Sunday service, various churches in the San Francisco Bay Area.
2012– music director and piano accompanist, “Hope Musical Theatre,” Palo Alto.
2010 executive assistant, “Game Theory, Drama, & Opera” workshop (organized by Steffen Huck and Sir Peter Jonas), July 6–7, University College London.

2008–2009 research and editorial assistant, Richard Wagner and His World, ed. Thomas S. Grey (Princeton and Oxford, 2009).
2007 exhibition curator, “Celebrating Handel in Georgian England,” Houghton Library, Harvard University
2006–2008 research and editorial assistant, The Cambridge Companion to Wagner, ed. Thomas S. Grey (Cambridge, 2008).
2004–2008 music director and piano accompanist, “Hope Musical Theatre,” Palo Alto.
2004 musicological advisor, “Hellenic Festival” (28, 30 October, 6 November), The New York Public Library for the Performing Arts, New York City
2003 referee for the Journal of the American Musicological Society
2003, Aug 5 panel chair, “Music and Words,” 11^th Quadrennial Congress of the International Society for Eighteenth-Century Studies (ISECS), UCLA
2002, Oct finalist, regular columnist search, The Stanford Daily
2002–2004 research associate to a non-profit organization
2002, 2003 coordinator, photo exhibit on world development problems, “Rhythms” hunger relief concert, Dinkelspiel Auditorium, Stanford University (24/02/02, 16/02/03)
2001, Dec 4 organizer, “The Miracle behind the Miracles,” lecture and slide-show by Buddy Piper, Bechtel International Center, Stanford University
2001, Dec. 1 organizer, “A Spiritual Perspective on the September 11 Attacks: Panel Discussion and Public Forum,” Stanford Humanities Center
2001–2003 organizer, photo exhibit on world development problems, United Nations Association Film Festival (UNAFF), Stanford University (25–28 October 2001, 24–27 October 2002, 1 May 2003, 22–26 October 2003)
2000–2002 published author of three books of fiction in Greek
2000–2001 desk assistant, Media & Microtext, Stanford University Libraries
2000–2001 piano accompanist for “Ballet I,” Stanford University Dance Division
1999–2000 administrative assistant, “Ron Alexander Memorial Lectures in Musicology,” Stanford University Department of Music
1998–2004 guest columnist, “The Stanford Daily”
1998–2000 co-director, “Graduate Musicology Forum,” Stanford University
1998–1999 assistant, “Lully Archive,” Stanford University Music Library
1997–2003 piano recitalist, Stanford University and Palo Alto
1996 musicological advisor, Nikos Astrinidis: A Portrait, TV documentary by Giorgos Keramidiotis, Greek Television Channel 3
1994–1996 office assistant (unpaid), “World Goodwill,” London, UK
1989–1992 archivist and assistant to composer Nikos Astrinidis, Thessaloniki
1989–1991 co-founder and member of the editorial board of the journal Mousikotropies, Department of Music Studies, Aristotle University of Thessaloniki
1989–1990 assistant to the director (unpaid), New Conservatory of Thessaloniki
1983/4 various musicological projects
1981–1985, c1990—present: composer
also, experience as a piano performer (soloist and accompanist), editor, translator (into Greek), lecturer, recording supervisor

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WRITINGS [Gr= in Greek]

Online resources

Monographs

Research articles

Invited presentations

Online resources

Handel Reference Database [Stanford mirror], Center for Computer Assisted Research in the Humanities (CCARH) at Stanford University, 2008– (800,000 words).
Spyros P. Skouras (1893–1971), 2012– [web portal].
Nicolas Astrinidis (1921–2010), 2012– [web portal].
Dimitri Mitropoulos (1896–1960), 2013– [web portal].
Alexander Pantages (1864/75–1936), 2013– .
Greece’s sacrifices during World War II (exhibit, San Francisco, 1945).
Costa G. Couvaras, OSS with the Central Committee of EAM.

Monographs

Studies in Handel Reception, 1732–1784, collection of essays on Handel, his oratorios, and their reception in Britain before the 1784 Commemoration Festival [proposal submitted].
The Music of the Count de St. Germain [edition, forthcoming].
Charles Prince de Hesse, Mémoires – Published Writings (Stanford, 2018) [edition].

· Nicolas Astrinidis, “Apolytikion of Saint Demetrios” (Stanford, 2021) [vocal score edition; study materials]

· Nicolas Astrinidis, “Famed Macedonia” (Stanford, 2021) [vocal score edition; study materials]

· Nicolas Astrinidis, “Apolytikion of the Resurrection” (Stanford, 2021) [vocal score edition; study materials]

Nicolas Astrinidis, “National Anthem of Greece” (Stanford, 2021) [music edition; study materials]
Nicolas Astrinidis, “Thourios by Rigas” (Stanford, 2021) [vocal score edition; study materials]
Nicolas Astrinidis, Symphony “1821” (Stanford, 2018) [full score edition].
John Mainwaring, Memoirs of the Life of the late George Frederic Handel (Stanford, 2015) [edition].
Helena Paderewska, Paderewski: The Struggle for Polish Independence (1910-1920) (Stanford, 2015) [edition].
CinemaScope: Selected Documents from the Spyros P. Skouras Archive (Stanford, 2013) [edition].

The Cleopatra Files: Selected Documents from the Spyros P. Skouras Archive (Stanford, 2013) (Kindle edition) [edition].
Spyros P. Skouras, Memoirs (1893–1953) (Stanford, 2013) [compilation and edition]; listed in Peter Lev, “Hollywood Studios,” Oxford Bibliographies; reviewed in Sunday Vima, March 10, 2013; The Pappas Post, March 22, 2013; Kelsey Geiser, “Stanford scholar sheds light on Greek immigrant’s rags-to-riches story,” Stanford News Service, May 23, 2013 (Spanish version: “La vida de Spyros P. Skouras, magnate de la industria cinematográfica en 86 cajas de documentos prácticamente intactos en la Universidad de Stanford,” Archivólogo - blog de archivo - Lic. Carmen Marín, 24 May 2013); Kelly Fields, “Ilias Chrissochoidis’ book, Spyros P. Skouras, Memoirs (1893–1953),” Stanford University Libraries News, August 27, 2013.

[John Brown], An Examination of the Oratorios which have been performed this Season, at Covent-Garden Theatre (1763) [edition].
Nicolas Astrinidis: Life – Works catalog (Stanford, 2012; in Greek) (ISBN-10: 1478248637; ISBN-13: 978-1478248637).
Neoplatonic Musical Imagery in Shakespeare, book manuscript (ca 50,000 words) [under revision].
From the Garden of Diaspora to the Cell of Repatriation: The Life and Works of Nikos Astrinidis (1921–2010), book manuscript (50,000 words) [awaiting publication funding] [Gr].

Research articles

· “Handel at sixty (1745): New insights on Handel’s darkest hour” [15,000 words, in final stages].

· “A Handelian piracy during a ‘Handel’ Year” [in preparation].

· “Farinelli sings Handel” [in preparation].

· “Handel and crime” [in preparation].

· “From the music historian’s desk: Burney researching the Royal Academy of Music” [in preparation].

· “Art as Cause – Social transformation through Oratorio performances: A proposal” [working paper].

· “Cognitive perspectives in Wagner’s Parsifal,” jointly with Steffen Huck [working paper].

· “‘As a dictionary to a novel’: A C.P.E. Bach entry in Beethoven’s Op. 2, No. 3?” [10,100 words, under revision].

· “Handel Reference Database (HRD) and the challenges of scholarly entrepreneurship” [commissioned].

· “Μουσικός Πλατωνισμός στην Ελισαβετιανή Αναγέννηση [Musical Platonism in Elizabethan Renaissance]” [9,750 words, under review].

· “A missing reference to Lohengrin in Nietzsche’s The Case of Wagner” [submitted].

· “Ανεξάρτητος Μεραρχία και εξαρτημένη ιστοριογραφία” [forthcoming].

· “Alexander Pantages in San Francisco: Earliest sources on his life in the United States” [forthcoming].

· “Mission compromised: William Nesbitt Chambers warns against the French withdrawal from Cilicia (1921)” [submitted]

· “A century-old debt: The plight of Northern Epirotes for self-determination” [submitted].

· “‘New Shoes!’ American postwar humanitarianism in the papers of Anna Howell Hayward (1908–2001)” [submitted]

· “Η «Έκθεση Δοξιάδη» και ο αμερικανικός της επίλογος” [forthcoming].

· “Σμύρνης Ολοκαύτωμα: Το υπόμνημα του H. C. Jaquith στο ναύαρχο Bristol” [forthcoming].

· “Papadiamantis and the symphonic idiom: Sto Hristo sto Kastro (1991) by Nicolas Astrinidis,” H διαχρονία του Παπαδιαμάντη: Πρακτικά Δ' Διεθνούς Συνεδρίου (Εταιρεία Παπαδιαμαντικών Σπουδών, 2024), 645–658.

· “La Parisienne” Goes to the Opera: Maria Callas as Priestess, NEO Magazine, June–July 2024, 18–19.

· “The Burning of Smyrna: H. C. Jaquith’s Report to Admiral Bristol,” American Journal of Contemporary Hellenic Issues 14 (Summer 2023).

· “John Steinbeck in Mykonos,” pappaspost, 20 June 2023.

· “A victim of his obstinate devotion to the cause of the unhappy Armenian race”: The Murder of Rev. George P. Knapp (1915), Journal of the Society for Armenian Studies 29 (2022).

· “The ‘Doxiadis’ Exhibition and its American Epilogue,” NEO Magazine (March 2023), 8–9. [online]

· “Astrinidis’s ‘Ithaka’: Settling in Thessaloniki,” 49–56, in Conference Proceedings of the 6th International Conference of Hellenic Symphonic Bands: “Wind ensembles: historical retrospect, journey, and transition in times of pandemic,” Thessaloniki, June 25–27 2021, ed. by Kostis Hassiotis, Evangelia Kikou, and Christos Pouris (Thessaloniki: University of Macedonia, 2022).

· “Ο Πέτρος και ο Στάινμπεκ [Petros and Steinbeck],” Το ΒΗΜΑ, 18 September 2022, “Βιβλία” 6 (18).

· “Άγνωστα παρασκήνια της επανάστασης του 1922 [The unknown background of the Revolution of 1922],” Το ΒΗΜΑ, 17 July 2022, A30 (54).

· “From the Shores of the Aegean to the Edge of the Pacific: A tribute to Alexander Pantages (1864/75–1936),” NEO Magazine (April 2022), 54–55.

· “Η οικονομική πολιτική της Ένωσης Κέντρου [The economic policy of the Center Union party],” Το ΒΗΜΑ, 10 April 2022, A38 (62); Οικονομικός Ταχυδρόμος, 17 April 2022 (online).

· “The most influential Greek since Alexander the Great? A reappraisal of Spyros P. Skouras,” NEO Magazine (December 2021), 48–50. [pdf]

· “A humanities treasure in the heart of Silicon Valley,” Stanford Libraries Blog, 14 December 2021.

· “Aπό τη Σαλονίκη στη Θεσσαλονίκη: η άγνωστη µαρτυρία του Ζακ Αµπραβανέλ,” Το ΒΗΜΑ, 31 October 2021, 46–47 (“Νέες Εποχές,” 6–7).

· “Η Ομογένεια στον πόλεμο: Νέα στοιχεία για τη βοήθεια της ελληνοαμερικανικής κοινότητας προς την εμπόλεμη και κατεχόμενη Ελλάδα από τα αρχεία του Σπύρου Π. Σκούρα,” Το ΒΗΜΑ, 27 December 2020, 34 (“Βιβλία”: 6).

· “Η άγνωστη συμβολή της Ομογένειας κατά την Κατοχή”, To Vima, 26 January 2020, A32 (56).

· “Σκούρας καλεί Χρουστσόφ” [original title: “Όταν ο Χρουστσόφ συναπάντησε τον «αδελφό του Έλληνα»”], To Vima, Sunday 15 October 2017, 8:8.

· “Quantifying music genius, or Handel on the balance: A scale of musical merit from 1776,” WZB Discussion Paper, SP II 2016–311, December 2016.

· “Changing cultural space: The public molding of Esther into an English oratorio (1732),” WZB Discussion Paper, SP II 2016–310, December 2016.

· “From the garden of Diaspora to the cell of repatriation: Hellenism in the life and works of Nikos Astrinidis,” Aspects of Hellenism in Music [in production].

· “‘Though this be madness, yet there is method in’t’: A Counterfactual Analysis of Richard Wagner’s Tannhäuser,” jointly with Heike Harmgart, Steffen Huck, and Wieland Müller, Music & Letters 95:4 (November 2014), 584–602.

· “How Skouras Led Community in WWII’s Greatest Foreign Aid Campaign,” The National Herald, 3 August 2014.

· “Musical References in the Jennens–Holdsworth Correspondence (1729–46),” jointly with Amanda Babington, Royal Musical Association Research Chronicle 45:1 (2014), 76–129.

· “Εκατό χρόνια από τις μεγάλες αλλαγές στην Ήπειρο [One Hundred Years from the Partition of Epirus],” Kathimerini, 27 July 2014; reprinted with parallel Albanian translation, http://www.pelasgoskoritsas.gr/2017/02/korcaret-konferences-se-londres-1912-u.html, 19 February 2017; reprinted in “Ελεύθερος Λόγος Αργυροκάστρου,” 27 February 2017.

· “Άγνωστες πτυχές γύρω από το Κυπριακό [Unknown aspects of the Cyprus problem],” Kathimerini, 29 June 2014.

· “‘Είμ’ ένα όμορφο αγόρι’ [‘I am a beautiful boy’],” Kathimerini, 22 June 2014, 5.

· “Αναζητώντας το αμερικανικό Δίστομο [Searching for an American Distomo],” Kathimerini, 15 June 2014, 7.

· “Πώς ο Χατζιδάκις πανικόβαλε το Χόλιγουντ [How Hadjidakis scared Hollywood],” ToVIMA, 6 April 2014.

· “Ένας στρατηγός της Βέρμαχτ αφηγείται… [A Wermacht general reminisces],” To VIMA, 9 March 2014, A23.

· “Έγγραφα του ΕΛΑΣ στην Αμερική [ELAS documents in America],” Kathimerini, 9 March 2014.

· “Ο μεγάλος αγνοημένος ευεργέτης του έθνους [Greece’s neglected national benefactor],” Kathimerini, 2 June 2013 [original title: “Εθνικός ευεργέτης: Η προσφορά του Σκούρα στην μεταπολεμική Ελλάδα [National Benefactor: Skouras’ contributions in postwar Greece]”]; reprinted in www.timesnews.gr, 28 March 2017.

· “Dramatic pairing in Fidelio: A structuralist approach,” College Music Symposium 52 (2013) [online].

· “An annotated wordbook of The Beggar’s Opera (1728),” jointly with Richard Virr, Notes & Queries 60/1 (March 2013), 111–113.

· “Handelian oratorio and the sublime according to John Baillie,” Göttinger Händel-Beiträge 14 (2012), 253–263.

· “A Master Stands: Rare Brahms Photos in the Library of Congress,” Fontes Artis Musicae 59/1 (January–March 2012), 39–44.

· “Ο επισιτισμός της Ελλάδας στην Κατοχή: Στοιχεία από το αρχείο του Σπύρου Σκούρα [How Spyros Skouras fed the Greeks during the country’s occupation by the Nazis],” Kathimerini, 18 December 2011, 27.

· “An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607),” Early Music 39/4 (November 2011), 519–530.

· “Reforming Handel: John Brown and The Cure of Saul (1763),” Journal of the Royal Musical Association 136/2 (2011), 207–245.

· “Ο Σεφέρης και η Αμερική [Σεφέρης-Στραβίνσκι-Χάρβαρντ: η άγνωστη σχέση του ποιητή με το κορυφαίο πανεπιστήμιο / Seferis-Stravinsky-Harvard: the unknown links of the poet with the university],” Το Βήμα της Κυριακής [The Sunday Vima], 25 September 2011, 14–15.

· “Princess Carolina’s list of monthly expenses, January–February 1727/8,” Notes & Queries 58/3 (September 2011), 401–403.

· “Elsa’s reason: On beliefs and motives in Wagner’s Lohengrin,” jointly with Steffen Huck, Cambridge Opera Journal 22/1 (2010), 65–91.

· “Handelian references in Richard Pococke’s early correspondence (1734–7),” Newsletter of The American Handel Society 26/1 (Spring 2011), 5–6.

· “Musical References in Richard Pococke’s Early Correspondence (1734–37),” Society for Eighteenth-Century Music Newsletter 17 (September 2010–April 2011), 5.

· “ΔΗΜΗΤΡΗΣ ΜΗΤΡΟΠΟΥΛΟΣ: Μία συμφωνική, ένα αφεντικό και δύο μνηστήρες” [original title: “Ανέκδοτη αλληλογραφία του Μητρόπουλου στην Βιβλιοθήκη του Κογκρέσου / Unpublished correspondence of Mitropoulos in the Library of Congress”], Το Βήμα της Κυριακής [The Sunday Vima], 9 January 2011, B2: 6–7.

· “An author’s fee: John Mainwaring’s Handel biography (1760),” Notes and Queries 57/4 (December 2010), 546–548.

· “‘hee-haw ... llelujah’: Handel among the Vauxhall Asses (1732),” Eighteenth-Century Music 7/2 (September 2010), 221–262.

· “London Mozartiana: Wolfgang’s disputed age & early performances of Allegri’s Miserere,” The Musical Times, vol. 151, no. 1911 (Summer 2010), 83–89.

· “The Music of the Count of St. Germain: An Edition,” Society for Eighteenth-Century Music Newsletter 16 (April 2010), [6–7].

· “Senesino’s Black Boy (1725),” The Handel Institute Newsletter 21/1 (Spring 2010), [7–8].

· “Handel, Hogarth, Goupy: Artistic intersections in Handelian biography,” Early Music 37/4 (November 2009), 577–596.

· “Handel at a Crossroads: His 1737–1738 and 1738–1739 Seasons Re-Examined,” Music & Letters 90/4 (November 2009), 599–635.

· “Handel’s Reception and the Rise of Music Historiography in Britain,” in Music’s Intellectual History, ed. Zdravko Blažeković and Barbara Dobbs Mackenzie (New York: Répertoire International de Littérature Musicale, 2009), 387–396.

· “George I goes to the masquerade (1721),” The Scriblerian and the Kit-Cats 42/1 (Autumn 2009), 47–49. “Correction,” The Scriblerian and the Kit-Cats 42/43 (Spring 2010), 123.

· “Το δράμα στο έργο του Νίκου Αστρινίδη: Εισαγωγικές παρατηρήσεις [Drama in Nikos Astrinidis’ oeuvre: An Introduction],” Twentieth-Century Greek Music Creation in Lyric Drama and other Representative Arts, ed. George Vlastos (Athens: Friends of Music, 2009), 252–256 [Gr].

· “Music in Good Time and the Handelian discord in 1745,” Newsletter of The American Handel Society 24/2 (Summer 2009), 1–3.

· “‘true Merit always Envy rais’d’: The Advice to Mr. Handel (1739) and Israel in Egypt’s early reception,” The Musical Times, vol. 150, no. 1906 (Spring 2009), 69–86.

· “Mrs. Cibber’s oratorio salary in 1744–45,” The Handel Institute Newsletter 20/1 (Spring 2009), [1–2].

· “Handel recovering: Fresh light on his affairs in 1737,” Eighteenth-Century Music 5 (2008), 237–244.

· “English oratorio in London: The 1765 season,” Händel-Jahrbuch 54 (2008), 313–327.

· “Oratorio à la Mode[: Esther and Fielding’s The Modern Husband (1732)],” Newsletter of The American Handel Society 23/1–2 (Spring–Summer 2008), 7–9.

· “Handel references in The Evening Advertiser (1754–1756),” The Handel Institute Newsletter 19/1 (Spring 2008), [4–5].

· “‘It’s good to be a King,’” North American British Music Studies Association Newsletter 4/1 (Spring 2008), online.

· “La Musique du Diable (1711),” Society for Eighteenth-Century Music Newsletter 11 (October 2007), 7–9.

· “Handel as a Transitional Figure” (research paper).

· “His Majesty’s choice: Esther in May 1732,” Newsletter of The American Handel Society 22/2 (Summer 2007), 4–6.

· “‘How is the hero fall’n!’: New Light on Handel’s Darkest Hour (1745)” (research paper).

· “A Handel relative in Britain? (also cutting through the 1759 fence in Handel studies),” The Musical Times, vol. 148, no. 1898 (Spring 2007), 49–58.

· “A ‘fam’d Oratorio … in old English … sung’: Esther on 16 May 1732,” The Handel Institute Newsletter 18/1 (Spring 2007), [4–7].

· “A chubby Orpheus: Handel’s corpulence as a prerogative of genius,” in Consuming Culture in the Long Nineteenth Century: Narratives of Consumption, 1700–1900, ed. Tamara S. Wagner and Narin Hassan (Lanham, MD: Lexington Books, 2007), 223–236.

· “A ‘new-fashioned Martyr’: Handel, Lady Brown, and ‘baby-boomer’ musicology” (research paper).

· “A Founding Father of Social Responsibility in Music? Handel in Georgian Britain” (research paper).

· “Charles Handell, Esq. (? – 1776),” Newsletter of The American Handel Society 21/1 (Spring 2006), 1, 3.

· “Set theory in Xenakis’ EONTA,” in International Symposium Iannis Xenakis, ed. Anastasia Georgaki and Makis Solomos (Athens: The National and Kapodistrian University, 2005), 241–249 (jointly with Stavros Houliaras and Christos Mitsakis).

· “Report, 2003–04 Aubrey Williams Research Travel Grant,” American Society for Eighteenth-Century Studies News Circular 136 (Fall 2005), 7–8.

· “The ‘Artusi-Monteverdi’ controversy: Background, content, and modern interpretations,” British Postgraduate Musicology 6 (2004), online.

· “A new Handel dissertation,” Newsletter of The American Handel Society 19/2 (August 2004), 5.

· [“Beethoven and Freedom: Another way of looking at things?”] The Beethoven Journal 18 (2003), 58–59.

· [“Handel in Vauxhall Gardens”], Journal of the American Musicological Society 56 (2003), 221–224.

· “Eine Faust-Symphonie and Lawrence Kramer’s reading of the ‘Gretchen’ movement,” Journal of the American Liszt Society 50 (Autumn 2001), 9–17.

· “Fragmentation in Classical Era Instrumental Music” (research paper, fall 1998).

· “Three Moments in Music Aesthetics” (paper, fall 1998).

· “An Essay on Schenker and Some of his Intellectual Affinities with Hanslick and Schopenhauer” (research paper, spring 1998).

· “Beethoven’s Heiliger Dankgesang” (research paper, spring 1997).

· “An Exploration of Anti-Teleological Moments in Beethoven’s Fidelio” (research paper, winter 1997).

· “Ορατόριο Άγιος Δημήτριος (1962) [Nicolas Astrinidis: Oratorio Saint Demetrios],” Mousikotropies 1/1996, 13–20 [Gr].

· “Glimpses of a vision for Twenty-First-Century scholarship,” Musical Objects: A Postgraduate Review 1 (1995), 65–66.

· “Ludwig van Beethoven: Klaviersonate op. 27, nr 2 (Πρώτο Μέρος) – Μια Ερμηνευτική Ανάλυση [Ludwig van Beethoven: Piano Sonata no. 14, op. 27, no. 2, first movement – A hermeneutic analysis],” Mousikotropies 3/1995, 40–45 [Gr].

· “The Canon and how one can blow it up: Improvisation on a commonly obscure theme” (seminar paper, April 1995).

· “An Analysis of John Williams’ Star Wars (Main Title)” (seminar paper, January 1995).

· Nicolas Astrinidis: Oratorio Saint Demetrios, booklet for CD with extracts from the oratorio (Thessaloniki: Thalassa Records, 1994), 15 pp.

· “F. Chopin: Prelude Op. 28, Αρ. 14 – Ένα Παράδειγμα Χρήσης της Γραμμικής Αντίστιξης στη Ρομαντική Μουσική [F. Chopin: Prelude Op. 28, no. 14. An example of monophonic counterpoint in Romantic music],” Mousikotropies 1/94, 23–31 [Gr].

· “Baconian or Stratfordian Theory?” (seminar paper, June 1992).

· “Dinu Lipatti (1917–1950),” Mousikotropies 1/1991, 23–31 [Gr].

· “Το καθήκον στη Ζωή/Έργο του Δημήτρη Μητρόπουλου [Duty in the Life/Work of Dimitris Mitropoulos],” Mousikotropies 3/1990, 63–74 [Gr].

· “Η τέλεια εξάσκηση των δακτύλων [The Perfect Training of the Fingers: in their Combination, with the Restriction of non-repeating the Same Finger in Each Combination]” (method), Mousiki Periodiki Ekdosi 1 (April 1989), 35–40 [Gr]; reviewed and partly reprinted in Chronis Moysiadis and Haralampos C. Spyridis, Applied Mathematics in the Science of Music (Thessaloniki: Ziti, 1994), 87–90, 219–25.

Invited Presentations

“Quantifying music genius, or Handel on the balance: A scale of musical merit from 1776,” The Lewis Walpole Library, Yale University, 2 December 2022.
“Nicolas Astrinidis’ Symphony “1821”: Casting the rise of modern Greece in sound,” in “Performing National Identity: Commemorations, Institutions, and Rituals. Conference for the celebration of the bicentennial of the 1821 Greek Revolution,” Thessaloniki, Greece, 24–26 September 2021. [cancelled]
“Papadiamantis and the symphonic idiom: Sto Hristo, sto Kastro (1991) by Nicolas Astrinidis,” 4^th International Papadiamantis Conference, Society of Papadiamantis Studies, Athens, 14–15 October 2021. [video]
“Νίκος Αστρινίδης: Η δεύτερη εκατονταετία,” round table, “6^th International Conference of Hellenic Symphonic Bands,” University of Macedonia, Thessaloniki, 25–27 June 2021.
“Astrinidis’ Ithaka: Settling in Thessaloniki,” “6^th International Conference of Hellenic Symphonic Bands,” University of Macedonia, Thessaloniki, 25–27 June 2021.
“2021 Έτος Νίκου Αστρινίδη,” Εκδήλωση μνήμης για τη συμπλήρωση οχτώ χρόνων από το θάνατο του μεγάλου Σερραίου-Θρακιώτη συνθέτη, αρχιμουσικού και πιανίστα Νίκου Αστρινίδη, Ano Toumpa Cultural Center, Thessaloniki, 25 January 2019.
“Art as Cause: The social impact of Handel’s oratorios,” “Music as Art: Theory, Philosophy, and the Western Canon – Celebration for Karol Berger on his 70^th Birthday,” Stanford University, 27–28 October 2017.
“Νίκος Αστρινίδης: Ζωή και Έργο” [“Nicolas Astrinidis: Life and Works”], Εκδήλωση μνήμης για τη συμπλήρωση πέντε χρόνων από το θάνατο του μεγάλου Θρακιώτη συνθέτη, αρχιμουσικού και πιανίστα Νίκου Αστρινίδη, Thracian Hearth of Thessaloniki, February 20, 2016.
“Από τον Αστρινίδη στον Χαίντελ και από τον Μητρόπουλο στον Σκούρα: Η αρχειοδύσσεια ενός Έλληνα ερευνητή” [“From Astrinidis to Handel and from Mitropoulos to Skouras: The Archodyssey of a Greek researcher”], Music Library of Greece “Lilian Voudouri,” Megaron – The Athens Concert Hall, February 18, 2016.
“An Evening with Handel,” Institute for the Study of Western Civilization, Cupertino, July 18, 2014.
“An Evening with Vivaldi,” Institute for the Study of Western Civilization, Cupertino, May 9, 2014.
graduate seminar (“Handel”), Faculty of Music, Cambridge University, Cambridge, May 27, 2013.

Pacific Southwest and Northern California AMS chapters joint meeting, University of California, Berkeley, April 28–29, 2012: “‘Though this be madness, yet there is method in’t’: A Counterfactual Analysis of Richard Wagner’s Tannhäuser” (co-authored by Heike Harmgart, Steffen Huck, and Wieland Müller)
“The Theory, Practice and Business of Opera Today,” Leeds University Centre for Opera Studies, University of Leeds, April 12–14, 2012: “‘Though this be madness, yet there is method in’t’: A Counterfactual Analysis of Richard Wagner’s Tannhäuser,” (co-authored by Heike Harmgart, Steffen Huck, and Wieland Müller) [withdrawn]
Noon Lecture, Whittall Pavilion, Library of Congress, Washington, D.C., 18 May 2011: “From the London Stage to Westminster Abbey: Cultural Mobility of Handel’s Oratorios in Britain, 1732-1784”
“Early Modern Women in the Arts,” West Chester University, 16 April 2011: “A ‘new-fashioned Martyr’: Handel, Lady Brown, and ‘baby-boomer’ musicology” [cancelled]
American Musicological Society Capital Chapter meeting, Washington, D.C., 2 April 2011: “Dramatic pairing in Fidelio: A structuralist approach”
16th Biennial Conference on Nineteenth-Century Music, University of Southampton, 8–11 July 2010: “Dramatic pairing in Fidelio: A structuralist approach”
“Game Theory, Drama, & Opera,” University College London, 6–7 July 2010: “‘Though this be madness, yet there is method in’t’: A Counterfactual Analysis of Tannhäuser’s Dilemma” (co-authored by Heike Harmgart, Steffen Huck, and Wieland Müller)
“Directions in Musical Research” seminar, Institute of Musical Research, University of London, 18 February 2010: “Handel, Us and Them: Reflections on Handelian Historiography”
“Music and the Moving Image,” New York University, 29–31 May 2009: “Sid Caesar, ‘Argument to Beethoven’s Fifth’: A Comic Misreading of Cultural Consequence”
“Purcell, Handel, Haydn, and Mendelssohn: Anniversary reflections,” New College, Oxford, 27–29 March 2009: “Handel as a Transitional Figure”
“Greek music for the opera and other forms of the performing arts in the 20th century,” Megaron, The Athens Concert Hall, Greece, 27–28 March 2009: “Το δράμα στο έργο του Νίκου Αστρινίδη: Εισαγωγικές παρατηρήσεις [Drama in Nikos Astrinidis’ oeuvre: An Introduction]”
Third Biennial Conference of the North American British Music Studies Association, York University, Toronto, 31 July–3 August 2008: “A Founding Father of Social Responsibility in Music? Handel in Georgian Britain” [cancelled]
39th Annual Meeting of the American Society for Eighteenth-Century Studies, Portland, OR, 27–30 March 2008: “Public Discipline and Handel’s Oratorios” [cancelled]
18^th Congress of the International Musicological Society, University of Zurich, 10–15 July 2007: “Handel as a Transitional Figure”
2007 American Handel Festival, Princeton University, 19–21 April 2007: “‘How is the hero fall’n!’: New Light on Handel’s Darkest Hour (1745)”
29th Annual Meeting of the Society for Music Theory (jointly with AMS), “Scholars for Social Responsibility” session, Los Angeles, 2–5 November 2006: “A Founding Father of Social Responsibility in Music? Handel in Georgian Britain”
Second Biennial Conference of the North American British Music Studies Association, Saint Michael’s College, Colchester, VT, 4–5 August 2006: “A ‘Scale to Measure the Merits of Musicians’ (1776)”
Twelfth Biennial Conference on Baroque Music, University of Warsaw, Poland, 26–30 July 2006: “Born in the Press: The Political Context of Handel’s Esther (1732)”
“Music and Consciousness,” University of Sheffield, UK, 17–19 July 2006: “Cyril Scott’s Musical Platonism”
Interdisciplinary Nineteenth-Century Studies (INCS) International Conference 2006, Durham University, UK, 6–9 July 2006: “Couples and Coupling in Beethoven’s Fidelio”
Annual joint meeting of the Pacific Southwest and Northern California AMS chapters, University of California, Berkeley, 6–7 May 2006: “Handel, Lady Brown, and Baby-Boomer Musicology” [cancelled]
“Aspects of Hellenism in Music,” Music Megaron of Athens, Athens, Greece, 5–7 May 2006: “From the Garden of Diaspora to the Cell of Repatriation: Hellenism in the Life and Works of Nikos Astrinidis”
37th Annual Meeting of the American Society for Eighteenth-Century Studies, Montreal, Quebec, 30 March–2 April 2006: “Handelian oratorio and the sublime according to John Baillie (1747),” [cancelled]
35th Annual Conference of the British Society for Eighteenth-Century Studies, St Hugh’s College, Oxford, UK, 4–6 January 2006: “Building the Empire on Sound Art: John Brown’s Reform of Handelian Oratorio, 1763” [cancelled]
“Romania-Enescu-Europe,” The City University of New York Graduate Center, New York, 1–2 December 2005: “From Romanian Folklore to Greek Nationalism: The Cultural Migration of Nikos Astrinidis (1921–)”
“Politics [AND/IN] Aesthetics International Conference,” Aristotle University of Thessaloniki, Greece / University of Veliko Turnovo, Bulgaria, 4–9 June 2005: “National Regeneration through Art: John Brown’s Reform of Handelian Oratorio, 1763”
International Symposium Iannis Xenakis, University of Athens / University of Montpellier 3, Athens, Greece, 18–20 May 2005: “Set theory in Xenakis’ EONTA” (in collaboration with Stavros Houliaras and Christos Mitsakis)
Annual joint meeting of the Pacific Southwest and Northern California AMS chapters, University of Southern California, Los Angeles, 30 April—1 May 2005: “Sid Caesar, ‘Argument to Beethoven’s Fifth’: A Comic Misreading of Cultural Consequence”
36^th Annual Meeting of the American Society for Eighteenth-Century Studies, Las Vegas, 31 March–3 April 2005: “Quantifying Genius: British Adaptations of de Piles’ Scale of Painters”
2005 Joint Meetings of College Music Society Pacific Central Chapter, West Coast Conference for Music Theory and Analysis, and Rocky Mountain Society for Music Theory, University of San Francisco, 18–20 March 2005: “Chopin’s ‘Prelude’ Op. 28, No. 14: A Case of Monophonic Counterpoint in Romantic Music” (March 19)
The American Handel Society Conference, Santa Fe, NM, 17–20 March 2005: “Born in the Press: The Public Molding of Handel’s Esther into an English Oratorio” (March 18)
“Music’s Intellectual History: Founders, Followers & Fads,” The City University of New York Graduate Center, 16–19 March 2005: “Handel’s Reception and the Rise of Music Historiography in Britain” (March 17)
34^th Annual Conference of the British Society for Eighteenth-Century Studies, St Hugh’s College, Oxford, UK, 6–8 January 2005: “Quantifying Genius: British Adaptations of de Piles’ Scale of Painters”
“Britannia (Re-)Sounding,” The First North American British Music Studies Association Biannual Conference, Oberlin College Conservatory of Music, Oberlin, OH, 18–19 June 2004: “From Stage to Cathedral: Cultural Mobility of English Oratorio in 18^th-Century Britain”
Annual joint meeting of the Pacific Southwest and Northern California AMS chapters, University of San Francisco, 1–2 May 2004: “Quantifying Genius: Justice Balance’s ‘hit parade’ of Composers, 1776”
Renaissance Conference of Southern California, The Huntington Library, San Marino, CA, 20–21 February 2004: “An Advertisement of Music’s Power? Temporal Symmetry in the Prologue of L’Orfeo”
33^rd Annual Conference of the British Society for Eighteenth-Century Studies, St Hugh’s College, Oxford, 3–5 January 2004: “Born in the Press: The Public Molding of Handel’s Esther into an English Oratorio”
11^th Quadrennial Congress of the International Society for Eighteenth-Century Studies, University of California, Los Angeles, 3–9 August 2003: “National Regeneration through Art: John Brown’s Reform of Handelian Oratorio, 1763”
Annual joint meeting of the Pacific Southwest and Northern California AMS chapters, California State University, Fullerton, 3–4 May 2003: “Born in the Press: The Public Molding of Handel’s Esther into an English Oratorio”
The American Handel Festival, The University of Iowa, Iowa City, 27 February–2 March 2003: “Re-Inventing a Genre: John Brown’s Reception of Handelian Oratorio”
Winter meeting of the Northern California AMS chapter, University of San Francisco, 8 February 2003: “‘As a dictionary to a novel’: A C.P.E. Bach entry in Beethoven’s Op. 2, No. 3?”
68^th meeting of the American Musicological Society, Columbus, OH, 31 October–3 November 2002: “The Doomed Challenger: John Brown’s Reform of Handelian Oratorio”
Pacific Southwest and Northern California AMS chapters joint meeting, Stanford University, 27–28 April 2002: “The Doomed Challenger: John Brown’s Reform of Handelian Oratorio”
Fellow lecture, Stanford Humanities Center, 14 February 2002: “Early Reception and the Moral Claims of Handel’s Oratorios, 1732–1784”
“Ron Alexander Memorial Lecture in Musicology,” Stanford University, 9 April 2001: response to Reinhard Strohm, “The End of the Middle Ages and the End of Modernity”
Undergraduate Seminar in Composition (instructor: Professor Melissa Hui), Stanford University Department of Music, 13 April 1999: “Ilias Chrissochoidis, Piano Concerto”
Royal Musical Association 29^th Research Students’ Conference, Royal Holloway College, University of London, 20–23 December 1995: “‘Was Monteverdi a Misogynist?’ and ‘Does Anyone Really Care About It?’”
Royal Musical Association 28^th Annual Research Students’ Conference, University of Manchester, December 1994: “Towards the Emancipation of the Musical Work”
Armenian Cultural Center, Thessaloniki, Greece, May 1993: “The Life and Works of Nicolas Astrinidis”
School of English, University of Liverpool, June 1992: “Baconian or Stratfordian Theory?”

Music Essays

“Saved by (English) grace” [1200 words].
“René Descartes, Compendium musicae (1618)” [under review] [Gr].
“Infernal diva” [1500 words].
“Brown, John,” MGG-Online, February 2018.
“Τα Πάθη και η Ανάσταση του Χαίντελ [The Passion and Resurrection of Handel]” [25 April 2016], The Huffington Post Greece, 30 April 2017.
“έτος Robert Schumann: Η Συμφωνία αρ. 1, έργο 38,” Πολύτονον 42 (September–October 2010), 37–39, and 43 (November–December), 42–43 [Gr].
“Η θεωρία των συνόλων στα ΕΟΝΤΑ του Ξενάκη” (jointly with Χρίστος Μητσάκης and Σταύρος Χουλιαράς), Πολύτονον 43 (November–December 2010), 21–23 [Gr].
“Η πρόσληψη του Handel από τον Mozart [Mozart’s Reception of Handel],” Πολύτονον 38 (January–February 2010), 22–23, and 39 (March 2010), 40–41 [Gr].
“Composed in Hypocricy” [original title: “Music, torture, and the drama of American musicology”], Chronicle of Higher Education, vol. 55, no. 35, Friday 8 May 2009, B10.

Epilogue (14 May 2009).

“György Ligeti, Zehn Stücke für Bläserquintett (1968): Κομμάτι αρ. 3 ‘Lento’,” Πολύτονον 31 (November–December 2008), 25–27 [Gr].
“Το νέο look του Μότσαρτ: Η περιπέτεια μιας ανακάλυψης,” Πολύτονον 29 (July–August 2008), 26–29 [Gr].
“Η μουσική ανακάλυψη της χρονιάς είναι ... εικαστική: Ένα νέο πορτραίτο του Μότσαρτ,” ΒΗΜΑ Ιδεών 14 (June 2008), 4–5 [Gr].
“Political History of Greece in the 20^th Century: A Musicotropic Attempt toward National Self-Awareness,” Πολύτονον 15 (March–April 2006), 27–29 [February 2005; Gr].
“[MVAM]” (diagnostic statement, 26 October 2005).
“Amateur Suicide or Professional Execution? The Fate of Musical Objects” (letter to the editor of British Postgraduate Musicology, 31 July 2002).
“Η Όπερα στην Αυλή του Mannheim, 1742–1778 [Opera at Mannheim Court, 1742–1778],” Mousikotropies 40–41 (1–2/2002), 21–25 [Gr].
“Nicolas Astrinidis: Pianist-Composer-Conductor. Live Recordings,” CD liner notes (Thessaloniki: Thalassa Records, 200?).
“The Early Years of Alexander the Great,” oratorio by Nicolas Astrinidis (program notes), 7 February 2002, Symphony Orchestra of the Municipality of Thessaloniki concert [Gr].
“Aesthetic Ingenuity or Historical Authenticity?” (news story, –14 March 1999) [Gr].
“Nicolas Astrinidis: The Youth of Alexander the Great,” liner notes for CD with extracts from the oratorio (Thessaloniki: Thalassa Records, 1998).
“Jean-Philippe Rameau: Traité de l’Harmonie (1722) (1^st Book),” translated into Greek by Sakis Laios, Mousikotropies 2/1998, 13–18 [Gr].
program notes, recital for two pianos, Nicolas Astrinidis, J. Prunner, 30 May 1996, Italian Institute, Thessaloniki.
“Johann Sebastian Bach: Overtüre nach Französischen Art (BWV 831),” Mousikotropies 4/1995, 42–49 [Gr].
“Nicolas Astrinidis: Fantaisie Concertante, op. 19 (1949),” program notes, Thessaloniki State Symphony Orchestra, 1 June 1995 [Gr].
“Examples of Applying Speculative Thinking on Musical Phenomena” (translation of Joscelyn Godwin, Harmonies of Heaven and Earth: The Spiritual Dimension of Music from Antiquity to the Avant-Garde [London: Thames and Hudson, 1987]), Mousikotropies 4/1994, 38–47 [Gr].
“Theme – Music: A Catalyst for the Synthesis of Sciences,” Mousikotropies 4/1994, 28 [Gr].
“‘The Artistic Creation must be a Challenge...When a Young Composer indulges in Mannerism, He also dies Young’: a Conversation with Theodore Antoniou” (interview), Mousikotropies 4/1994, 19–28; partially reprinted in Avgi, 31 December 2018 [Gr].
“Manos Hadjidakis: in Obscuritatem,” Mousikotropies 3/1994, 18–19 [Gr].
“Beethoven’s Place in Music History” (translation of Barry Cooper’s article from The Beethoven Compendium: A Guide to Beethoven’s life and music, ed. by Barry Cooper et al. [London: Thames and Hudson, 1991]), Mousikotropies 2/1994, 41–43 [Gr].
“Music in Kircher’s Work” (translation of chapter six [“Music”] of Joscelyn Godwin, Athanasius Kircher: a Renaissance Man and the Quest for Lost Knowledge [London: Thames and Hudson, 1979]), Mousikotropies 3–4/1993, 70–77 [Gr].
“Music and Philosophy: The End of the Music,” Mousikotropies 3–4/1993, 59–61 [Gr].
“Theme: Three-Dimensional Scores,” Mousikotropies 2/1993, 56 [Gr].
“An Essay on Rhythm,” Mousikotropies 2/1993, 48–55 [Gr].
“A Conversation with Nicolas Astrinidis” (interview), Mousikotropies 1/1993, 26–31 [Gr].
“Theme (The Influence of the Frequency Environment on Human Beings),” Mousikotropies 3/1992, 61 [Gr].
“The Cross in Musical Creation and Re-creation,” Mousikotropies 3/1992, 59–61 [Gr].
“Sight Reading (prima vista): Performance Ability or also Interpretation Technique?” Mousikotropies 1/1992, 61–63 [Gr].
“A Letter to Mozart after ‘Mozart’s Year,” Mousikotropies 1/1992, 8–10 [Gr].
“Nicolas Astrinidis: Sto Christo, sto Kastro,” program notes, Thessaloniki State Symphony Orchestra, 19 December 1991 [Gr].
“Tradition: the Double-Edged Sword of Civilization,” Mousikotropies 3/1991, 58–63 [Gr].
“Music and Cooking: Piano-Barbecue,” Mousikotropies 3/1991, 12–14 [Gr].
“The Transposition Principle as a Manifestation of the Multifieldity [= Multifield State] of the Universe,” Mousikotropies 2/1991, 60–61 [Gr].
“The Musical Work: a High Energy Transformer,” Mousikotropies 1/1991, 63–64 [Gr].
“Specialization in Musical Life: Conquest or Hindrance?” Mousikotropies 4/1990, 76–77 [Gr].
“Manifestations of Medicity [= Mediating Function] in Musical Creation and Re-creation,” Mousikotropies 4/1990, 32–35 [Gr].
“‘The Bird, the Mediocre Person, and the Being Existing on a Low Evolutionary Level’ (A-sopou’s Tale) and the Case of Dimitris Mitropoulos,” Mousikotropies 3/1990, 11–17 [Gr].
“Theme (What is Music?),” Mousiki Periodiki Ekdosi 2/3 (April 1990), 27 [Gr].
“Plan of a Method for a more thorough Approach of the Musical Work,” Mousiki Periodiki Ekdosi 2/3 (April 1990), 18–27 [Gr].
“What is Music? A Quest for a Definition of Music. Injective part,” Mousikotropies 2/1990, 54–62 [Gr].
“What is Music? A Quest for a Definition of Music. Second Part: Towards a Quest for a Definition of Music. First Section: Three Fundamental Propositions,” Mousikotropies 1/1990, 38–43 [Gr].
“What is Music? A Quest for a Definition of Music. First Part: On Definition in general,” Mousikotropies, announcement issue (November 1989), 17–28 [Gr].

Other Writings

“Sharing as Practice” (program notes to personal piano recital, 6 February 2002).
“A Spiritual Perspective on the September 11 Attacks: Panel Discussion and Public Forum” (introductory remarks, 1 December 2001).
“On the UN’s Peace Nobel Prize” (program notes to personal piano recital, 17 October 2001).
“The Case for Sharing” (program notes to personal piano recital, 4 April 2001).
“You are right…but I’m not convinced” (entry for the “Center of Teaching and Learning Speech” contest, 1 November 2000).
“A 1767 UFO Sighting?” (communication to various UFO-research electronic boards, 27 August 2000).
“Religion, Morality, and the University,” The Thinker 6/1 (October 1999), 3, 5.
“1999 Stanford Founders’ Day Speech” (competition entry, 22 February 1999).
“1998 Stanford Founders’ Day Speech” (competition entry, 20 February 1998).
“A Meditation on Time and History” (essay, 30 November 1995) [also in Gr].

Journalism

(major themes: defending the Humanities in a corporate academia

uniting personal spiritual freedom and social justice)

Η Επιστροφή του Χριστού και οι Επιπτώσεις της στην Παγκόσμια Κρίση: Μια Προσωπική Έρευνα-Κατάθεση (Thessaloniki, 2011) [Gr].
“Ζητείται αλλήθωρος πρωθυπουργός” (op-ed, 547 words, 17 April 2010) [Gr].
“Κυβέρνηση εκτάκτου ανάγκης” (op-ed, 518 words, 14 February 2010) [Gr].
“Misalignment: viewing global recession from a cosmic perspective” (column, 872 words, 12 September 2009).
“Εκλογές ή μνημόσυνο;” (op-ed, 386 words, 6 September 2009) [Gr].
“Μέρες Αποκάλυψης” (1809 words, 14 April 2009), excerpts posted in troktiko blog, Sunday 24 May 2009 [Gr].
“Πρόβα Αποκάλυψης” (column, 951 words, 23 December 2008), Kathimerini, Tuesday 6 January 2009, 11 [Gr].
“Πρωθυπουργός Περιορισμένης Ευθύνης,” troktiko blog, Wednesday 8 October 2008 [Gr].
“Δαυλός” [excerpt from “Πρωθυπουργός Περιορισμένης Ευθύνης”], To Vima, Saturday 4 October 2008 [Gr].
“Πρώτο Ανάθεμα,” troktiko blog, 8 March 2008 [Gr].
“Προσκόλληση σε εικονική πραγματικότητα” [original title: “Μια μούμια μα ποιά μούμια;”], To Vima, 23 January 2008, A14 [Gr].
“Η χαμένη ευκαιρία του ΠΑΣΟΚ” (column, 5 November 2007) [Gr].
“Η 12^η Νοεμβρίου ευκαιρία για τη νεολαία του ΠΑΣΟΚ” (column, 29 October 2007) [Gr].
“ΠΑσόκ χωρίς δέος” (column, 24 October 2007), excerpted as “Ο Β. Βενιζέλος έχει τις απαντήσεις,” Ta Nea, 9 November 2007, 19 [Gr].
“ΠΑΣΟΚ Romantique” (column, 19 October 2007) [Gr].
“Ψεύτικα διλήμματα” [original title: “Τα ψεύτικα διλήμματα τα δόλια”], To Vima, 18 October 2007, A9 [Gr].
“Apple Cider Vinegar can help fight the flu” (letter, 10 November 2005).
“Humanity is one and indivisible” (editor’s title; letter), The Stanford Weekly, 21 July 2005, pp. 4–5.
“Fiorina’s fall scratches Stanford” (column, 10 February 2005).
“Secretary Rice a challenge for US diplomacy” (column, 31 January 2005).
“Berman’s view of America utterly simplistic” (letter, 17 January 2005).
“Where are the WMD?” (op-ed column), The Stanford Daily, 7 October 2004, p. 6.
“Kerry’s secret ally?” (column, 25 August 2004).
“Op-ed on Iraq was deceptive” (letter), The Stanford Daily, 20 April 2004, p. ?.
“Fundamentalist views on Jesus hinder interfaith dialogue” (letter, 2 March 2004).
“Current anti-Americanism not culture-based: A Response to Russell Berman” (column, 27 January 2004).
“What a president should be made of: Kucinich is the right man for the job” [original title: “The stuff that makes a president: Kucinich at Stanford”] (op-ed column), The Stanford Daily, 11 November 2003, p. 5.
“Harmful Chemicals at Home” (letter, 28 March 2003).
“Calls for war should be matched with personal courage” (letter, 16 February 2003).
“Crack the Nuts! Tenure for Squirrels” (column, 2 February 2003).
“Stanford’s new stem cell research merits scrutiny” (op-ed column), The Stanford Daily, 10 January 2003, p. 4.
“Happy Thanksgiving for All” (column, 26 November 2002).
“A reply to Dr Zappert [director of Stanford’s sexual harassment policy office]” (letter, 18 November 2002).
“Frustrated grad student resents new sexual harassment policy [original title: Revised policy on consensual relationships borders on social engineering]” (op-ed column), The Stanford Daily, 11 November 2002, p. 5.
“Carter’s Nobel Peace Prize a call for America’s reformation” (column, 13 October 2002).
“Success that leaves a trace” (column, 3 October 2002).
“Guest column ‘twists reality’ [original title: Some habits never die]” (letter), The Stanford Daily, 2 October 2002, p. 4.
“Think tanks that never think” (column, 24 September 2002).
“‘Wonder drug’ unworthy of front page [original title: ‘Wonder Drug’ story phony journalism]” (letter), The Stanford Daily, 1 May 2002, p. 4.
“Αισθητική μιζέρια [original title: Φροιξαθήνεια 2004],” Eleftherotypia, 12 April 2002 [Gr].
“Gaudet letter ‘succeeded’ [original title: ‘Gaudet’s column poses the right questions’]” (letter), The Stanford Daily, 28 January 2002, p. 4.
“Hewlett-Packard’s Deal with Compaq a Threat to Stanford” (column, 20 January 2002).
“UN-related events an antidote to American isolationism” (letter), The Stanford Daily, 5 November 2001, p. 5.
“Student criticizes Jim Clark’s decision [original title: ‘Suspension of payment’ thy name is blackmail!’]” (op-ed column), The Stanford Daily, 1 October 2001, p. 4.
“Housing Assignment System needs Revision” (letter, 29 May 2001).
“Film highlights the problem of glamor at Stanford” (letter), The Stanford Daily, 18 May 2001, p. 4.
“The Humanities need more than Money” (column, 6 May 2001).
“A Building more than a Building” (letter, 29 April 2001).
“Fiorina choice shows ‘nervousness’ about Stanford’s future [original title: Commencement speaker choice anticipates Stanford’s precarious future]” (letter), The Stanford Daily, 4 April 2001, p. 4.
“South Africa’s present is not beholden to its past [original title: Forget the past if you cannot remember the present!]” (letter), The Stanford Daily, 2 February 2001, p. 4.
“Recent Daily items offer unreasonable ‘wisdom’” (letter), The Stanford Daily, 15 November 2000, p. A5.
“Daily should look at its own ‘corporate focus’ [original title: Self-criticism not unhealthy]” (letter), The Stanford Daily, 19 October 2000, p. 4.
“Kofi Annan asks ‘Millennium Generation’ to safeguard the Environment” (news story, 22 June 2000).
“‘Morality’ overused in discussions on Cuba [original title: Cuba and the collapse of ideologies]” (letter), The Stanford Daily, 11 May 2000, pp. A4–A5.
“Advertisement sends the wrong message [original title: Exactly 81 days...]” (letter), The Stanford Daily, 31 March 2000, pp. 6–7.
“Stiglitz chills Davos” (column, 20 February 2000).
“Stanford promoting all the wrong values [original title: Tell us who you really are, uncle Stanford!]” (letter), The Stanford Daily, 19 January 2000, p. 4.
“Implications of Clark’s donation should be considered [original title: Clark’s donation well-deserved for Stanford...Polytechnic]” (op-ed column), The Stanford Daily, 28 October 1999, pp. 4–5.
“Religion, Morality, and the University” (essay), The Thinker 6/2, 4 October 1999, pp. 3, 5.
“Some Problems with the Bing Wing” (letter, 26 September 1999).
“Selective Sensitivity” (letter, 9 August 1999).
“Littleton’s Cry: Replace the American High School!” (letter, 26 April 1999).
“Co Ho ‘discrimination’ unfair” (letter), The Stanford Daily, 21 April 1999, p. 4.
“Towards a New American Left” (news story, –14 March 1999) [Gr].
“A Greek Philosopher at Stanford” (news story, –14 March 1999) [Gr].
“Open Letter to Saint Valentine” (column, 11 February 1999).
“Scholes’ welcome is undeserved” (op-ed column), The Stanford Daily, 11 February 1999, p. 4.
“Internalizing the Environment—Externalizing the Self [: Reflections on the Environmental Crisis]” (essay), The Thinker 6/1, 5 February 1999, pp. 4, 6.
“Wrong attitude persists” (letter), The Stanford Daily, 28 January 1999, p. 4.
“Express yourselves” (letter), The Stanford Daily, 24 November 1998, p. 4.
“Scream Hype and Student Responsibility” (letter, 8 November 1998).
“Avoid rape hysteria” (letter), The Stanford Daily, 4 November 1998, p. 4.
“Suicide: The Lethal Flower of Despair” (column, fall 1998).
“The Golden Calf of Capitalism” (column, fall 1998).
“Come, if you dare! (Letter to a Friend)” (column, 31 May 1998).
“A Defense of Madame Blavatsky” (letter-review, 24 February 1998); Greek translation published in http://www.blavatsky.gr/.
“Sexual assault is not a major campus issue” (letter), The Stanford Daily, 20 February 1998, p. 4.
“Nanopoulos…” (letter, 9 January 1998) [Gr].
“Regarding the Gulf (and a Persian one)” (commentary), Mousikotropies 1/1991, 6–7 [Gr].

Reviews

Ellen T. Harris, George Frideric Handel: A Life With Friends (W. W. Norton, 2014), Music & Letters 96 (2015), 278–79 [doi: 10.1093/ml/gcv018].
short review, Winton Dean, Handel’s Operas, 1726–1741 (Woodbridge: The Boydell Press, 2006), The Scriblerian and the Kit-Cats 41/2 (Spring 2009), 239 [authorship withdrawn].

“practical humanism divinely propelled” (Benjamin Creme, The Awakening of Humanity, Amsterdam and London: Share International Foundation, 2008) (short review in “amazon.com,” 27 December 2008).
“A short book on the biggest subject” (Benjamin Creme, The World Teacher for All Humanity, Amsterdam and London: Share International Foundation, 2007) (short review in “amazon.com,” 10 March 2008).
“Taking life seriously” (Benjamin Creme, The Art of Living: Living within the Laws of Life, Share International Foundation, 2006) (short review in “amazon.com,” 5 January 2007).
“Spiritual politics” (Maitreya’s Teachings: The Laws of Life, ed. by Benjamin Creme, Share International Foundation, 2005) (short review, 20 September 2005).
“A spiritual take on politics” (Maitreya’s Teachings: The Laws of Life, ed. by Benjamin Creme, Share International Foundation, 2005) (short review, 12 September 2005).
“Benjamin Creme, The Art of Co-Operation (London, Amsterdam and Los Angeles: Share International Foundation, 2002)” (review, 8 October 2002).
“Cecile Andrews, The Circle of Simplicity: Return to the Good Life (New York: HarperCollins, 1997)” (review, 15 May 2002).
“Lynn Hunt’s Presidential Lecture recovers the hidden Power of Art” (column, 11 April 2002).
“How do We keep Happy? Serve!” (review of Benjamin Creme, The Great Approach: New Light and Life for Humanity [Amsterdam, London, Los Angeles: Share International Foundation, 2001], 29 September 2001).
“Wayne Peterson, Extraordinary Times, Extraordinary Beings: Encounters of an American Diplomat with Maitreya and the Masters of Wisdom,” Scatter Magazine online (April 2001) [also available in Spanish].
“An Antidote to Religious Fundamentalism” (short review of Thomas Curley, Masters among Us: An Exploration of Supernal Encounters and Miraculous Phenomena, 20 February 2001).
80 book and 12 recording reviews and presentations for the journal Mousikotropies (1990–1994)

Fiction-Other

Πατατουήλ και Μπιφτεκιάν: Το Γδάρμα της Λύτρωσης [tale for adults, in final stages].
“From the Shores of the Aegean to the Edge of the Pacific” (monologue, October 29, 2012), Voices of Hellenism Literary Journal, vol. 1, no. 2 (2014), 187–188.
On the Trails of the American Dream (Brave World, 2011) [Gr].
Captain Mihelis: Dragon of the seas (private, 2011) [Gr].
George Catlin. Christianity and the New Age. Los Angeles: Tara, 1998 (translation into Greek, July 2004).
T… k… I… E… Athens, Greece: …, 2002 [Gr].
Ανέστιος, Φοίβος. Στα Ίχνη του Αμερικανικού Ονείρου. Θεσσαλονίκη: Παρατηρητής, 2002.
L… t… A… Athens, Greece: …, 2000 [Gr].
“A generational Affair” (short story, 4 September 2000).
“How I discovered God” (moral tale, 4 April 2000).
“An Archaeological Drink” (short story, 1999).
“Where are the humans?” In In Our Own Words: An Anthology of Poetry From a Generation Falsely Labeled Generation X. Ed. by Marlow Peerse Weaver. Raleigh, NC: MW Enterprises, 1999.
“So, you wanna know why I’m after you” (27-word aphorism), The Stanford Daily: Intermission, 3 June 1998, p. 18.
“Your body belongs to you, but the whores belong to everybody!” (27-word aphorism), The Stanford Daily: Intermission, 3 June 1998, p. 18.
“Non-Protestant Christian children’s question” (27-word aphorism), The Stanford Daily: Intermission, 28 May 1998, p. 14; and 3 June 1998, p. 18.
“Sharing” (27-word aphorism), The Stanford Daily: Intermission, 21 May 1998, p. 14. Reprinted in In Our Own Words: An Anthology of Poetry From a Generation Falsely Labeled Generation X. Ed. by Marlow Peerse Weaver. Raleigh, NC: MW Enterprises, 1999.
“It came from the redwoods” (short story, 5/20/1998; audio-book version contracted by “Osiris Audio Books”).
“Fiction, friction or freak-scene?” (27-word aphorism), The Stanford Daily: Intermission, 7 May 1998, p. 14; and 3 June 1998, p. 18.
“In capitalism we thrust” (27-word aphorism), The Stanford Daily: Intermission, 30 April 1998, p. 18.
“A Plagiarist’s Odyssey” (27-word aphorism), The Stanford Daily: Intermission, 23 April 1998, p. 18.
“A kiss-met kismet” (27-word aphorism), The Stanford Daily: Intermission, 9 April 1998, p. 18.
“Generation BP (Bill Payers)” (27-word aphorism), The Stanford Daily: Intermission, 11 March 1998, p. 14.
“Cynical Dogs and Dogged Cynics” (27-word aphorism), The Stanford Daily: Intermission, 5 March 1998, p. 14.
“‘United States’ or ‘Uniform Tastes’ of America?” (27-word aphorism), The Stanford Daily: Intermission, 19 February 1998, p. 18.
“Life and death, the same debt” (27-word aphorism), The Stanford Daily: Intermission, 12 February 1998, p. 15.
E… s… A… (treatise, 23 April 1996) [Gr].
Christos Mitsakis. T.M.S ABEE: Drawings. Thessaloniki: Mousikotropies, 1991. x+64 pp. (editor and author of preface and epilogue) [Gr].

TOP

COMPOSITIONS

recordings: itunes; Amazon

scores: musicaneo; sheetmusicplus

2017 Sep 10 Imagine (youtube)
2017 Sep 10 Toy (youtube)
2017 Sep 10 Sad Face (youtube)
2016 Feb 28 mea culpa (youtube)
2014 Nov 3 pax humana (youtube)
2014 Jan 4 Nirvana (youtube)
2013 Jul 13 departing soul (angels) (youtube)
2013 Jul 6 divinity (youtube)
2013 Apr 18 ringtones 1 (google play)
2013 Jan 19 Chopinhauer (youtube)
2013 Jan 17 imperial hawk (youtube)
2013 Jan 16 noble zeibekiko (youtube)
2013 Jan 13 sleeping beauty (youtube)
2013 Jan 10 scotch and pipe (youtube)
2013 Jan 10 technopedia (youtube)
2013 Jan 8 industrial strength (youtube)
2013 Jan 6 shark tails (youtube)
2013 Jan 1 Brahms hasapiko (youtube)
2013 Jan 1 rondo (youtube)
2013 Jan 1 pastoral (youtube)
2012 Dec 24 Greek Carols 2 (youtube)
2012 Dec 21 Elektra (youtube)
2012 Dec 21 Chorus (youtube)
2012 Dec 21 Hosanna (youtube)

2012 Dec 19 Greek carols (youtube)
2012 Nov 22 pristine (youtube)
2012 Nov 4 prober (ringtone; youtube)
2012 Sep 11 Ellis Island [SPS; Spyros P. Skouras (1893–1971); excerpt]
2012 Jun 17 the world as a globe (youtube)
2012 May 26 Bachiana puttanesca (youtube)
2012 Apr 27 Elsa’s thwarted honeymoon (score; youtube)
2012 Mar 17 bouzouki (youtube)
2012 Feb 19 falling in love (score; youtube [old mix])
2012 Feb 10 blues / Mississippi (score; youtube)
2012 Feb 3 noble grandeur / valor (score; youtube)
2012 Jan 28 love lost forever
2012 Jan 18 adagio (score; youtube)
2012 Jan 15 improvisation (youtube)
2012 Jan 14 inquiry (ringtone) (score; youtube)
2011 Dec 29 obnoxious horn (ringtone) (score; youtube)
2011 Dec 26 impatient (ringtone) (score; youtube)
2011 Dec 25 themostsublimehandeloarnebachiana (ringtone) (score; youtube)
2011 Dec 11 music box (youtube)
2011 Dec 2 Noël (youtube)
2011 Nov 30 two sides of globalization (ringtone) (youtube)
2011 Nov 29 Christmas means to be alone (score; youtube)
2011 Nov 25 Karaiskakis (score; youtube)
2011 Nov 17 ringtones suite (youtube)
2011 Oct 29 rococo (score; youtube)
2011 Oct 22 cosmic trance (youtube)
2011 Oct 8 mistery (youtube)
2011 Oct 2 perky (score; youtube)
2011 Oct 1 miracle (score; youtube)
2011 Sep 30 saloon (score; youtube)
2011 Sep 27 resolve (youtube)
2011 Sep 26 owl blues (youtube)
2011 Sep 23 Anatolia (score; youtube)
2011 Sep 21 Alexander’s bet (youtube)
2011 Sep 20 hangover (youtube)
2011 Sep 18 Spiderman (Diabolique) (youtube)
2011 Sep 13 supplication (youtube)
2011 Sep 9 arctic morning (youtube)
2011 Sep 8 voluntary (score; youtube)
2011 Sep 6 baby sleeping (score; youtube)
2011 Sep 5 prince (score; youtube)
2011 Sep 2 fantasia (youtube)
2011 Aug 28 romantico (score; youtube)
2011 Aug 21 Brahmgneriana (youtube)
2011 Aug 20 Yiayia (youtube)
2011 Aug 18 mermaid (youtube)
2011 Aug 14 Mykonos (score; youtube)
2011 Aug 13 the white horsema (aurora) / agonistes (score; youtube; youtube)
2011 Aug 6 Hiroshima (score; youtube)
2011 Aug 3 pieta (youtube)
2011 Aug 3 Once upon a time in Greece (youtube)
2011 Jul 28 fire dance (youtube)
2011 Jul 24 march for justice (youtube)
2011 Jul 24 excite (youtube)
2011 Jul 23 hero (score; youtube)
2011 Jul 23 Elizabeth (score; youtube)
2011 Jul 23 sweet dreams (score; youtube)
2011 Jul 9 accordion (score; youtube)
2011 Jun 20 mosquito without a cause (youtube)
2010 Dec swine leak (score; youtube)
2009 July youth (youtube)
2009 June repentance
2009 June psychedelia / Apocalypsis (youtube)
2009 June elegy for strings / miserere (score; youtube)
2009 June seaside (score; youtube)
2009 June Tetelestai (score; youtube)
2009 May alarum (score; youtube)

* * *

2008 March Child Care, piano (commissioned by “Tummy Records”) (score; audio)
2000 Transfigured Rock; piano (score; audio)
2000 Flamingos; piano (score; audio)
1999 Healing Light; piano (score; audio)
1999 Unrequited Love (audio)
1999 Aug Sonatamounatamou; piano (score; audio)

1999 Heroic Rock; piano (score; audio)

1998 Dec 1 The Prince of Peace (lyrics: Ilias Chrissochoidis); soprano and piano (score)

1998 Hannah; piano (score; audio)

1997–1998 Piano Concerto; two pianos (score; audio)
1997 Aug 10 Lullaby; piano (score; audio)

1997 Overture; piano (score; audio)

1996 fall Lethal Lie (lyrics: Stavros Houliaras); voice and piano (score)

* * *

1996 Feb 2[?] Tomorrow (lyrics: Ilias Chrissochoidis); voice and piano (score; audio)
1996 Jan Solitary Voyager (lyrics: Ilias Chrissochoidis); voice and piano (score/audio)
1995 Jun 15 Nostalgy; piano (score; audio)
1995 Jan 21 Forerunner’s Sacrifice; piano (score; audio)
1995 The Course of the Soul; piano (score; audio)
1994 Francis Bacon Suite; piano (score/audio):

“The Mask (Shake-Spear)” (audio), “Eros (Margueritte de Valois)” (audio), “Immolation (F.B.)” (audio)

1992 Nov 27 The Great Invocation; voice and piano (score/audio)
1992 Jul 24 Reminiscence (audio)
1992 Jul 7 H’Asibak Lel Zaman (lyrics: Stavros Houliaras); soprano and/or tenor and piano (score)
1992 Jun Three Studies on John Williams’ Style: Study no. 3; piano (score; audio)
1992 Apr 22 Pythagoras’ Great Decision, opera/musical in five scenes (libretto: Stavros Houliaras); vocal score (score/audio)
1992 Feb 18 The T.M.S. Saga (lyrics: Stavros Houliaras); voice and piano (score/audio)
1992 Feb 11 Greek Dance; piano (score)
1992 Jan 28 Fuga in stilo moderno (on a theme from Hindemith’s Ludus Tonalis); piano (score; audio); string quartet version (1996) (score)
1991 Dec 9 Studies on Musical Experiences: “Renaissance” (audio), “Air,” “Kalamatianos,” “America,” “Here comes the Prince of Peace” (audio); piano
1991 Dec 4 Hommage à Mozart; chorus/piano (score)
1991 Nov 6 Prelude; piano (score)
1991 Aug 13 Air (Study on J. S. Bach’s experience); piano (score; printed score; audio)
1991 Aug 7 Hommage à Manos Hadjidakis; piano (score; printed score; audio)
1991 Jul 29 Gallop; piano (score/audio; printed score/audio)
1991 Jul 4 Love Theme; piano (score; audio)
1991 Orgilo; piano (score; audio)
1991 March; piano (score; audio)
1991 Hymn-Lament (lyrics: Stavros Houliaras); bass/baritone and piano (score; audio)
1991 Studies on John Williams’ style: Study no. 2 (If Kalomiris had been John Williams); piano (score; audio)
1991 Lethal Tango; piano (score; audio)
1990 Studies on John Williams’ style: Study no. 1; piano (score; audio)
1990 The End of Music; piano (score; audio)
1990 The Songs of Enoch (song-pentagon) (lyrics: Stavros Houliaras); soprano and piano:

“I. Enoch” (score; audio), “II. Kritikos” (score; audio), “III. Epitritos” (score; audio), “IV. Tsamikos” (score; audio), “V. Mystic Ben” (score)

1990 Concert Piece; piano (score; audio)
1990 Passacaglia on a given Theme; organ (score)
1990 Chorale; chorus/piano (score)

* * *

1983 Bagatelle in B-flat major; piano (score)
1983 Jul 11 Minuetto; string trio (score)
1983 Jun 29 Six Variations on the folksong Hänschen Klein; piano (score)
1983 Jun 7 Minuetto in E-flat major; piano (score)
1983 Jun 3 Six Variations on a German Waltz; piano
1983 May 30 Twelve Variations on a Theme by W. A. Mozart; piano (score)
1983 May 6 Chrysanthems (lyrics: anonymous); voice and piano (score)
1983 Apr 28 German Dance; orchestra (score)
1983 Apr 19 Six Contredances; violoncello (score)
1983 Apr 1 Walzer; piano (score)
1983 Mar 28 Six Variations on the folksong Suse, liebe Suse, was raschelt im Stroh?; piano (score)
1983 Mar 22 Twenty Variations on the folksong Im Prater; piano (score)
1983 Mar 13 Minuetto in D major; piano (score)
1983 Mar 7 Bagatelle in C minor; piano (score)
1983 Feb 14 Adagio con variazioni; string quartet (score)
1983 Feb 5 Scherzo in A major; string quartet (score)
1983 Jan 7 Minuetto; string trio (score)
1982 Nov Scherzo in C major; string quartet (score)
1982 Oct 15 Minuetto in C major; piano (score)
1982 Jun 22 Sonata (Allegro con spirito, Andante, Tema con variazioni); piano (score)

Creative Arrangements

2013 Dec 25 Happy Oleday (youtube)
2012 Jan 22 street musician vs concert hall
2011 Oct 7 A Wagner pilgrim’s birthday
1998 Frankenstein Sonata (Beethoven, Chopin, Mendelssohn, Wagner, Elgar, and John Williams); piano
1995 Jurassic Prelude (J. S. Bach and John T. Williams); piano
1991 Inter-National Anthem (national anthems of Greece, USA, Germany, and the UK); piano (audio)

Transcriptions

1992 Feb 2 Chopin, Krakowiak: Grand Rondo de Concert (2nd piano part) (score)
1988 Chopin, Prelude op. 28, no. 14; piano (octaves study) (score)
1988 J. S. Bach, Prelude; piano
1988 Paganini, Caprice op. 1, no. 5; piano (score)

TOP

VIDEOS

· War-ravaged Greece, 1944

· The Skouras-Khrushchev “debate” (video list, 7 September 2017)

· From Greek immigrant to American paragon: The life and achievements of Spyros P. Skouras (1893–1971) (25 Nov. 2016); featured in “Spyros P. Skouras, One of the most Prominent Greek-Americans in US History,” The National Herald, 21 February 2017; “Σπύρος Σκούρας: Ενας ομογενής με επιρροή στις ΗΠΑ,” Εθνικός Κήρυξ, 21 February 2017.

· Spyros P. Skouras (1893-1971) (25 Mar. 2013)

· March for justice (20 Sep. 2012)

· Stanford bike tour (2) (9 Sep. 2012)

· Stanford bike tour (1) (3 Sep. 2012)

· Miracle (3 Oct. 2011)

· Once upon a time in Greece... (11 Aug. 2011)

· Hiroshima (6 Aug. 2011)

· Pieta (3 Aug. 2011)

TOP

PIANO PERFORMANCES

http://www.youtube.com/chrissochoidis

Samples (private recordings)

J. S. Bach, Passacaglia, Thessaloniki, 1990
Nikos Astrinidis, Greek Dance, Thessaloniki, 1990
Kostas Nikitas, Sonatina (2nd movt), Thessaloniki, 1990
Franz Liszt, Mephisto Valse no. 1, Thessaloniki, 1992

2024

· 2024 Oct 20 Sunday service, Christian Science Church, Menlo Park

· 2024 Oct 16 Wednesday meeting, Christian Science Church, Menlo Park

· 2024 Aug 2 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jul 28 Sunday Mass, Our Lady of the Rosary Church, Palo Alto

· 2024 Jul 26 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jul 21 Sunday Mass, Our Lady of the Rosary Church, Palo Alto

· 2024 Jul 19 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jul 14 Sunday service, Christian Science Church, Menlo Park

· 2024 Jul 12 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jul 7 Sunday service, Covenant Presbyterian Church, Palo Alto

· 2024 Jul 5 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jul 3 Wednesday meeting, Christian Science Church, Menlo Park

· 2024 Jun 21 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jun 14 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 Jun 7 The Sound of Music, HMT, Haymarket Theater, Palo Alto

· 2024 May 23 Wednesday meeting, Christian Science Church, Menlo Park

· 2024 May 15 Wednesday meeting, Christian Science Church, Menlo Park

2023

· 2023 Jul 28 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jul 21 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jul 19 Wednesday meeting, Christian Science Church, Menlo Park

· 2023 Jul 14 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jul 12 Wednesday meeting, Christian Science Church, Menlo Park

· 2023 Jul 7 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jun 30 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jun 23 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jun 16 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 Jun 9 Annie, HMT, Haymarket Theater, Palo Alto

· 2023 May 28 Sunday Mass, St. Albert the Great Church, Palo Alto

Piano trials (unrehearsed performances of short repertory works and original compositions)

· 2022 Sep 15 Mozart, “Fantasia” in C minor (K. 475)

· 2022 Sep 14 Chrissochoidis, Christmas

· 2022 Sep 13 Chrissochoidis, Music box

· 2022 Sep 13 Chrissochoidis, Flamingos

· 2022 Sep 9 Chopin, “Nocturne” Op. 9, No. 1

· 2022 Sep 8 Chrissochoidis, Overture

· 2022 Sep 8 Schubert, “4 Impromptus” D. 935, No. 2

· 2022 Sep 8 Chopin, “Nocturne” Op. 9, No. 2

· 2022 Sep 8 Offenbach, “Barcarolle”

· 2022 Sep 7 Beethoven, “Sonate Pathétique”: Rondo

· 2022 Sep 7 Chrissochoidis, “The Great Invocation”

· 2022 Sep 5 Chrissochoidis, Zeibekiko

· 2022 Sep 5 Chrissochoidis, rococo

· 2022 Sep 5 Astrinidis, Danse Grecque

· 2022 Sep 5 Astrinidis, “Prelude No. 1”

· 2022 Sep 5 Bach, “Prelude and Fugue” in C minor (BWV 847): Prelude

· 2022 Sep 5 Bach, “Prelude and Fugue” in C minor (BWV 847): Fugue

· 2022 Sep 4 Bach, “Prelude and Fugue” in F minor (BWV 881): Fugue

· 2022 Sep 3 Mozart, “Alla turca”

· 2022 Sep 3 Bach, “Prelude and Fugue” in F minor (BWV 881): Prelude

· 2022 Sep 3 Mozart, “Sonate facile” (3rd movement)

· 2022 Sep 2 Chopin, “Waltz” Op. 64, No. 2

· 2022 Sep 1 Schumann, “Träumerei”

· 2022 Sep 1 Chopin, “Waltz” Op. 34, No. 2

· 2022 Aug 31 Debussy, “Clair de lune”

· 2022 Aug 31 Chopin, “Waltz” Op. 69, No. 2

· 2022 Aug 31 Chopin, “Waltz” Op. 69, No. 1

· 2022 Aug 31 Chopin, “Waltz” Op. 64, No. 1

· 2022 Aug 29 Chopin, “Mazurka” Op.post. 68, No.2

· 2022 Aug 29 Chopin, “Mazurka” Op. 67, No. 3

· 2022 Aug 28 Satie, “Gnossienne” No. 1

· 2022 Aug 28 Schubert, “Moments musicaux”: No. 3

· 2022 Aug 27 Handel, “Lascia ch’io pianga”

· 2022 Aug 25 Mozart, “Fantasia” in D minor (K. 397)

· 2022 Aug 25 Beethoven, “Für Elise”

· 2022 Aug 24 Satie, “Gymnopédie” No. 1

· 2022 Aug 23 Franck, Prélude, Fugue et Variation Op. 18: Prélude

· 2022 Aug 23 Chopin, 24 Préludes Op. 28: No. 20

· 2022 Aug 23 Chopin, 24 Préludes Op. 28: No. 15

· 2022 Aug 23 Chopin, 24 Préludes Op. 28: No. 4

· 2022 Aug 23 Chopin, 24 Préludes Op. 28: No. 7

· 2022 Aug 20 Chrissochoidis (arranger), Inter-national Anthem

· 2022 Aug 20 Chrissochoidis, March

· 2022 Aug 19 Chrissochoidis, “Air (Study on J. S. Bach)”

· 2022 Aug 19 “Fly To Your Heart”

· 2022 Aug 18 Chrissochoidis, Homage to Hadjidakis

· 2022 Aug 18 Chrissochoidis, Forerunner’s Sacrifice

· 2022 Aug 18 Chrissochoidis, Hommage to Mozart

· 2022 Aug 18 Chrissochoidis, Gallop

· 2022 Aug 18 Chrissochoidis, Chorale

· 2022 Aug 18 Chrissochoidis, The Course of the Soul

· 2022 Aug 18 Chrissochoidis, Nostalgy

· 2022 Aug 17 Chrissochoidis, Love theme

· 2022 Aug 17 Chopin, “Nocturne” Op. 72, No. 1

· 2022 Aug 16 Chrissochoidis, Hannah

· 2022 Aug 16 Chrissochoidis, Lullaby

· 2022 Aug 16 Chrissochoidis, Healing Light

· 2022 Aug 14 Chrissochoidis, Orgilo

· 2022 Aug 14 Chrissochoidis, Tomorrow

· 2022 Aug 12 Beethoven, “Moonlight” Sonata (1st movement)

· 2022 Aug 12 Mozart, “Sonate facile” (2nd movement)

· 2022 Aug 12 Chrissochoidis, “Bird Warriors” dance

· 2022 Aug 9 Bach, “Jesu, Joy of Man’s desiring”

· 2022 Aug 9 Chrissochoidis, “Eros” (“Francis Bacon” Suite)

· 2022 Aug 8 Schubert, Ave Maria

· 2022 Aug 8 Beethoven, “Sonate Pathétique”: Adagio cantabile

· 2022 Aug 7 Bach, “Air”

· 2022 Aug 5 “Peter Pan” Indian songs

· 2022 Aug 5 Chrissochoidis, Unrequited Love

· 2022 Aug 3 “Happy Birthday”

2022

· 2022 Jul 29 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jul 22 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jul 15 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jul 1 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jun 24 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jun 17 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Jun 10 Peter Pan, HMT, Haymarket Theater, Palo Alto

· 2022 Apr 10 Sunday Mass, Our Lady of the Rosary Church, Palo Alto

· 2022 Apr- 3 Sunday Mass, Our Lady of the Rosary Church, Palo Alto

2021

· 2021 Dec 12 Santa Lucia Fest, First Lutheran Church, Palo Alto

· 2021 Nov 14 Sunday Service, First Lutheran Church, Palo Alto (recordings: Schubert, Bach, Schumann)

· 2021 Nov 7 Sunday Service, First Lutheran Church, Palo Alto (recordings: Beethoven, Bach, Mozart)

2019

· 2019 Nov 8 Soul On Fire, Redeemer School, Redwood City

· 2019 Sep 27 The Prodigal Clown, Redeemer School, Redwood City

· 2019 Jul 26 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2019 Jul 12 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2019 Jun 28 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2019 Jun 14 Once Upon a Mattress, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2019 May 19 Beauty and the Beast, Redeemer School, Redwood City

· 2019 May 17 Beauty and the Beast, Redeemer School, Redwood City

2018

· 2018 Nov 2 Show me the Candy! Redeemer School, Redwood City

· 2018 Jul 27 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2018 Jul 13 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2018 Jun 29 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2018 Jun 15 Bye Bye Birdie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2018 May 16–19 The Good Person of Szechwan, Roble Studio Theater, Stanford University

· 2018 Mar 10 Honors Recital, New Mozart School of Music, Santa Clara University

2017

· 2017 Oct 29 Sunday service, St. Augustine’s Episcopal Church, Oakland

· 2017 Oct 22 Sunday service, St. Augustine’s Episcopal Church, Oakland

· 2017 Jul 28 The Sound of Music, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2017 Jul 14 The Sound of Music, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2017 Jun 30 The Sound of Music, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2017 Jun 16 The Sound of Music, HMT, Haymarket Theater, Palo Alto [2 shows]

2016

· 2016 Aug 26 “Celebrating the Life of Loyd Evan Ellis,” Menlo Park Presbyterian Church, Menlo Park

· 2016 Aug 12 Peter Pan, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2016 Jul 29 Peter Pan, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2016 Jul 15 Peter Pan, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2016 Jul 10 Sunday service, First United Methodist Church, Redwood City

· 2016 Jul 3 Sunday service, First United Methodist Church, Redwood City

· 2016 Jul 1 Peter Pan, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2016 Jun 26 Sunday service, First United Methodist Church, Redwood City

· 2016 Jun 17 Peter Pan, HMT, Haymarket Theater, Palo Alto [2 shows]

2015

· 2015 Nov 12 “Farewell to David Brady” reception, WZB Berlin Social Science Center

· 2015 Aug 14 Annie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2015 Aug 9 Sunday service, First United Methodist Church, Redwood City

· 2015 Aug 2 Sunday service, Island United Church, UCC, Foster City

· 2015 Jul 31 Annie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2015 Jul 17 Annie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2015 Jul 3 Annie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2015 Jun 28 Sunday service, First United Methodist Church, Redwood City

· 2015 Jun 19 Annie, HMT, Haymarket Theater, Palo Alto [2 shows]

· 2015 Apr 21 piano inauguration, annual townhall meeting, WZB Berlin Social Science Center

2014

2014 Dec 19 Christmas show, Adelante Spanish Immersion School, Redwood City
2014 Nov 16 Sunday service, First United Methodist Church, Redwood City
2014 Aug 17 Sunday service, First United Methodist Church, Redwood City
2014 Aug 15 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto
2014 Aug 8 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto [2 shows]
2014 Jul 27 Sunday service, First United Methodist Church, Redwood City
2014 Jul 25 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto [2 shows]
2014 Jul 20 Sunday service, First United Methodist Church, Redwood City
2014 Jul 13 Sunday service, First United Methodist Church, Redwood City
2014 Jul 11 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto [2 shows]
2014 Jun 27 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto [2 shows]
2014 Jun 13 The Wizard of Oz, HMT, Haymarket Theater, Palo Alto [2 shows]
2014 May 14 “CoHo open mic,” Stanford Coffee House
2014 Apr 30 “Irving Berlin: Annie Get Your Gun,” HMT workshop, Palo Alto
2014 Apr 28 “Irving Berlin: Annie Get Your Gun,” HMT workshop, Palo Alto
2014 Apr 24 “Irving Berlin: There’s No Business Like Show Business,” HMT workshop, Menlo Park
2014 Apr 23 “Irving Berlin: There’s No Business Like Show Business,” HMT workshop, Palo Alto
2014 Apr 16 “CoHo open mic,” Stanford Coffee House
2014 Apr 3 “Irving Berlin: God Bless America,” HMT workshop, Atherton
2014 Apr 3 “Irving Berlin: Annie Get Your Gun Annie Get Your Gun,” HMT workshop, Atherton
2014 Mar 27 “Irving Berlin: Sisters,” HMT workshop, Atherton
2014 Mar 24 “Irving Berlin: There’s No Business Like Show Business,” HMT workshop, Palo Alto
2014 Mar 23 Sunday service, First United Methodist Church, Redwood City
2014 Mar 20 “Irving Berlin: There’s No Business Like Show Business,” HMT workshop, Atherton
2014 Mar 19 “Irving Berlin: There’s No Business Like Show Business,” HMT workshop, Palo Alto
2014 Feb 23 Sunday service, First United Methodist Church, Redwood City
2014 Feb 12 “CoHo open mic,” Stanford Coffee House
2014 Jan 30 “Broadway through the ages,” Palo Alto High School
2014 Jan 27 “Broadway through the ages,” Jane Lathrop Stanford Middle School, Palo Alto
2014 Jan 24 “Broadway through the ages,” Jordan Middle School, Palo Alto

2013

2013 Dec 4 “CoHo open mic,” Stanford Coffee House
2013 Nov 20 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Palo Alto
2013 Nov 18 “Broadway through the ages, Chapter 5: 42^nd Street,” HMT workshop, Palo Alto
2013 Nov 17 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Palo Alto
2013 Nov 13 “Broadway through the ages, Chapter 5: 42^nd Street,” HMT workshop, Palo Alto
2013 Nov 8 “Broadway through the ages, Chapter 5: 42^nd Street,” HMT workshop, Los Altos
2013 Nov 7 “Broadway through the ages, Chapter 5: 42^nd Street,” HMT workshop, Atherton
2013 Oct 30 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Palo Alto
2013 Oct 28 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Palo Alto
2013 Oct 24 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Atherton
2013 Oct 22 “Broadway through the ages, Chapter 4: Annie,” HMT workshop, Los Altos
2013 Oct 16 “Broadway through the ages, Chapter 3: Peter Pan,” HMT workshop, Palo Alto
2013 Oct 14 “Broadway through the ages, Chapter 3: Peter Pan,” HMT workshop, Palo Alto
2013 Oct 11 “Broadway through the ages, Chapter 3: Peter Pan,” HMT workshop, Los Altos
2013 Oct 10 “Broadway through the ages, Chapter 3: Peter Pan,” HMT workshop, Palo Alto
2013 Oct 9 “Broadway through the ages, Chapter 3: Peter Pan,” HMT workshop, Palo Alto
2013 Oct 2 “Broadway through the ages, Chapter 2: The Wizard of Oz,” HMT workshop, Palo Alto
2013 Sep 30 “Broadway through the ages, Chapter 2: The Wizard of Oz,” HMT workshop, Palo Alto
2013 Sep 26 “Broadway through the ages, Chapter 2: The Wizard of Oz,” HMT workshop, Atherton
2013 Sep 18 “Broadway through the ages, Chapter 1: Give My Regards to Broadway,” HMT workshop, Palo Alto
2013 Sep 16 “Broadway through the ages, Chapter 1: Give My Regards to Broadway,” HMT workshop, Palo Alto
2013 Sep 13 “Broadway through the ages, Chapter 1: Give My Regards to Broadway,” HMT workshop, Los Altos
2013 Sep 12 “Broadway through the ages, Chapter 1: Give My Regards to Broadway,” HMT workshop, Atherton
2013 Aug 9 The Music Man, Haymarket Theater, Palo Alto [2 shows]
2013 Jul 26 The Music Man, Haymarket Theater, Palo Alto [2 shows]
2013 Jul 12 The Music Man, Haymarket Theater, Palo Alto [2 shows]
2013 Jun 28 The Music Man, Haymarket Theater, Palo Alto [2 shows]
2013 Jun 14 The Music Man, Haymarket Theater, Palo Alto
2013 Mar 21 “Hammerstein Review 3,” HMT workshop, Atherton
2013 Mar 20 “Hammerstein Review 3,” HMT workshop, Palo Alto
2013 Mar 18 “Hammerstein Review 3,” HMT workshop, Palo Alto
2013 Mar 14 “Hammerstein Review 3,” HMT workshop, Atherton
2013 Mar 13 “Hammerstein Review 3,” HMT workshop, Palo Alto
2013 Mar 11 “Hammerstein Review 3,” HMT workshop, Menlo Park
2013 Mar 7 “Hammerstein Review 2,” HMT workshop, Atherton
2013 Mar 4 “Hammerstein Review 2,” HMT workshop, Palo Alto
2013 Feb 25 “Hammerstein Review 2,” HMT workshop, Atherton
2013 Feb 25 “Hammerstein Review 2,” HMT workshop, Menlo Park
2013 Feb 21 “Hammerstein Review 1,” HMT workshop, Atherton
2013 Feb 20 “Hammerstein Review 2,” HMT workshop, Palo Alto
2013 Feb 11 “Hammerstein Review 1,” HMT workshop, Menlo Park
2013 Feb 7 “Hammerstein Review 1,” HMT workshop, Atherton
2013 Feb 6 “Hammerstein Review 1,” HMT workshop, Palo Alto
2013 Feb 4 “Hammerstein Review 1,” HMT workshop, Palo Alto

2012

2012 Nov 7 “Once upon a time: Chapter 3,” HMT workshop, Palo Alto
2012 Nov 6 “Once upon a time: Chapter 3,” HMT workshop, Los Altos
2012 Nov 1 “Once upon a time: Chapter 3,” HMT workshop, Atherton
2012 Oct 29 “Once upon a time: Chapter 3,” HMT workshop, Menlo Park
2012 Oct 24 “Once upon a time: Chapter 2,” HMT workshop, Palo Alto
2012 Oct 23 “Once upon a time: Chapter 2,” HMT workshop, Los Altos
2012 Oct 21 “Once upon a time: Chapter 3,” HMT workshop, Palo Alto
2012 Oct 18 “Once upon a time: Chapter 2,” HMT workshop, Atherton
2012 Oct 15 “Once upon a time: Chapter 2,” HMT workshop, Menlo Park
2012 Oct 14 “Once upon a time: Chapter 2,” HMT workshop, Palo Alto
2012 Oct 10 “Once upon a time: Chapter 1,” HMT workshop, Palo Alto
2012 Oct 9 “Once upon a time: Chapter 1,” HMT workshop, Los Altos
2012 Oct 7 “Once upon a time: Chapter 1,” HMT workshop, Palo Alto
2012 Oct 4 “Once upon a time: Chapter 1,” HMT workshop, Atherton
2012 Oct 1 “Once upon a time: Chapter 1,” HMT workshop, Menlo Park
2012 Aug 10 “Once upon a time,” Palo Alto High School
2012 Aug 3 Once upon a mattress, Haymarket Theater, Palo Alto [2 shows]
2012 Jul 20 Once upon a mattress, Haymarket Theater, Palo Alto [2 shows]
2012 Jul 6 Once upon a mattress, Haymarket Theater, Palo Alto [2 shows]

2012 Jun 22 Once upon a mattress, Haymarket Theater, Palo Alto [2 shows]
2012 Jan 29 Sunday service (10:30 am), First United Methodist Church, Redwood City
2012 Jan 8 Sunday service (10:30 am), First United Methodist Church, Redwood City

2010

2010 Mar 18 Chrissochoidis: Here comes the Prince of Peace (Sara Stowe, soprano) Child Care: “Music by current UCL composers,” UCL Chamber Music Club concert, Haldane Room, London
2010 Jan 14 Chrissochoidis: Elegy, Tetelestai, in “New Year, New Music, New Performers, New Repertoire,” UCL Chamber Music Club concert, Haldane Room, London

2009

2009 Aug 21 Annie, Haymarket Theater, Palo Alto [2 shows]
2009 Aug 7 Annie, Haymarket Theater, Palo Alto [2 shows]
2009 Jul 24 Annie, Haymarket Theater, Palo Alto [2 shows]
2009 Jul 10 Annie, Haymarket Theater, Palo Alto [2 shows]
2009 Jun 26 Annie, Haymarket Theater, Palo Alto [2 shows]
2009 Apr 29 “Consider Yourself” (Oliver!), workshop, Portola Valley
2009 Apr 27 “Over the Rainbow” (The Wizard of Oz), workshop, Los Altos
2009 Apr 22 “Over the Rainbow” (The Wizard of Oz), workshop, Los Altos
2009 Apr 21 “Over the Rainbow” (The Wizard of Oz), workshop, Portola Valley
2009 Apr 14 “Kids!” (Bye Bye Birdie), workshop, Portola Valley
2009 Mar 26 “Kids!” (Bye Bye Birdie), workshop, Los Altos
2009 Mar 25 “Kids!” (Bye Bye Birdie), workshop, Palo Alto

“Kids!” (Bye Bye Birdie), workshop, Los Altos

2009 Mar 23 “Over the Rainbow” (The Wizard of Oz), workshop, Palo Alto

“Kids!” (Bye Bye Birdie), workshop, Los Altos

2009 Mar 16 “Do-Re-Mi” (The Sound of Music), workshop, Palo Alto
2009 Feb 26 “Do-Re-Mi” (The Sound of Music), workshop, Los Altos
2009 Feb 25 “Do-Re-Mi” (The Sound of Music), workshop, Los Altos
2009 Feb 23 “Do-Re-Mi” (The Sound of Music), workshop, Los Altos

2008

2008 Dec 16 “You can’t get a Man with a Gun” (Annie Get Your Gun), workshop, Palo Alto
2008 Dec 10 “The Farmer and the Cowman” (Oklahoma), workshop, Los Altos
2008 Dec 9 “The Farmer and the Cowman” (Oklahoma), workshop, Palo Alto
2008 Dec 8 “Happy Talk” (South Pacific), workshop, Los Altos
2008 Dec 2 “White Christmas” (Holiday Inn), workshop, Palo Alto
2008 Nov 25 “Happy Talk” (South Pacific), workshop, Palo Alto
2008 Nov 18 “My Favorite Things” (The Sound of Music), workshop, Palo Alto
2008 Nov 17 “My Favorite Things” (The Sound of Music), workshop, Los Altos
2008 Nov 12 selected numbers, The King and I, workshop, Los Altos
2008 Nov 11 selected numbers, The King and I, workshop, Palo Alto
2008 Aug 22 Peter Pan, Palo Alto [2 shows]
2008 Aug 8 Peter Pan, Palo Alto [2 shows]
2008 Jul 25 Peter Pan, Palo Alto [2 shows]
2008 Jul 11 Peter Pan, Palo Alto [2 shows]
2008 Jun 27 Peter Pan, Palo Alto [2 shows]

2007

2007 Dec 18 “White Christmas” (Holiday Inn), workshop, Palo Alto Elks Lodge
2007 Dec 12 “Steam Heat” (The Pajama Game), workshop, Palo Alto Elks Lodge
2007 Dec 11 “Goin’ Co’tin’” (Seven Brides for Seven Brothers), workshop, Palo Alto Elks Lodge
2007 Dec 5 “Getting to Know You” (The King and I), workshop, Palo Alto Elks Lodge
2007 Nov 27 Auditioning workshop, Palo Alto Elks Lodge
2007 Nov 14 “Happy Talk” (South Pacific), workshop, Palo Alto Elks Lodge
2007 Nov 13 “Shall We Dance?” (The King and I), workshop, Palo Alto Elks Lodge
2007 Aug 24 The Wizard of Oz, Palo Alto Elks Lodge [2 shows]
2007 Aug 10 The Wizard of Oz, Palo Alto Elks Lodge
2007 Jul 27 The Wizard of Oz, Palo Alto Elks Lodge
2007 Jul 13 The Wizard of Oz, Palo Alto Elks Lodge

2006

2006 Aug 11 The Music Man, Palo Alto Elks Lodge [2 shows]
2006 July 28 The Music Man, Palo Alto Elks Lodge [2 shows]
2006 July 14 The Music Man, Palo Alto Elks Lodge
2006 June 30 The Music Man, Palo Alto Elks Lodge [2 shows]
2006 May 19 Annie Get Your Gun, workshop, Palo Alto
2006 Apr 21 Peter Pan, workshop, Palo Alto
2006 Feb 1 Hans Christian Andersen, Palo Alto
2006 Jan 31 Hans Christian Andersen, Palo Alto
2006 Jan 30 Hans Christian Andersen, Palo Alto

2005

2005 Aug 5 Bye Bye Birdie, Palo Alto [2 shows]
2005 July 22 Bye Bye Birdie, Palo Alto [2 shows]
2005 July 8 Bye Bye Birdie, Palo Alto [2 shows]
2005 May 26 I need a Vacation! (end-of-year show), Palo Alto
2005 May 25 I need a Vacation! (end-of-year show), Palo Alto
2005 May 24 I need a Vacation! (end-of-year show), Palo Alto
2005 May 23 I need a Vacation! (end-of-year show), Palo Alto
2005 Apr 20 42^nd street, Broadway musical workshop, Palo Alto
2005 Apr 13 42^nd street, Broadway musical workshop, Palo Alto
2005 Apr 1 “An Art Affair,” White Plaza, Stanford University
2005 Feb 26 Hope Musical Studio (vocal recital of ca. 20 songs from Broadway musicals), Palo Alto (private venue)
2005 Jan 27 “God Bless America” (Irving Berlin Song Revue), Palo Alto
2005 Jan 26 “God Bless America” (Irving Berlin Song Revue), Palo Alto
2005 Jan 25 “God Bless America” (Irving Berlin Song Revue), Palo Alto
2005 Jan 24 “God Bless America” (Irving Berlin Song Revue), Palo Alto

2004

2004 Dec 3 Mamma Mia! Broadway musical workshop, Palo Alto
2004 Nov 19 Mamma Mia! Broadway musical workshop, Palo Alto

* * *

1996–2004

2004 Apr 2 “An Art Affair,” White Plaza, Stanford University
2003 Dec 4 “Honoring Lives Lost to AIDS: An Interfaith Service of Remembrance,” Memorial Church, Stanford University
2003 Apr 4 “An Art Affair,” White Plaza, Stanford University
2002 Nov 24 “Fall Recital: Classical and Jazz,” Blackwelder Lobby, Escondido Village, Stanford University
2002 Oct 2 “Noon Recital,” Campbell Recital Hall, Stanford University
2002 Jun 3 presentation of the 2001–02 Fellows gift—a piano—to the Humanities Center, Stanford University
2002 Apr 11 “Noon Recital,” Campbell Recital Hall, Stanford University
2002 Apr 7 “Community Day,” Cantor Arts Center, Stanford University
2002 Apr 5 “An Art Affair,” White Plaza, Stanford University
2001 Feb 6 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
2001 Oct 17 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
2001 Aug 26 “Festival of the Arts,” University Avenue, Palo Alto
2001 May 12 “Spring Fair,” White Plaza, Stanford University
2001 Apr 6 “An Art Affair,” White Plaza, Stanford University
2001 Apr 4 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
2001 Feb 16 “Lunchtime Recital,” Campbell Recital Hall, Stanford University
2000 Oct 11 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
2000 Mar 31 “An Art Affair,” White Plaza, Stanford University
2000 Mar 29 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
2000 Jan 19 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1999 Oct 20 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1999 Sep 29 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1999 Sep 23 “Bing Concerts,” Stanford Hospital
1999 May 28 “Inspirational Tempest: A Graduate Design Concert by Chelsea Eng & Laura Serghiou,” Roble Studio, Stanford University
1999 Mar 31 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1999 Jan 23 “SASTA concerts,” Veterans Affairs Hospital, Palo Alto
1999 Jan 6 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1998 Nov 4 “SASTA concerts,” Lytton Gardens, Palo Alto
1998 Sep 30 “Wednesday Noon Recitals,” Campbell Recital Hall, Stanford University
1998 May 6 “SASTA concerts,” Veterans Affairs Hospital, Palo Alto
1998 Apr 3 “MusiCircus,” Braun Music Center, Stanford University
1998 Mar 30 “Greek Cultural Night,” Bechtel International Center, Stanford University
1998 Mar 6, 7 inaugural performance of classic ballet class, Roble Studio, Stanford University
1997 Jun 1 “to heed the whisper: a showing of original work in dance, visual art and music,” Roble Studio, Stanford University

* * *

1991 Dec 9 Ceremonies Hall, Aristotle University of Thessaloniki, Greece
1991 May 31 Department of Music Studies, Aristotle University of Thessaloniki, Greece
1990 Dec 16 Ceremonies Hall, Aristotle University of Thessaloniki, Greece
1990 Nov 22 School of Musical Studies, Thessaloniki, Greece
1990 Jun 1 Avlaia Theater, Thessaloniki, Greece
1989 Nov 16 benefit, Organ Donors Union (Hellenic Society of Nephrology), Avlaia Theater, Thessaloniki, Greece

other appearances in Thessaloniki and in Northern Greece

TOP

BIOS

“Ilias Chrissochoidis” Marquis Who’s Who, 2018, online.
“Chrissochoidis, Ilias.” Who’sWho in America 2005. 2 vols. New Providence, NJ: Marquis Who’s Who, 2004. 1:815.
“Chrissochoidis, Ilias.” Who’sWho in America 2004. 2 vols. New Providence, NJ: Marquis Who’s Who, 2003. 1:895.
“Chrissochoidis Ilias [Χρυσοχοϊδης Ηλίας].” In Athanasiadis, Dimitris. History of Music. Volume Two: From the Aesthetic Exaggeration and Volume of Baroque to the Structural Variety and Abstraction of the Avant-Garde. Thessaloniki: Ekdoseis Makedonikou Odeiou, 2000. 836–37 [Gr].
“Chrissochoidis Ilias [Χρυσοχοϊδης Ηλίας].” In Kalogeropoulos, Takis. Dictionary of Greek Music. 6 vols. Athens: Gialleli, 1998. 6:630 [Gr].
“Chrissochoidis Ilias,” Greek Composers’ Union, online.

Interviews

“Biographer, Ilias Chrissochoidis, retells the story of Greek American film pioneer Spyros Skouras,” The Greek Herald, 5 November 2021, online.
“Ο άγνωστος ευεργέτης Σπύρος Σκούρας που έσωσε 3 εκατομμύρια Έλληνες στην Κατοχή,” Ο Ελληνικός Κήρυκας / The Greek Herald, 28 October 2021, 28–29.
https://issuu.com/greekherald/docs/tgh_28-10-2021_thursday
“Εν Θεσσαλονίκη,” host: Θανάσης Γωγάδης, 958 FM (Hellenic Broadcasting Corporation, Radio 9.58 FM), 16 January 2020.
Βασιλική Χαρισοπούλου, «Νίκος Αστρινίδης - Ο μουσουργός με τη ζωή σαν...ταινία», Αθηναϊκό-Μακεδονικό Πρακτορείο Ειδήσεων, 13 January 2020.
ΔΙΕΚΔΙΚΟΥΝ ΤΗΝ ΚΑΘΙΕΡΩΣΗ ΤΟΥ 2021 ΩΣ ΕΤΟΣ «Ν. ΑΣΤΡΙΝΙΔΗ», TV100, 13 January 2020.
Interview with Julietta Karori and Dionysis Malouhos, “A Window to the World,” Hellenic Broadcasting Corporation, Radio Channel 3, 8 January 2020.
“Νέα στοιχεία για την προσφορά του προέδρου της 20th Century Fox Σπύρου Σκούρα στην Ελλάδα της Κατοχής,” The Athens News Agency - Macedonian Press Agency, 27 July 2019.
Εκδήλωση για το Νίκο Αστρινίδη (interview), Με το 3, Hellenic Broadcasting Corporation, Television Channel 3, 25 January 2019.
“Εν Θεσσαλονίκη,” host: Θανάσης Γωγάδης, 958 FM (Hellenic Broadcasting Corporation), 25 January 2019.
“Παράθυρο στον Κόσμο,” host: Τζουλιέττα Καρόρη, Hellenic Broadcasting Corporation, Radio Channel 3, 23 January 2019.
“Μια νέα πατρίδα έξω από το παράθυρό μου” (interview), Hellenic Broadcasting Corporation, Radio Channel 3, 27 December 2017.

TOP

BIBLIOGRAPHICAL CITATIONS

Books and book chapters

Thomas McGeary, The Cultural Politics of Opera, 1720–1742: The Era of Walpole, Pope and Handel (Boydell & Brewer, 2024), 126, 301, 319.
Peter Morgan Barnes, Pasticcio Opera in Britain: History and Context (Manchester University Press, 2024).
Gonda Van Steen (ed.), The Battle for Bodies, Hearts and Minds in Postwar Greece: Social Worker Charles Schermerhorn in Thessaloniki, 1946-1951 (New York: Routledge, 2024), 33 (n. 36).
Roger Lewis, Erotic Vagrancy: Everything about Richard Burton and Elizabeth Taylor (Mobius, 2024).
Matthew David, “Music after COVID-19: Capital, Performance, and Sharing,” in David Arditi, and Ryan Nolan (eds), The Palgrave Handbook of Critical Music Industry Studies (Cham: Palgrave Macmillan, 2024), 241, 252.
Nathan Friedman, “Iannis Xenakis’s Philosophy of Music, Stochastics, and the Postmodern Sublime,” in Sharon Kanach and Peter Nelson (eds.), Meta-Xenakis: New Perspectives on Iannis Xenakis’s Life, Work, and Legacies (Open Book Publishers, 2024): https://books.openbookpublishers.com/10.11647/obp.0390/ch9.xhtml
Emily Wilbourne, Voice, Slavery, and Race in Seventeenth-Century Florence (Oxford University Press, 2023), 286, 469.
Gabriel Haritos, Israel and the Cyprus Question: Foreign Policy, Diplomacy and International Relations 1946–1960 (Bloomsbury, 2023), 223, 305.
Sandra K. Dolby, “John Mainwaring, Memoirs of the Life of the Late George Frederic Handel,” in Ulrich Marzolph (ed.), Reading Matters: An Unfestschrift for Regina Bendix (Göttingen University Press, 2023), 71–75: 72.
Mathias Rousselot, “Lohengrin by Wagner. Existential narrative-analysis of the Prelude to act I,” in Eero Tarasti (ed.), Transcending Signs: Essays in Existential Semiotics (Berlin, Boston: De Gruyter Mouton, 2023), 847–862.
Thomas McGeary, Opera and Politics in Queen Anne’s Britain, 1705-1714 (Boydell & Brewer, 2022), 372.

· Anthony Shaw and Giora Goodman, Hollywood and Israel: A History (New York: Columbia University Press, 2022), 289.

Christopher M. McDonough, Pontius Pilate on Screen: Sinner, Soldier, Superstar (Edinburgh University Press, 2022).
Adeline Mueller, Mozart and the Mediation of Childhood (University of Chicago Press, 2021), 18, 204, 208, 258.
Berthold Over and Gesa zur Nieden, “Introduction,” in Berthold Over and Gesa zur Nieden (eds.), Operatic Pasticcios in 18th-Century Europe (“Mainz Historical Cultural Sciences, Volume 45”) (transcript-Verlag, 2021), 9–25.
Berthold Over and Gesa zur Nieden, “Between Dwarfs and Giants: Aesthetics of the Pasticcio between London and Hamburg,” in Berthold Over and Gesa zur Nieden (eds.), Operatic Pasticcios in 18th-Century Europe (“Mainz Historical Cultural Sciences, Volume 45”) (transcript-Verlag, 2021), 153–178: 12, 22, 163, 176.
Frederick Wasser, Twentieth Century Fox (Routledge, 2021).
Christine Jeanneret, “Opera, Gender, and Voice,” in Jacqueline Waeber (ed.), The Cambridge Companion to Seventeenth-Century Opera (Cambridge University Press, 2021), 108–131: 130, 307.
Sarah Lutz, “Das performative Potential der musikalischen Schrift um 1600,” in Augusta Campagne, Markus Grassl, eds., ANKLAENGE 2020/2021: Cantare nel gravicembalo: Ensemble- und Begleitpraxis in der italienischen Musikkultur um 1600 – Practices of ensemble playing and accompaniment in Italian musical culture c. 1600, 69–80: 79.
π. Ελισαίος Γούλας, Επίγευση Αγιότητας: Δημήτρης Μητρόπουλος. Η σχέση του μεγάλου μαέστρου με πνευματικές μορφές της Ορθοδοξίας (Athens: En plo, 2021), acknowledgement, 37, 60, 221.
Δημήτριος Βασιλάκης, “Προς αναζήτηση ελληνικού μουσικού προσώπου: Με αφορμή μια συνέντευξη του Ξενάκη στον Θεοδωράκη [D.A. Vasilakis, “Xenakis interviewed by Theodorakis: In search for the quintessence of Hellenic music”], in Νεοελληνική Μουσική: Ζητήματα Ιστορίας και Ιστοριογραφίας. Με αφορμή τα 50 χρόνια από τον θάνατο του Σπύρου Μοτσενίγου (Corfu, 2021), 337–351: 342.
Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks, eds., George Frideric Handel: Collected Documents, Volume 4, 1742–1750 (Cambridge: Cambridge University Press, 2020), 248, 349, 878, 881.
Peter Holman, Before the Baton: Musical Direction and Conducting in Stuart and Georgian Britain (Boydell Press, 2020), xvii, 121, 142, 143.
Aidan Dodson, Andrew Bednarski, Salima Ikram (eds.), A History of World Egyptology (Cambridge University Press, 2020).
Nina Penner, Storytelling in Opera and Musical Theater (Bloomington: Indiana University Press, 2020), 87.
Judit Zsovár, Anna Maria Strada: Prima donna of G. F. Handel (Lang, 2020).
Jonathan Rhodes Lee, Film Music in the Sound Era: A Research and Information Guide, 2 vols. (New York: Routledge, 2020), 1:581, 2:22, 2:356, 2:381.
Matthew Gardner, “The Selection, Acquisition and Performance of Handel’s English Odes and Oratorios in Mid-Eighteenth-Century Durham,” in Kirsten Gibson, and Roz Southey (eds.), Music in North-east England, 1500-1800 (Boydell Press, 2020), 54–69: 56.
Tim Eggington, “Raising the Status of Music and the Musician at the Academy of Ancient Music in Eighteenth-Century London,” in Ina Knoth (ed.), Music and the Arts in England, c. 1670–1750 (Musicon, 2020), 57–74: 60.
Ina Knoth, “Art Criticism and the Professional Perspective: The Functions of Analogies between Music and Painting in Charles Avison’s Essay on Musical Expression and William Hogarth’s Analysis of Beauty,” in Ina Knoth (ed.), Music and the Arts in England, c. 1670–1750 (Musicon, 2020), 96–113: 106.
Gesa zur Nieden, “„E manca l’arte“? Die intermediale Pasticcio-Ästhetik im London des beginnenden 18. Jahrhunderts,” in Ina Knoth (ed.), Music and the Arts in England, c. 1670–1750 (Musicon, 2020), 133–155: 142, 143.
Alexander Kitroeff, The Greek Orthodox Church in America: A Modern History (Northern Illinois University Press / Cornell University Press, 2020).
Klaus Pietschmann, Melanie Wald-Fuhrmann (eds.), Der Kanon der Musik: Theorie und Geschichte. Ein Handbuch (edition text + kritik), 844.
Thomas Keymer, Poetics of the Pillory: English Literature and Seditious Libel, 1660-1820 (Oxford University Press, 2019), 182, 292.
Francesco Cotticelli, Iskrena Yordanova (eds.), Diplomacy and the Aristocracy as Patrons of Music and Theatre in the Europe of the Ancien Régime (Hollitzer Wissenschaftsverlag, 2019).
Lawrence J. Nelson and Matthew G. Schoenbachler, Nikita Khrushchev’s Journey Into America (University Press of Kansas, 2019), 246, n.32.
Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks, eds., George Frideric Handel: Collected Documents, Volume 3, 1734–1742 (Cambridge: Cambridge University Press, 2019), 181, 379, 383, 385, 486, 487, 491, 597, 854, 857.
Gonda Van Steen, Adoption, Memory, and Cold War Greece: Kid pro quo? (University of Michigan Press, 2019), 314.
Sydney Ladensohn Stern, The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics (University Press of Mississippi, 2019).
John J. Sheinbaum, Good Music: What It Is and Who Gets to Decide (Chicago: University of Chicago Press, 2018), 264.
Alon Schab, The Sonatas of Henry Purcell: Rhetoric and Reversal (University of Rochester Press, 2018), 243, 253.
Margaret Ross Griffel, Operas in German: A Dictionary, revised edition, vol. 1 (London: Rowman & Littlefield, 2018), 298.
Susan Lewis and Maria Virginia Acuña, Claudio Monteverdi: A Research and Information Guide (Routledge, 2018), 49, 340, 489.
Matthew Gardner, “Charles Avison, John Brown and English oratorio,” in Roz Southey and Eric Cross, eds., Charles Avison in Context: National and International Musical Links in Eighteenth-Century North-East England (Routledge, 2018).
Lloyd Llewellyn-Jones, Designs on the Past: How Hollywood Created the Ancient World (Edinburgh University Press, 2018), 125, 404.
A Miscellany of Books from the Library of Christopher Hogwood (London: Bernard Quaritch Ltd, 2018).
Alan Davison, “John Brown’s Dissertation (1763) on Poetry and Music: An Eighteenth-Century View on Music’s Role in the Rise and Fall of Civilization,” in Alan Davison, Cliff Eisen eds., Late Eighteenth-Century Music and Visual Culture (Brepols Publishers, 2017).
William Gibson and Joanne Begiato, Sex and the Church in the Long Eighteenth Century: Religion, Enlightenment and the Sexual Revolution (London: I. B. Tauris, 2017).
Michael Troyan, Jeffrey Paul Thompson, and Stephen X. Sylvester, Twentieth Century Fox: A Century of Entertainment (Guilford, CT: Lyons Press, 2017), 712.
Konstantinos P. Nikoloutsos, “The Resurgence of Epics in the 1950s: Classical Antiquity in Postwar Hollywood,” in Arthur J. Pomeroy, ed., A Companion to Ancient Greece and Rome on Screen (Blackwell Companions to the Ancient World) (Malden: Wiley-Blackwell, 2017).
John H. Roberts, “Handel, Charles Jennens and the Advent of Scriptural Oratorio,” in Colin Timms and Bruce Wood, eds, Music in the London Theatre from Purcell to Handel (Cambridge: Cambridge University Press, 2017), 222–243: 236.
Suzanne Aspden, “Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain,” in Linda Phyllis Austern, Candace Bailey, and Amanda Eubanks Winkler, eds. Beyond Boundaries : Rethinking Music Circulation in Early Modern England (Indiana University Press, 2017), 207–222: 221, 267.
Annette Landgraf, Händels Israel in Egypt: Rezeptionsgeschichte von 1739 bis zur Mitte des 20. Jahrhunderts (Beeskow, Germany: Ortus, 2017), 77, 368, 372.
Matthew Badham, “‘Straight mine eye hath caught new pleasures’: Glancing and Gazing Spectatorship in Handel’s L’Allegro, il Penseroso ed il Moderato,” in Colin Timms and Bruce Wood, eds, Music in the London Theatre from Purcell to Handel (Cambridge: Cambridge University Press, 2017), 190–202: 191.
Robert Ignatius Letellier, The Bible in Music (Cambridge Scholars Publishing, Newcastle upon Tyne, 2017), 455.
David Martin, Secularisation, Pentecostalism and Violence: Receptions, Rediscoveries and Rebuttals in the Sociology of Religion (New York: Routledge, 2017), 104.
Nina Noeske, Liszts “Faust”: Ästhetik-Politik-Diskurs (Köln: Böhlau Verlag, 2017), 49, 262, 413, 654.
Mayara Quadros de Andrade, “A atitude contestadora de Elizabeth Bennet frente à sociedade do século XIX em Orgulho e Preconceito de Jane Austen,” in Olhares sobre o feminino, o sonho e a sociedade: reflexões literárias, ed. by Regina Helena Urias Cabreira (Curitiba: Editora da Universidade Tecnológica Federal do Paraná, 2017), 81–131: 101, 129.
David Kimbell, Handel on the Stage (Cambridge: Cambridge University Press, 2016), 44.
Rachel Cowgill, “‘Proofs of genius’: Wolfgang Amadeus Mozart and the construction of musical prodigies in early Georgian London,” in Gary E. McPherson, ed., Musical Prodigies: Interpretation from Psychology, Education, Musicology and Ethnomusicology (New York: Oxford University Press, 2016), 511–549: 512, 525, 545.
William Cheng, Just Vibrations: The Purpose of Sounding Good (Ann Arbor: University of Michigan Press, 2016), ch. 4, nn. 16, 27.
Laurenz Lütteken and Wolfgang Sandberger, eds., Göttinger Händel-Beiträge 17 (Göttingen: Vandenhoeck & Ruprecht, 2016), 122.
Shawn Levy, Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome (New York: W. W. Norton, 2016), 415.
Ηλίας Θερμός (επιμ.), Αποστολή «Περικλής»: Τα επίσημα αρχεία του Γραφείου Στρατηγικών Υπηρεσιών (OSS) των ΗΠΑ στην κατεχόμενη Ελλάδα (Μάϊος–Οκτώβριος 1944) (Αθήνα: Καστανιώτης, 2016), 30, 258.
Jan Assmann, Das Oratorium Israel in Egypt von Georg Friedrich Händel (Stuttgart: bibelwerk, 2015), 177–178, 183, 266, 267–268, 274, 275, 277, 279, 280, 293.
Donald Burrows, Helen Coffey, John Greenacombe, Anthony Hicks, eds., George Frideric Handel: Collected Documents, Volume 2, 1725–1734 (Cambridge: Cambridge University Press, 2015), 63, 803.

· Arnold Whittall, The Wagner style: close readings and critical perspectives (London: Plumbago Books, 2015), 52.

Harper Cantu, The Game Theory Handbook – Everything You Need To Know About Game Theory (Emereo Publishing, [?]), “Iannis Xenakis – Works,” “Stochastic – Music.”
Ralph P. Locke, Music and the Exotic from the Renaissance to Mozart (Cambridge: Cambridge University Press, 2015), 194, 368 (nn. 42–43), 402.
C. L. Symes, “Liturgical Texts and Performance Practices,” in Helen Gittos and Sarah Hamilton, eds., Understanding Medieval Liturgy: Essays in Interpretation (Routledge, 2015), 239–267.
Michael Hüttler, Emily M. N. Kugler, Hans Ernst Weidinger (eds.), Ottoman Empire and European Theatre Vol. III: Images of the Harem in Literature and Theatre - A Commemoration of Lord Byron's Sojourn in the Ottoman Empire (Vienna: Hollitzer, 2015).
Bernd Wolfgang Krysmanski, Das einzig authentische Porträt des Alten Fritz? entdeckt in Hogarths Marriage A-la-Mode = Is the only true likeness of Frederick the Great to be found in Hogarth’s Marriage A-la-Mode (Krysman Press, 2015), 17.
Christiane Wiesenfeldt and Panja Mücke, eds., Faust im Wandel: Faust-Vertonungen vom 19. bis 21. Jahrhundert (Marburg: Tectum Verlag, 2015).
Geoffrey Lancaster, The First Fleet Piano: Volume One – A Musician’s View (Canberra: Australian National University Press, 2015), 211–212.
Ellen T. Harris, George Frideric Handel: A Life with Friends (W. W. Norton, 2014), 427–28, 434, 443, 447.
David Martin, Religion and Power: No Logos without Mythos (Ashgate, 2014), 102.

Laurenz Lütteken and Wolfgang Sandberger, eds., Göttinger Händel-Beiträge 15 (Göttingen: Vandenhoeck & Ruprecht, 2014), 231.
Tim Eggington, The Advancement of Music in Enlightenment England: Benjamin Cooke and the Academy of Ancient Music (Woodbridge: The Boydell Press, 2014), 5.
Thomas McGeary, The Politics of Opera in Handel’s Britain (New York: Cambridge University Press, 2013), xi, 329, 334, 384.
Michael Suk-Young Chwe, Jane Austen, Game Theorist (Princeton University Press, 2013), 16, 31, 237 (240 in updated edition).
Patrick J. Kearney and David Boothroyd, Notes towards a Catalogue of the British Library’s S.S. Collection (London and Santa Rosa, 2013), 223–24.
Donald Burrows, Handel, revised edition (New York: Oxford University Press, 2012), 278, 482, 609.
Deborah W. Rooke, Handel’s Israelite Oratorio Libretti: Sacred Drama and Biblical Exegesis (Oxford: Oxford University Press, 2012), 30.
Nicholas Mathew, “‘Achieved is the glorious work’: The Creation and the choral work concept,” in Mary Hunter and Richard Will (eds.), Engaging Haydn: Culture, Context, and Criticism (Cambridge: Cambridge University Press, 2012), 124–142: 127, 325.
Hilary Poriss, “Prima Donnas and the Performance of Altruism,” in Rachel Cowgill and Hilary Poriss, eds., The Arts of the Prima Donna in the Long Nineteenth Century (New York: Oxford University Press, 2012), 42–60: 59.
Christian Grüny, “The Language of Feeling Made into a Weapon: Music as an Instrument of Torture,” in Speaking about Torture, ed. Julie A. Carlson and Elisabeth Weber (New York: Fordham University Press, 2012), (205–18:) 344.
David Coke and Alan Borg, Vauxhall Gardens: A History (New Haven and London: Yale University Press, 2011), 427 (n. 75), 430 (n. 30), 434 (n. 57).
Felicity Nussbaum, “Owning Identity: The Eighteenth-Century Actress and Theatrical Property,” in Isabel Karrermann and Anja Müller, eds., Mediating Identities in Eighteenth-Century England (Farnham, Surrey, and Burlington, VT: Ashgate, 2011), 71–87: 75.
Colin Lawson, “Nourishment, Body and Soul: Modern Performers, Diverse Tastes,” in Jeremy Strong (ed.), Educated Tastes: Food, Drink, and Connoisseur Culture (Lincoln and London: University of Nebraska Press, 2011), 215–236: 235.

· Richard Wistreich, “Introduction,” in idem, ed, Monteverdi (Ashgate, 2011; Routledge, 2016), xi–xxxiv: xxix, xx.

An International Handel Bibliography / Internationale Händel-Bibliographie (1959–2009), ed. Hans Joachim Marx (Vandenhoeck & Ruprecht), 1, 19, 22, 92, 150.
Documents: Webster’s Unabridged Bibliography (1939–Modern Times) (San Diego: ICON Group International, 2009), 83.
Annette Schellenberg, “‘Esther’: Exegetisch-theologische Beobachtungen zur Rezeption des biblischen Stoffs bei Georg Friedrich Händel,” in Sprachen, Bilder, Klänge: Dimensionen der Theologie im Alten Testament und in seinem Umfeld: Festschrift für Rüdiger Bartelmus zu seinem 65. Geburtstag , ed. Christiane Karrer-Grube, Jutta Krispenz, Thomas Krüger, Christian Rose and Annette Schellenberg (Münster, 2009), 275–93: 278.
Minna Rozen, “People of the Book, People of the Sea: Mirror Images of the Soul,” in Homelands and Diasporas: Greek, Jews and Their Migrations, ed. Minna Rozen (London and New York: I. B. Tauris, 2008), 35–81: 342.
Hans Joachim Marx, ed., Göttinger Händel-Beiträge 12 (2008), 261.
Joseph Darby, “Composition and Recomposition in Handel’s Concerti a due cori: Wind Choirs as Sign and Substance,” in Raoul F. Camus and Bernhard Habla, eds., Kongressbericht Northfield/Minnesota, USA 2006 (Tutzig: Hans Schneider, 2008), 109–20: 109 (n. 1).
Pierre-Henry Fragne, Xavier Bisaro (eds.), L’ombre de Monteverdi: la querelle de la nouvelle musique (1600–1638), l’Artusi, ou, des imperfections de la musique moderne (1600) (Presses Universitaires de Rennes, 2008), 209.
Mary Ann Parker, G. F. Handel: A Guide to Research, 2^nd edn (New York and London: Routledge, 2005), 322 (anonymously!).
Michael Saffle, Franz Liszt: A Guide to Research, 2^nd edn (New York: Routledge, 2004), 403; 3^rd edn as Franz Liszt: A Research and Information Guide (New York: Routledge, 2009), 401.
Ιωάννης Κ. Χασιώτης, Τοις Αγαθοίς Βασιλεύουσα Θεσσαλονίκη: Τοπογραφία και Τέχνη, Εκπαίδευση και Πνευματική Ζωή (Θεσσαλονίκη: Ιανός, 1997), 158.

Journals and conference papers

Salvatore Di Russo, Vicenta Gisbert Caudeli, Francisco Javier Romero Naranjo, Antonio Domenico Pelizza, “Body percussion in the band repertoire:the case study of the work Palindromia Flamenca,by Antonio Ruda Peco,” Per Musi 25 (2024), 1–23.
Gunter Wolf, “Are Richard Wagner’s operas a potential tool to teach medical students and young doctors humanities?” Postgraduate Medical Journal 2023, 1–5: 4–5.
Kostis Hassiotis, “A Fresh Look in to Nikos Astrinidēs’s (1921–2010) Compositions for Wind Ensembles,” International Journal of Music and Performing Arts 10(1) (June 2023), 1–22.
Iryna Riabchun, “XENAKIS IR HEIDEGGERIS: BENDROS PASAULĖŽIŪROS PARADIGMOS,” Logos: A Journal, of Religion, Philosophy Comparative Cultural Studies & Art 117 (2023), 84–94.
Tom Hackbarth, “Zwischen Symbolik und Klang: Eine musikanalytische Untersuchung des Gralskonzepts Richard Wagners im Lohengrin-Vorspiel und dessen Bedeutung für die Opernhandlung,” Revista do Laboratório de Dramaturgia (LADI) da Universidade de Brasília 24 (2023), 13–45: 22, 35, 43.
Charulatha Mani, “Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens,” Music Analysis 41 (2022), 470–494: 486, 490.
Michael Allis, “Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy for Brahms,” Music and Letters 103 (2022), 430–463: 435.
Κωστής Χασιώτης, “Μια ανανεωμένη ματιά στις συνθέσεις του Νίκου Αστρινίδη (1921–2010) για σύνολα πνευστών,” 57–76, στο 6ο Διεθνές Διαδικτυακό Συνέδριο Ελληνικών Φιλαρμονικών Ορχηστρών: «Σύνολα πνευστών: ιστορική αναδρομή, διαδρομή και μετάβαση στην εποχή της πανδημίας», Θεσσαλονίκη, 25-27 Ιουνίου 2021. Πρακτικά συνεδρίου, ed. Κωστής Χασιώτης, Ευαγγελία Κίκου, Χρήστος Πουρής (Θεσσαλονίκη: Πανεπιστήμιο Μακεδονίας, 2022), 59–67, 69, 71, 74–75.
Thomas Hochradner, “Zur Überlieferung von Allegris Miserere nördlich der Alpen,” Studien zur Musikwissenschaft – Beihefte der Denkmäler der Tonkunst in Österreich 61 (2022), 7–3: 14.
Semih Yilmaz, Hany Kim, and Yongjae Ko, “Counterfactual Thinking in Sustainable Tourism Context,” Journal of Travel Research, 26 July 2021 [online].
Corinna Kirschstein, “‘No Scenary, Dress or Action.’ Bemerkungen zur szenischen Attraktivität von Händels Oratorien,” Händel-Jahrbuch 67 (2021), 97–110: 98.
Levon Hakobian, “The Laws of Xenakis’s Music Not Formulated by Xenakis Himself,” Music Academy 1 (2020) [773], 40–59: 58 [in Russian].
Lawrence Zazzo, “‘TROPPO AUDACE’: Ambition and Moderation in Handel’s Bilingual Revival of L'Allegro, il Penseroso, ed il Moderato,” Eighteenth Century Music 17 (2020), 215–242:227.
Andreas Waczkar, “… and heal his wounded soul,” Göttinger Händel-Beiträge 21 (2020), [35?]–40: 39.
Esteban Buch, “The Sound of the Sublime: Notes on Burke as Time Goes By,” SubStance 49 (2020, issue 152), 44–59: 53, 58.
Iryna Riabchun, “Особливості аналізу фортепіанних творів Янніса Ксенакіса [Approaches to Analysis of the Piano Works by Iannis Xenakis],” Artistic Culture. Topical issues 16 (2020), 142–148.
Magdalena Krasińska, “Edmund Burke’s A Philosophical Enquiry … and the Problem of Musical Sublime,” Studia z Historii Filozofii [Studies in the History of Philosophy] 11 (2020), 181–203: 187 [in Polish].
Małgorzata Grajter, “From Authenticity to Stylization: Processing Modality in the Late Works of Ludwig van Beethoven,” TEORIA MUZYKI 17 (2020), 85–104: 85, 99, 100, 102.
Gesa zur Nieden, “’Native’ – ‘foreign’: Zum Nexus von Sozialstruktur und Rezeptionsästhetik in der Musikmetropole London,” in: Wolfgang Sandberger, Andreas Gestrich, Gesa zur Nieden, Bernhard Jahn, Hanna Walsdorf, Natasha Loges, Patrick Rogers (eds.), Göttinger Händel-Beiträge 20 (Jahrbuch/Yearbook 2019), 27–44: 31.
Dimitrios Latsis, “American Zeus: The Life and Alexander Pantages Theater Mogul by Taso G. Lagos, and: Twentieth Century Fox: The Zanuck-Skouras Years, 1935–1965 by Peter Lev (review), Journal of Modern Greek Studies 37 (October 2019), 445–49.
Michael G. Tsichlis, “The Skouras Brothers: 20th-Century Titans”, Gateway: The Magazine of the Missouri Historical Society 39(2) (Fall 2019), 16–31.
Laura Hafner, “Allegri, Gregorio,” in MGG Online, edited by Laurenz Lütteken. Bärenreiter, Metzler, RILM, 2016–; article published January 2019.
Dexter Edge and David Black, “Defending the truth of Mozart’s age (10 May 1765),” in: Mozart: New Documents, edited by Dexter Edge and David Black; first published 25 February 2019.
Jessica Gienow-Hecht, “Nation Branding: A Useful Category for International History,” Diplomacy & Statecraft 30:4 (2019), 755–779: 777, DOI: 10.1080/09592296.2019.1671000.
Viktor Mishyn, “Orpheus: The Symbol of a New Music Era,” Visnyk of the Lviv University. Series Art Studies 20 (2019), 20–28: 21, 25, 26 [in Russian].
Thomas McGeary, “The Earl of Hertford, Handel, and the 1742–1743 and 1743–1744 opera seasons,” Early Music 46 (2018), 123–130: 130, n. 38
Hannah Hjerpe-Schroeder, “Beneath the 12-Mile Reef: Archival curio of 20th century sponger culture,” SOAS Sponges Conference, Hydra, Greece, 18–20 May 2018.
Elisama Fernanda Koppe and Silvana Ruffier Scarinci, “A presença das mulheres em Ariane et Bacchus de Marin Marais (1696),” XXVIII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – Manaus (2018), 5, 9.
Michelle Urberg, “Pasts and Futures of Digital Humanities in Musicology: Moving Towards a ‘Bigger Tent,’” Music Reference Services Quarterly 20 (2017), 134–150: 150.
Peter Holman, “Worth 1000 words: Edward Francis at Drury Lane in 1779,” Early Music 45 (2017), 641–656: 655.
Aigul A. Vasilova, Askar N. Mustafin, and Aleksandr V. Morozov, “Wagnerian Myth Through The Mirror of Satirical Iconography,” Helix 8(1), 2950–2953: 2950, 2953.
Miranda Stanyon, “The Changes, or Plus ça change? Newburgh Hamilton’s Early Writings and the Politics of Handel’s Librettos,” Journal of the Royal Musical Association 142 (2017), 221–255: 225, 242.
Cheryll Duncan, “David Hunter, The Lives of George Frideric Handel,” Eighteenth-Century Music 14 (2017), 125–27: 125.
Laurenz Lütteken, Wolfgang Sandberger (eds.), Göttinger Händel-Beiträge 18 (2017), 160, 162.
V. Ilango and S. Mohan Kumar, “Factors for improving the research publications and quality metrics,” International Journal of Civil Engineering and Technology (IJCIET) 8 (2017), 477–496: 488.
Constantin Jinga, “IEȘIREA 12-15 ÎN CREAȚIA LIRICĂ OCCIDENTALĂ,” Studii Teologice 3 (2017), 61–90: n. 33.
Grigory R. Konson, “The Conception of Georg Friedrich Handel’s Worldview in the Context of his Oratorios,” Проблемы музыкальной науки (Problemy Muzykal’noj Nauki)/Music Scholarship 1 (2017), 74–87: 75, 80, 85, 86.
Jelena Janković-Beguš, “FIDELIO”, ОПЕРА ФИДЕЛИО ЛУДВИГА ВАН БЕТОВЕНА – СЛИКА ИЛИ КРИТИКА ФРАНЦУСКЕ РЕВОЛУЦИЈЕ? [LUDWIG VAN BEETHOVEN’S ONLY OPERA – AN IMAGE OR A CRITIQUE OF THE FRENCH REVOLUTION?] МУЗИЧКИ ИДЕНТИТЕТИ И ЕВРОПСКА ПЕРСПЕКТИВА 2: ИНТЕРДИСЦИПЛИНАРНИ ПРИСТУП, 2017, 90–116: 106, 115
Soyoung Kim, “The Archetypal Characteristics of R. Wagner’s Opera Lohengrin,” Humanities Contens 44 (2017.3), 105–128: 122 [in Korean].
Ruth Smith, “The giant Handel edifice,” Early Music 44 (2016), 482–85: 485.
Michael Ray FitzGerald, “‘Adjuncts of Government’: Darryl F. Zanuck and 20th Century-Fox in Service to the Executive Branch, 1935–1971,” Historical Journal of Film, Radio and Television 36 (2016), 373–91: 391.
Metoda Kokole, “The Lasting Musical Effects of the Italian Grand Tours of Ignaz Maria von Attems-Heiligenkreutz (1714–1762) and Thomas Gray (1716–1771),” Arti musices: hrvatski muzikološki zbornik 47 (2016), 79–101: 84, 99.
Hans Joachim Marx, “Internationale Bibliografie der Händel-Literatur 2014/2015,” in Laurenz Lütteken, Wolfgang Sandberger (eds.), Göttinger Händel-Beiträge 17 (2016), 122–126: 122.
Annette Landgraf (ed.), Händel-Jahrbuch 62 (2016), 479.
Liliya Izvelevna Salikhova, Liliya Garifullovna Safiullina, and Gulnara Ibragimovna Batyrshina, “Caricature as Means of Visual Communication in Musical Journalism,” International Journal of Humanities and Cultural Studies, August 2016, 233–46: 234, 246.
L. G. Safiullina and R. R. Rakhmatullina, “Development of musical satirical iconography: Based on foreign caricatures of the XVIII–beginning of the XIX centuries,” Bulletin of the South Ural State University Series “Social Sciences and the Humanities” 16:2 (2016), 80–89: 87, 89 [in Russian].
Ruth Smith, “Documenting Handel,” Early Music 43 (1: February) 2015, 154–156: 156.
John Baillie, “Saggio sul sublime (1747),” ed. Andrea Gatti, Studi di estetica 43 (series 4, no. 3; 2015), 1–35: 1, 30.
Deconinck-Brossard, Françoise, et al. “Recent Articles,” The Scriblerian and the Kit-Cats 47/48 (Spring 2015): 1–64: 13.
Stephen J. Cowley and Sune Vork Steffensen, “Coordination in language: Temporality and time-ranging,” Interaction Studies 16 (2015), 474–94: 478, 487.
Thomas McGeary, “Handel as Orpheus: the Vauxhall statue re-examined,” Early Music 43 (2015), 291–308: 306 (n. 22).
Ruth Smith, review of George Frideric Handel: Collected documents, volume 1: 1609–1725, ed. Donald Burrows, Helen Coffey, John Greenacombe and Anthony Hicks (Cambridge: Cambridge University Press, 2014), Early Music 43 (2015), 154–156: 156.
Mayara Quadros de Andrade, “The Role of Intelligece in educated Women in Pride and Prejudice: An Analysis of Jane Austin and her beloved Character Elizabeth Bennet,” Revista Kur’yt’yba VII/1 (2015), 95–117: 115.
Peter Lev, “Hollywood Studios,” Oxford Bibliographies (online).
Thomas McGeary, “Handel in the Dunciad: Pope, Handel, Frederick, Prince of Wales, and Cultural Politics,” The Musical Quarterly 97 (2014), 542–74: 573–74.
Laurenz Lütteken, Wolfgang Sandberger (eds.), Göttinger Händel-Beiträge 15 (2014), 231.
David Martin, “Nationalism and religion; collective identity and choice: the 1989 revolutions, Evangelical Revolution in the Global South, revolution in the Arab World,” Nations and Nationalism 20 (2014), 1–17: 15.
Joel Schwindt, “‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of the Accademia degli Invaghiti,” Cambridge Opera Journal 26 (November 2014), 239–270: 256.
Nina Julich-Warpakowski and Paula Pérez-Sobrino, “Let’s Talk Music: A Corpus-Based Account of Musical Motion.” Metaphor and Symbol 29 (2014), 298–315: 315.
Michael Allis, “The Diva and the Beast: Susan Strong and the Wagnerism of Aleister Crowley,” Forum for Modern Language Studies 50 (2014), 380–404: 402 (n. 83).
David Trippett, “Facing Digital Realities: Where Media Do Not Mix,” Cambridge Opera Journal 26 (March 2014), 41-64: 63.
Paula Pérez-Sobrino, “Meaning construction in verbomusical environments: Conceptual disintegration and metonymy” Journal of Pragmatics 70 (September 2014), 130–151: 144.

B. J. Sokol, “Cerimon’s ‘rough and woeful music’ in Pericles,” Shakespeare 10 (2014), 46–55.
Άρης Διαμαντόπουλος, «Αλβανία και Βόρειος Ήπειρος», Προβληματισμοί 77 (Ιούλιος–Σεπτέμβριος 2014), 47.
The Scriblerian and the Kit-Cats 45/2 (Spring 2013), 194–95.
Jeanne-Marie Hostiou, “Orientations bibliographiques,” Littératures Classiques 81 (2013/2), 281–312.
Arnold Whittall, “Lohengrin and the constraints of romantic opera,” The Musical Times vol. 154, no. 1922 (Spring 2013), 9–26: 10.
Bertrand Crettez and Régis Deloche, “On experimental economics and the comparison between the last two versions of Molière’s Tartuffe,” Journal of Economic Behavior & Organization 87 (March 2013), 66–72: 67, 71.
Margaret Seares, “Paradise Lost: The Impact of Political, Social and Market Forces on John Christopher Smith’s Oratorio Season of 1774,” Eighteenth Century Music 10/1 (March 2013), 110.
Arnold Whittall, “Reforging The ring: origins and new beginnings,” The Musical Times (Spring 2012), 19–39: 19.
Hans Joachim Marx, ed., Göttinger Händel-Beiträge 14 (2012), 302, 307.
Christian Grüny, “Von der Sprache des Gefühls zum Mittel der Qual: Musik als Folterinstrument,” Musik & Ästhetik 58 (April 2011), 68–83: 68.
Fanny Gribenski, “Music’s Intellectual History by Zdravko Blažeković and Barbara Dobbs Mackenzie,” Revue de Musicologie 97 (2011), 475–478: 477.
Humberto Araújo Quaglio de Souza, “A angústia em Lohengrin”: ... reflexões kierkegaardianas sobre uma ópera de Wagner,” Revista Pandora Brasil 37 (December 2011), 104–118: 106.
Robert Laurie, John L. Flood, “Recent Periodicals,” The Library: The Transactions of the Bibliographical Society 12 (2011), 317–24: 320.
Hans Joachim Marx, ed., Göttinger Händel-Beiträge 13 (2010), 250.
Antonio Baldassarre, “Ser ou não ser: Biografia e pesquisa em música - Reflexões acerca de uma relação sobrecarregada,” ICTUS Music Journal 11(1) (2010), n.p.: n. 9.
Julián Pelegrín Campo, “La historia alternativa como herramienta didáctica: una revisión historiográfica,” Proyecto CLIO: Hacer Historia en la era digital 36 (2010), 4.
“Recent Articles and Publications Relating to Issues of Performance Practice,” Early Music Performer 28 (April 2010), 25–27.
Gorana Doliner, “RECENZIJE, PRIKAZI I INFORMACIJE OPUBLIKACIJAMA — REVIEWS AND INFORMATION ON PUBLICATIONS,” ARMUD6 41/1 (2010), 107–111: 110.
Bernardo Illari, “Carta de Esnaola: música, discurso, y redes interpersonales en el Buenos Aires de 1837,” Revista del instituto de Investigación Musicológica “Carlos Vega” 23 (2009), 101–127: 115, 124.
Dumitru Vitcu, “Festival și simpozion comemorativ „George Enescu“ la New York (1–4 decembrie 2005),” Dacia literară anii 2006–2009. nr 64–87, 10–11.
Alexandra Amati-Camperi, “The First Operatic Women: Ahi fato empio e crudele!” Studi Musicali 37/1 (2008), 37–57: 53.
Stefan Morent, “New York City, 16. bis 19. März 2005: „Music’s Intellectual History: Founders, Followers & Fads,“” Die Musikforschung 58 (2005), 291–292: 292.
Annette Landgraf, “Iowa City, 27. Februar bis 1. März 2003: Konferenz der American Handel Society im Rahmen des Festivals ‘Handel in Iowa 2003,’” Die Musikforschung 56/3 (July–September 2003), 288.

Dissertations-Theses

Ashley Ann Greathouse, “Urbane Promenades and Party-Jangling Swains: Music and Social Performativity in London’s Pleasure Gardens, 1660–1859” (Ph.D. dissertation, University of Cincinnati, 2024), 21, 41, 245.
Thea Bøgeberg Brix, “Venus og Elisabeth – Heltesopran eller forløser?” (Master thesis, Kunsthøgskolen i Oslo Operahøgskolen, 2023), 5, 12.
Skye O’Sullivan, “Eclectic Musings: Extended Program Notes” (M.A. thesis, Southern Illinois University Carbondale, 2023), 32.
Γεώργιος Νεοφύτου, “Το αρχείο του συνθέτη Νίκου Αστρινίδη στη Βιβλιοθήκη του ΤΜΣ/ΑΠΘ: αρχειακή επεξεργασία, ψηφιοποίηση, τεκμηρίωση και αξιολόγηση δεδομένων” (B.A. [“Integrated Master”] thesis, Aristotle University of Thessaloniki, 2023), 12, 15, 16, 22, 131, 144, 145.
Άντρεα Σοφοκλέους, “Μουσική και ποίηση: από την αρχαιότητα έως τον ρομαντισμό” (B.A. thesis, University of Macedonia, 2023), 62, 97.
Peck, Landon Shaffer-Liggett, “Empirical and modelling approaches to the psychology of musical awe” (D.Phil. dissertation, University of Oxford, 2022), 30, 272.
Hugo Hernán Muñoz Vergara, “La recepción discursiva de la figura y obra de Richard Wagner en América Latina durante el siglo XIX: El estreno de su ópera Lohengrin en el Teatro Municipal de Santiago en 1889” (Master’s thesis, Pontificia Universidad Católica de Chile, 2022), 21, 103.
Nathaniel D. Mitchell, The “Se Cerca” Script: Conventions and Creativity in an Eighteenth-Century Aria Tradition” (Ph.D, dissertation, Princeton University, 2021), 191, 425.
Λαμπρινή Μάνου, “Το Κοινωνικοπολιτικό Πλαίσιο της Όπερας του 19ου αιώνα στην Ευρώπη: Τρεις παραδειγματικές Περιπτώσεις” (BA thesis, University of Macedonia, 2021), 42, 43, 45, 47, 76.
Jordan Hall, “Sound Judgment: Ideologies of Listening and the Birth of English Music Criticism” (Ph.D. dissertation, New York University, 2020), 1, 298.
Rafael Moreira Fortes, “A estrutura orgânica da música na Teoria Schenkeriana” (Doctoral thesis, Universidade Federal do Estado do Rio de Janeiro, 2020), 259.
Βασίλειος Ν. Νικολόπουλος, «Στοχαστικά μοντέλα στο έργο του Ιάννη Ξενάκη: Μουσικολογικά και μαθηματικά ζητήματα» (B.A. thesis, University of Athens, 2020), 68.
Ανδρέας Μ. Παπαδημητρίου, “Γεώργιος Ν. Παπανικολάου (1883–1962): Ο κοινωνικοπολιτικά ανήσυχος άνθρωπος πίσω από τον μεγάλο επιστήμονα” (Postgraduate thesis, University of the Peloponnese, 2020), 55–56, 76.
Samuel Eduard Tandei, “Handel’s Crossing Borders: The Interplay of Music, Politics, and Religion in Saul Oratorio” (Ph.D. dissertation, Boston University, 2019).
Johannes Regnier, “Aesthetics and Poietics of Sound Material, Form and (absent) Body in Electronic Music: Conceptual Tools for the Computer Musician, and their Applications” (Ph.D. dissertation, University of California San Diego, 2019), 33, 126.
Elisa Zucchini, “Giuseppe Maria Crespi e il Gran Principe Ferdinando: analisi e ricostruzione di un contest” (Ph. D. dissertation, Università degli Studi di Firenze, 2019), 223, 253.
Ísis Biazioli de Oliveira, “A modernidade da Sinfonia Fausto de Franz Liszt: uma abordagem estético-analítica” (Ph.D. dissertation, Universidade de São Paulo, 2019), 126, 128, 144.
Χρήστος-Ελισαίος Γούλας, “Επίγευση αγιότητος. Ο μαέστρος Δημήτρης Μητρόπουλος και οι σχέσεις του με Ορθόδοξες πνευματικές μορφές του 20^ου αιώνα [Aftertaste of holiness. The conductor Dimitri Mitropoulos and his relations to Orthodox Spiritual Figures of 20th century]” (Postgraduate thesis, Aristotle University of Thessaloniki, 2019), [12], [74].
Chao Li, “Liszt’s Portrayal of Goethe’s Faust Using Flat 6th Scale Degree As Harmonic Organizing Principle in the Faust Movement From His Faust Symphony” (D.M.A. dissertation, University of North Texas, 2019), 2, 3, 44.
Michael Brister, “Negative Harmony: Experiments with the Polarity in Music” (B.A. Hons. thesis, East Tennessee State University, 2019), 14.
Παναγιώτης Σαρβανίδης, “Αρχειακή καταγραφή και ψηφιοποίηση των χειρογράφων του προσωπικού αρχείου του Νίκου Αστρινίδη (1921-2010) στη Φιλαρμονική Ορχήστρα του Δήμου Θεσσαλονίκης. Ερμηνευτική έκδοση της Κυπριακή Ραψωδίας για ορχήστρα πνευστών” (BA thesis, University of Macedonia, 2019), 5, 7, 8, 10, 11, [12], 13, 23, 24, 25, 26, 27, 28, 30, 31, 32, 109, 110, 111.
Carlo Giorgio Lanfossi, “Handel as Arranger and Producer: Listening to Pasticci in Eighteenth-century London” (Ph.D. dissertation, University of Pennsylvania, 2018), 203, 231, 232, 306, 310.
Randall Scotting, “Unknown Senesino: Francesco Bernardi’s Vocal Profile and Dramatic Portrayal, 1700–1740” (Ph.D. thesis, Royal College of Music, London, 2018), 119.
Christian Marc de Livet, “‘An Idealist Touched by Practicality’: The work and influence of Richard Runciman Terry (1864–1938)” (Ph.D. thesis, Canterbury Christ Church University, 2018), 222, 307.
Fabian Oliver Kurze, “In die Stille geleiten Darstellungsprinzipien und Erfahrungsweisen eines musikalischen Grundphänomens” (Ph.D. dissertation, Eberhard Karls Universität Tübingen, 2018), 172, 235.
Άννα-Μαρία Σιχάνη, “Λογοτεχνικό πεδίο, πολιτισµικές τεχνολογίες και δηµόσια σφαίρα στη µακρά δεκαετία του ’60” (Ph.D. diss., Univesity of Ioannina, 2018), 134, 135, 281.
Johanna Holvikallio, “Objektiivi, kameran silmä : navigointiopas elokuvaobjektiivien maailmaan” [“The Eye of the Camera: Handbook to the World of Cine Lenses”] (BA thesis, Tampere University of Applied Sciences, 2018), 9, 65.
Αφροδίτη-Αναργύρη Δούκα, Δήμητρα Αβοκάτου, “Η ιστορία των ειδικών εφφέ” (B.A. thesis, Technological Institute of Western Greece, 2018), 57, 97.
Βαΐα Κολύβα, “Ο Ματωμένος Γάμος του Μάνου Χατζιδάκι” (B.A. thesis, Techonological Institute of Epirus, 2018), 54.
Kurt William Kaminski, “Melange: A Computational Fluid Dynamics Audiovisual Instrument” (M.Sc. thesis, University of California Santa Barbara, 2017), 15, 47.
Karen Ann Laughton, “Children and Empire: The Institutionalisation of children and British Colonisation in New South Wales, 1750-1828” (Ph.D. dissertation, Griffith University, 2017), 405.
William David Green, “A (neo-)Hegelian Account of Musical Meaning in Wagner: Ethos and Moment in Der Ring des Nibelungen” (D.Phil. thesis, University of Liverpoo, 2017), 5.
Nick Pouls, “Last van stemmingswisselingen: De receptie van Claudius Ptolemaeus’ Άρμονίαι (Harmonieën) in de muziektheoretische ontwikkeling van de middentoonstemming in het laat vijftiende- en zestiende-eeuwse Italië” (Master thesis, Radboud Universiteit Nijmegen, 2017), 8, 71.
Diogo José Gouveia e Cunha, “A Caçada - Curtametragem com recurso a CGI e MoCap” (Ph.D. dissertation, University of Coimbra, 2017), 91, 99.
Eddie Jonathan García Borbón, “Simbiosis 1.0: Composición para Bandola Andina Colombiana y Entidades Sónicas” (Master of Musical Arts, Universidad Distrital Francisco José de Caldas, 2017), 27, 75.
Χριστιάννα Σουλιώτη, “Το Κοντσέρτο για Βιολί και Ορχήστρα στο Έργο Ελλήνων Συνθετών του 20ου Αιώνα” (Ph.D. dissertation, University of Athens, 2017), 87, 136.
Αθανασία Κοντού, “Αλγοριθμική Μουσική Σύνθεση: Ιάννης Ξενάκης - Αχορρίψεις και ST/10-1,080262” (BA thesis, Aristotle University of Thessaloniki, 2017), 73.
Αναστασία Τσαπανίδου, “Έργα Νεοελλήνων Συνθετών στο Ρεπερτόριο της ΚΟΘ” (B.A. thesis, University of Macedonia, 2017), 74.
Judit Zsovár, “Anna Maria Strada del Pò, Handel’s Prima Donna: Portrait of an uncommon voice” (Ph.D. dissertation, Liszt Academy of Music, 2016), 103, 117, 227, 231, 248, 307.
Gene Shill, “Digital Sampling and Appropriation as Approaches to Electronic Music Composition and Production” (Ph.D. dissertation, Griffith University, 2016), 18, 198.
Ana Duarte Cabral Martins, “Cinema in the Age of Digital Technology: A New Architecture of Immersion” (Ph.D. dissertation, Universidade NOVA de Lisboa, 2016), 81, 326.
Olivia M. Wikle, “Mortal Sounds and Sacred Strains: Ann Radcliffe’s Incorporation of Music in The Mysteries of Udolpho” (MA thesis, The Ohio State University, 2016), 63, 74, 86.
Regina Compton, “The Recitativo Semplice in Handel’s Operas for the First Royal Academy of Music, 1720-1728” (Ph.D. dissertation, Eastman School of Music, University of Rochester, 2015), 101.
Christopher Andrew Suckling, “The realisation of recitative by the Cello in Handelian Opera: Current and Historical Practices” (DMA thesis, City University London, 2015), 130, 231, 302.
Maria Manuela Wagner Dal Borgo, “Thucydides: Father of Game Theory” (Ph.D. dissertation, University College London, 2015), 10, 300.
Hans Huyssen, “Composing (in) Contemporary South Africa: Theoretical and Musical Responses to Complexity,” 2 vols. (Ph.D. dissertation, University of Stellenbosch, 2015), 1:222, 223, 260.
John-Luke Addison, “David and Goliath: An Oratorio” (MA thesis, York University, Canada, 2015), 3–4, 41.
Denzil Wraight, “A bibliography originally taken from ‘The stringing of Italian keyboard instruments c.1500–c.1650’ (PhD Thesis, Queen’s University of Belfast, 1997). Version dated 24.11.2015.
Joel Schwindt, Academicism in Monteverdi’s Orfeo: oratory and symmetry as manifestations of the Accademia degli Invaghiti’s philosophy and practice (Ph.D. dissertation, Brandeis University, 2014), 55, 147, 167, 199.
Tessie Loukia Prakas, “The Office of the Poet: Ministry and Verse Practice in the Seventeenth Century” (Ph.D. dissertation, Yale University, 2014), 123, 224.
Despina Lalaki, “Digging for Democracy in Greece: Intra-Civilizational Processes during the ‘American Century’” (Ph.D. dissertation, The New School, 2014), 259, 392.
Sina Rahmani, “Blank Subjects: Orphanhood and the Rise of the British Novel” (Ph.D. dissertation, University of California, Los Angeles, 2014), 49, 152.
Darryl Jacqueline Dumigan, “Nicola Porpora’s operas for the ‘opera of the nobility’: the poetry and the music” (Doctoral thesis, University of Huddersfield, 2014), 352.
Kyle Masson, “Recovering Queen Penelope: A Cultural and Musical Reinterpretation of Monteverdi’s Il Ritorno d’Ulisse in Patria” (M.A. thesis, The Pennsylvania State University, 2014), 52.
Αλεξάνδρα Μαυροφώτη, “Τεχνολογία Κινηματογράφου. Από το CinemaScope έως το Dolby 3D” (BA thesis, Crete Technological Institute, 2014), 60.
Jonathan Rhodes Lee, “Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment” (Ph.D. dissertation, University of California Berkeley, 2013).
Stephen Charles Foster, “‘To Entertain the Fancy’: The Orchestral Concert Song in England, 1740–1800” (Ph.D. thesis, Goldsmiths, University of London, 2013), 72, 148, 159.

Zhiyao Duan, “Computational Music Audio Scene Analysis” (Ph.D. dissertation, Northwestern University, 2013), 24, 188.
Elliot Kermit-Canfield, “Spatialization in Selected Works of Iannis Xenakis” (MA thesis, The Pennsylvania State University, 2013), 23, 24, 41, 42, 43, 79, 84.
Βασιλική Χατζηπέτρου, “Το είδος της μουσικής και επίδρασή του στη διάθεση και το άγχος των μαθητών” (postgraduation thesis, University of Thrace, University of Thessaly, 2013), 22.
Andrew Shryock, “Handel and the sublime: Crafting librettos, composing oratorios, and transfixing audiences in eighteenth-century England” (Ph.D. dissertation, Boston University, 2012).
William Cheng, “Technologies of Transgression and Musical Play in Video Game Cultures,” (Ph.D. dissertation, Harvard University, 2012), 56.
Ευαγγελία Μιμίδου, “Ο Φραντς Λιστ και η Ποίηση: Η επίδραση της ποίησης στις ενόργανες συνθέσεις του” (B.A. thesis, University of Athens, [>2012]), 50, 54, 60.
John Richard Prescott, “John Stanley, ‘A Miracle of Art and Nature’: The Role of Disability in the Life and Career of a Blind Eighteenth-Century Musician” (Ph.D. dissertation, University of California, Berkeley, 2011).
Sara-Anne Churchill, “The Tradition of Transcription: Handel Aria Arrangements in the Fifth Book of The Ladys Banquet” (Ph.D. dissertation, University of Toronto, 2011), 61.
Timothy De Paepe, “‘Une place pour les commedies...’ De relatie tussen inrichting, repertoire en gebruik van de Antwerpse theatergebouwen tussen 1610 en 1762” (Ph.D. dissertation, Universiteit Antwerpen, 2011), 543.
Mary Gifford Heiden, “Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763–1815),” (Ph.D. dissertation, University of North Texas, 2011), 77.
Aaron M. Carter-Cohn, “Music of Three Continents: Europe, North America and Africa Recital Document” (M.Mus. in Choral Conducting thesis, The University of Texas at San Antonio, 2011).
Deanna Lynn Joseph, “Bruckner’s Mass in D minor: Performance Implications for the 19^th-century symphonic mass” (D.M.A. dissertation, Eastman School of Music, University of Rochester, 2010), 69, 73.
Marcello Stasi, “Palavra, Harmonia e o Platonismo Ficiniano na Monodia Dramática da Seconda Pratica” (Ph.D. dissertation, Universidade Estadual de Campinas, 2009), 179.
Πέτρος Πουτιός, “Έλληνες συνθέτες της Διασποράς μετά το 1950 και η συμβολή τους στη σύγχρονη μουσική δημιουργία” (B.A. thesis, University of Macedonia, 2009), 14.
Lucille Corwin, “Le istitutioni harmoniche of Gioseffo Zarlino, Part 1: A translation with introduction” (Ph.D. dissertation, The City University of New York, 2008), 538.
Chadwick Jenkins, “Ridotta alla perfettione: Metaphysics and History in the Music-Theoretical Writings of Giovanni Maria Artusi” (Ph.D. dissertation, Columbia University, 2007), 65, 74.
Jennifer Beakes, “The horn parts in Handel’s operas and oratorios and the horn players who performed in these works” (D.M.A. dissertation, City University of New York, 2007), 274.
Σάββας Παυλίδης, “Οι ψυχολογικές λειτουργίες που εμπλέκονται στην διαδικασία της εκ πρώτης όψεως ανάγνωσης στους πιανίστες” (B.A. thesis, University of Macedonia, 2006), 6, 50.

Online resources-other

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Ελπίδα Νούσα, “Νικόλας Αστρινίδης : ‘Το πάθος του Σίβα,’” https://iporta.gr/, 6 May 2021.
Δημήτρης Καπράνος, “Όταν ο Μάνος Χατζιδάκις ‘τρέλανε’ το Χόλιγουντ,” ΕΣΤΙΑζω 15 (2020), 86–87.
Παναγιώτης Αντ. Ανδριόπουλος, “ΤΟ ΟΡΑΤΟΡΙΟ ‘ΑΓΙΟΣ ΔΗΜΗΤΡΙΟΣ’ ΤΟΥ ΝΙΚΟΥ ΑΣΤΡΙΝΙΔΗ – ΕΝΑ ΕΡΓΟ ΜΕΓΑΛΗΣ ΠΝΟΗΣ,” 26 Οκτωβρίου 2020.
Λεωνίδας Καρνάρος, “Σπύρος Σκούρας: Ο αγνοημένος Ηλείος ευεργέτης της Ελλάδος,” Ερμής της Ηλείας, 6 April 2020.
“SONS OF GAHMURET explorations…”
Παναγιώτης Αντ. Ανδριόπουλος, “Ο ΑΜΕΡΙΚΗΣ ΑΘΗΝΑΓΟΡΑΣ, Ο ΣΠΥΡΟΣ ΣΚΟΥΡΑΣ ΤΗΣ 20th CENTURY FOX ΚΑΙ Η ΠΕΙΝΑ ΤΗΣ ΚΑΤΟΧΗΣ...”, Φως Φαναρίου, October 28, 2019.
“Νέα στοιχεία για την προσφορά του προέδρου της 20th Century Fox Σπύρου Σκούρα στην Ελλάδα της Κατοχής,” The Athens News Agency - Macedonian Press Agency, 27 July 2019; reprinted as “Σπύρος Σκούρας: Από το Σκουροχώρι Ηλείας, πρόεδρος της 20th Century Fox,” hellasjournal.com; “Ο Σπ. Σκούρας, η 20th Century Fox και η Ελλάδα της Κατοχής,” thetoc.gr;
“Ο κ. Ηλίας Χρυσοχοΐδης στο «ΑΠΕ» για τον «Χολιγουντιανό» ομογενή Σπύρο Σκούρα,” Εθνικός Κήρυξ, 27 July 2019.
“Ο ομογενής του Χόλιγουντ που έσωσε από την πείνα 3 εκατομμύρια Έλληνες στα χρόνια της Κατοχής,” Μακεδονία, 27 July 2019; reprinted in Sofia Times Magazine, 28 July 2019.
“Σπάνια αρχεία στο Stanford για τον ομογενή Σπύρο Σκούρα και την προσφορά του,” Εθνικός Κήρυξ, 22 July 2019.
Alex Shashkevich, “Film pioneer’s archive at Stanford reveals Hollywood treasure trove,” Stanford News Service, 16 July 2019; reprinted in The Pappas Post, 18 July 2019.
Natalia Vogeikoff-Brogan, “Exploring the Relationship of the American School of Classical Studies at Athens with the Greek Omogeneia in the United States in the 1940s,” From the Archivist’s Notebook, 4 July 2019.
Gregory Pappas, “On This Day March 28, 1893: Remembering One of the ‘Greatest Greek Americans,’” The Pappas Post, 28 March 2019.
Νίκος Θεοδοσίου, “Η διπλή ζωή του Σπύρου Σκούρα,” Documento, 17 March 2019.
Μαρία Σαμπατακάκη - Ομάδα “hιστορισταί,” “Η εκτέλεση, τα συσσίτια και η 20th Century Fox,” Πρώτο Θέμα, 24/02/2019.
Γαβριήλ Χ. Σερέτης, “Ο Έλληνας βασιλιάς του Χόλιγουντ,” liberal.org, 2 November 2018; reprinted in www.omogeneia.gr.
“Άγιος Δημήτριος (280–306), άγιος της Ορθόδοξης και της Ρωμαιοκαθολικής Εκκλησίας και πολιούχος της Θεσσαλονίκης,” timesnews.gr, 26 October 2018.
Elpida Nousa (ed.), “ΑΣΤΡΙΝΙΔΗΣ, ΑΛΩΣΗ ΤΗΣ ΠΟΛΗΣ,” Ακούτε Κλασική Μουσική; 10 June 2018.
Szabó Sz. Csaba, “A plasztikai sebészet első valódi mártírja még hazavihette a zsírját,” magyar narancs online, 2 March 2018.
Thomas Delapa, “Going big – and going home,” in “From Smell-O-Vision to Astrocolor, the film industry’s biggest innovation flops,” The Conversation, 28 February 2018; Salon, 4 March 2018.
Maria Nesterenko and Ivan Martov, “Бетховен был не настолько глуп, чтобы до старости восхищаться революцией,” https://gorky.media/, 16 February 2018.
Gregory Pappas, “Skouras Scholar Questions Joan Collins “Cleopatra” Allegations,” the pappaspost, 17 November 2017.
“Δημήτρης Μητρόπουλος: Ένας μεγάλος διεθνής Έλληνας που αγαπάμε να θυμόμαστε,” ozon magazine, 3 November 2017.
Λίλλυ Καρατζαφέρη, “Σαν Σήμερα – Δημήτρης Μητρόπουλος – 57 χρόνια από το θάνατό του,” athina984.gr, 2 November 2017.
“Όταν ο ομογενής Σπύρος Σκούρας «λογομάχησε» με τον Χρουστσόφ για τον κομμουνισμό (βίντεο),” Εθνικός Κήρυξ / The National Herald, 21 September 2017.
Nick Cannata-Bowman, “Marilyn Monroe: 10 of Her Greatest Movies of All Time,” Showbiz Cheat Sheet, 14 September 2017.
“Σπύρος Π. Σκούρας: ένας δαιμόνιος Έλληνας στο Χόλιγουντ,” timesnews.gr, 15 August 2017.
“Μάνος Χατζιδάκις,” timesnews.gr, 15 June 2017.
James E. May, “Studies of Authorship in the Long 18th Century, c. 1985–2016,” 6 May 2017.
https://bibsocamer.org/wp-content/uploads/BibS_Authors_May2017.pdf
[“Νικόλαος Αστρινίδης”], timesnews.gr, 5 May 2017.
“Spyros P. Skouras, One of the most Prominent Greek-Americans in US History,” The National Herald, 21 February 2017; reprinted in Greek in olympia.gr, 26 February 2017; e-rodios, 1 March 2017.
Early Music World: Links
Loukas Koutsikos, “Σπύρος Σκούρας: Ο μεγάλος Έλληνας του Hollywood,” Greek American News Agency, 18 December 2016; reprinted in H Νέα Πρωϊνή, 18 December 2016.
Γιούλη Π. Κόκκορη, «Οργανώσεις που συγκροτήθηκαν από Έλληνες των ΗΠΑ και του Καναδά κατά την διάρκεια των ετών 1940-44», Εθνικός Κήρυξ, Το Περιοδικό 29–30 Οκτωβρίου 2016, 22–45: 45.
Melanie Maria Just, “Pope, Alexander,” MGG-online (2005, 2016).
“Cleopatra: A Film of Epic Proportions,” romeacrosseurope, 22 August 2016.
Gregory Pappas, “October 1929: When the ‘Trial of the Century’ Gripped America and a Greek Named Alexander Pantages Became the Most Hated Man in the Nation,” The Pappas Post, 8 July 2016.
Shane Berry, “What Every Modern Producer Can Learn From Mozart,” askaudio.com, 25 October 2015.
Eleanor Selfridge-Field (compiler), “Links for Digital Musicology,” Center for Computer Assisted Research in the Humanities at Stanford University, 2015.
feature, “Street Musicians take on the Symphony Orchestra,” slippedisc, 5 April 2015.
Norman Lebrecht, “On Brahms and bird-shit: what we didn’t know,” http://slippedisc.com/ 24 March 2015.
The Wagnerian, “Tannhauser: ‘Though this be madness, yet there is method in’t,’” The Wagnerian, 13 February 2015.
Giorgos Sakallieros, “Astrinidēs, Nikolaos,” Grove Music Online, Oxford Music Online (Oxford University Press, 3 September 2014).
Θωμάς Ταμβάκος, “Νίκος Αστρινίδης (1921–2010),” Θεσσαλονικέων Πόλις 50 (2014), 90–95.
Eirinika (Vintage Story), 2 November 2014.
The MGSA Greek American Resources Archive (May 2014 update).
[rilm staff], Dimitri Mitropoulos (1896–1960), bibliolore: The RILM blog, 25 January 2014.
[rilm staff], “Handel reference database,” bibliolore: The RILM blog, 20 December 2013.
David Bordwell, “Picking up the pieces; or, a Blog about previous blogs,” David Bordwell’s website on cinema, December 17, 2013.
[rilm staff], “Marie-Louise Desmâtins in life and death,” bibliolore: the rilm blog, 25 November 2013.
Παύλος Η. Αγιαννίδης, “Δημήτρης Μητρόπουλος: Ένας ενορχηστρωμένος φόνος,” ΤΑ ΝΕΑ, Σαββατοκύριακο 2–3 Νοεμβρίου 2013, “Ν συν μυστήριο”: 10.
Kelsey Geiser, “Study Reveals Skouras’ Impact on Am. Culture”, The National Herald, 1–7 June 2013, 1, 6.
“Greek president of Twentieth Century-Fox,” Eleftheria, 30 May 2013, 17.
Michael Chwe, “Economics, Game Theory and Jane Austen,” PBS Newshour, May 16, 2013.

Spyros Staveris, “Spyros Skouras, 20th Century Fox,” www.lifo.gr.
Valia Vraka, “Nicolas Astrinidis Archive,” Music Library of Greece.
Nina Julich and Paula Pérez-Sobrino, “Image schemas underlying musical metaphors: A corpus based approach,” CAP 12 – Cognition and Poetics conference, 25–27 April 2013, University of Osnabrück, Germany.
Manuela Dal Borgo, “From Narrative to Games,” Lyceum Classics Community Seminar, 20 March 2013.
“Foundation launches major initiative to highlight life story of Spyros P. Skouras,” Greek America Magazine, Summer 2012, 96–97.
“Masterworks Concert brings musicians together,” The Almanian, 26 March 2012.
Michael Suk-Young Chwe, Folk Game Theory: Strategic Analysis in Austen, Hammerstein, and African American Folktales [manuscript], 8, 274–75, 283.

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SCHOLARLY-PROFESSIONAL ACKNOWLEDGEMENTS

Constantine G. Hatzidimitriou, “Introduction,” American Journal of Contemporary Hellenic Issues 14 (Summer 2023).
Mark Cohen, Not Bad for Delancey Street: The Rise of Billy Rose (Waltham: Brandeis University Press, 2018), 236.
Χρήστος-Ελισαίος Γούλας, “Επίγευση αγιότητος. Ο μαέστρος Δημήτρης Μητρόπουλος και οι σχέσεις του με Ορθόδοξες πνευματικές μορφές του 20^ου αιώνα [Aftertaste of holiness. The conductor Dimitri Mitropoulos and his relations to Orthodox Spiritual Figures of 20th century]” (Postgraduate thesis, Aristotle University of Thessaloniki, 2019), 4.
“Μουσική Θεσσαλονίκη: Νίκος Αστρινίδης (A part, B part),” documentary (musicological supervision: Μαριάνα Μποζαπαλίδου; directed by Στέργιος Φουρκιώτης), TV100, 23 and 30 January 2019.
Janet C. Constantinou, Greco-Roman Gods and Heroes at the Doors of the San Francisco Asian Art Museum (Bloomington, IN: authorsHOUSE, 2019).
Eleanor Selfridge-Field, “Venetian Instrumental Music in the Sixteenth Century,” in Katelijne Schiltz, ed., A Companion to Music in Sixteenth-Century Venice (Leiden and Boston: Brill, 2018), 415–439: 415.
Eleanor Selfridge-Field, “Marcello Psalms,” Center for Computer Assisted Research in the Humanities at Stanford University.
Eleanor Selfridge-Field (compiler), “Links for Digital Musicology,” Center for Computer Assisted Research in the Humanities at Stanford University.
Eleanor Selfridge-Field, “The Maeftro di Mufica, or Quality Control in the Virtual Library 1,” Fontes Artis Musicae 62.2 (April-June 2015), 63–77.
Eleanor Selfridge-Field, “Search engines for digitally encoded scores,” Early Music 42 (2014), 591-98: 597.
Eleanor Selfridge-Field, “Between an Analogue Past and a Digital Future: The Evolving Digital Present,” Roundtable zur ViFaMusik am 3.11.2010 in Rom, 1.
David Coke and Alan Borg, Vauxhall Gardens: A History (New Haven and London: Yale University Press, 2011), xi, 427 (nn. 71, 72), 433 (n. 32), 437 (n. 37).
Messiah, CCARH Wiki (21 December, 2011).
Ellen T. Harris, “Courting Gentility: Handel at the Bank of England,” Music & Letters 91/3 (August 2010), 357–75: 357.
Felicity Nussbaum, Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater (Philadelphia: University of Pennsylvania Press, 2010), 285, 295, 303, 313, 322, 381.
Thomas S. Grey, ed., Richard Wagner and His World (Princeton and Oxford: Princeton University Press, 2009), xiv.
Annette Schellenberg, “‘Esther’: Exegetisch-theologische Beobachtungen zur Rezeption des biblischen Stoffs bei Georg Friedrich Händel,” in Sprachen, Bilder, Klänge: Dimensionen der Theologie im Alten Testament und in seinem Umfeld: Festschrift für Rüdiger Bartelmus zu seinem 65. Geburtstag , ed. Christiane Karrer-Grube, Jutta Krispenz, Thomas Krüger, Christian Rose and Annette Schellenberg (Münster, 2009), 275–93: 278.
Κυριακή Φενέρη, «Η συμβολή των σύγχρονων συνθετών της Θεσσαλονίκης στην Ελληνική χορωδιακή μουσική», Πτυχιακή εργασία, Πανεπιστήμιο Μακεδονίας, Θεσσαλονίκη 2009, 14.
Thomas S. Grey, ed., The Cambridge Companion to Wagner (Cambridge: Cambridge University Press, 2008), xv.
Felicity Nussbaum, “‘Real, Beautiful Women:’ Actresses and The Rival Queens,” Eighteenth-Century Life 32/2 (Spring 2008), 138–58: 157.
David Vickers, “Handel’s Performing Versions: A Study of Four Music Theatre Works from the ‘Second Academy’ Period” (Ph.D. thesis, The Open University, 2008), 4.
Eleanor Selfridge-Field, The Calendar of Venetian Opera: A New Chronology of Venetian Opera and Related Genres, 1660–1760 (Stanford: Stanford University Press, 2007), 382.

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MEMBERSHIPS

American Hellenic Council of California (2012–)
North American British Music Studies Association (2004–)
Society for Eighteenth-Century Music (2002–)
The College Music Society (2002–2009)
The American Handel Society (2002–)
American Society for Eighteenth-Century Studies (ASECS) (2001–)
American Society of Composers, Authors and Publishers (ASCAP) (1998–)
American Musicological Society (1996–2008, 2010–2011)
Royal Musical Association (UK, 1994–1996, 2009–2011)
Institute of Advanced Musical Studies (IAMS), King’s College, University of London (UK, 1994–1996)
Greek Composers’ Union (Greece, 1993–1996)
The Scientific and Medical Network (UK, 1993)
Francis Bacon Society (UK, 1992)

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REFERENCES

Karol Berger (Stanford University)
Thomas S. Grey (Stanford University)
Stephen Hinton (Stanford University)
Ellen T. Harris (MIT)
Lowell Lindgren (MIT)
Steffen Huck (UCL/WZB); letter
Jan Assmann (Universität Konstanz)
Linda P.B. Katehi (University of California, Davis); letter
Katerina Lagos (California State University, Sacramento)

(PAST)

Anna Maria Busse Berger (University of California, Davis)
Paul Berliner (Northwestern University)
George Barth (Stanford University)
Reinhard Strohm (King’s College, London)
Curtis Price (King’s College, London)
Michael Fend (King’s College, London)
Mark Everist (King’s College, London; currently, University of Southampton)
Michael Talbot (University of Liverpool)
Theodore Antoniou (Boston University)
Evanghelos Moutsopoulos (University of Athens / The Academy of Athens)

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